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TO  THE 


LITERATURE  OF  /ESTHETICS. 


For  Reading  Room  Only 


SOUTHERN  B" 

'ERSITY  OF  CALit-Uh 

LIBRARY, 
ILOS  ANGELES,  CAHF. 


A  GUIDE 


TO   THE 


LITERATURE  OE  ^ESTHETICS. 


BY 


CHARLES   MILLS  GAYLEY, 

Professor  of  the  English  Language  and  Literature  in  the  University  of  Ca'ifornia ; 


AND 


FRED   NEWTON    SCOTT,   Ph.D., 

Assistant  Professor  of  English  in  the  University  of  Michigan. 


[Supplement  to  the  Report  of  the  Secretary  of  the  Board  of  Regents, 

University  of  California.] 


4281U 


BERKKLEY 
1890. 


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TABLE  OF  CONTEXTS. 


TAGK. 


Preface 


o 


I.  Esthetic  Doctrines 9-43 

A.  Historico-Critical 9 

B.  Original  Sources 11 

I.  Ancient  and  Mediaeval 11 

^                                 2.  Modern 15 

I                                            a.  English  and  American 15 

~                                                   ]\Iinor  References 2, 

0^                                           b.  German 25 

^^                                                 Minor  References 34 

c.  French 35 

Minor  References  40 

d.  Italian 41 

'                                 3.  Psychology  of  ^Esthetics  .  .                    .  • 42 

\         II.  Subject-Matter  ok  Esthetic  Theory 44-46 

y  A.  The  Agreeable  and  the  Beautiful;  the  Sublime  and  the 

Pathetic 44 

B.  The  Mysterious,  the  Awful,  the  Horrible,  etc 45 

\^                      C.  The  Incongruous,  the  Ludicrous,  the  Grotesque,  etc.    ...  46 

c  III.  The  Fine  Arts.     [Except  Literature.] 47-50 

^^                       A.  Histories  of  Art 47 

I.  General 47 

J                                  2.  Ancient  and  MediiEval 48 

3.  Renaissance  and  Modern 49 

B.  Treati.ses  on  the  Arts  in  General *   50 

C.  Special  Treatises  on  the  Different  Arts 53-72 

1.  Architecture '53 

2.  Sculpture.  .  .                57 

3.  Ceramics 59 

4.  Painting 61 

a.  Histories  and  Biographies   61 

b.  Treatises  on  Painting 65 

5.  Engraving,  Etching,  etc. .  .  67 

6.  Music 69 

a.  Histories  of  Music  .  .  69 

b.  Treatises  on  Music.  70 


6  TABLE  OF  CONTENTS. 

- ( ^ 

PAGE. 

IV.  IvITerature; 73-107 

A.  Histories  and  Theories  in  General 73 

B.  Poetry 76 

1.  General 76 

2.  Epic 83 

3.  Lyric 86 

4.  Drama   88 

a.  General  88 

b.  Tragedy 92 

c.  Comedy 95 

d.  Histrionics 97 

5.  Miscellaneous  Poetical  Types 99 

6.  Technique  of  Verse loi 

C.  Prose 104 

1.  The  Novel 104 

2.  Technique  of  Prose ...    107 

V.  Criticism 108 

VI.  MiscEiyi^ANEOUs 115 


PREFACE. 


Neither  exhaustiveness  nor  ideal  completeness  of  classifica- 
tion is  claimed  for  this  guide  to  the  literature  of  aesthetics.  It 
is  mainly  a  list  of  the  books  consulted,  in  two  libraries,  during 
the  preparation  of  lectures  on  ^^^sthetics,  and  of  a  text-book  on 
Literar}'  Criticism.  Whatever  claim  to  consideration  it  may 
possess  must  be  based  on  the  fact  that  most  of  the  works  cited 
have  been  found  valuable  by  the  college  classes  of  one  or  the 
other  of  the  compilers,  and  that  the  more  important  subject- 
matter  has  been  indicated  b}"  definite  references  to  volume  and 
page.  The  compilers  hope  that  the  simple  scheme  of  classifica- 
tion adopted  by  them  may  prove  an  efficient  time-saver  to  the 
student  of  aesthetics. 

They  deem  it,  however,  only  just  to  themselves  to  say  that, 
since  this  is  but  the  first  of  a  series  of  bibliographies  designed  to 
cover  a  considerable  portion  of  the  field  of  sesthetic  inquiry,  the 
list  here  given  is  necessarily  of  a  general  character.  The  hand- 
books that  follow  will  take  up,  in  turn,  special  aspects  of  the 
subject.  For  this  reason  minute  subdivisions  have,  in  this 
pamphlet,  been  avoided;  nor  has  any  pains  been  taken  to  bring 
together,  bj^  means  of  cro.ss- references,  all  the  matter  upon  any 
one  topic.  The  books  and  articles  consulted  have  been  classi- 
fied as  wholes,  and  assigned  to  the  divisions  into  which  they 
most  obviously  fall,  or  into  which  there  seems  least  objection 
to  putting  them.  Few  titles  have  been  repeated;  nor  has  it 
seemed  feasible  to  supj^ly  from  treatises  of  a  general  or  miscel- 
laneous character  the  gaps  resulting  from  an  absence  of  appro- 
l)riate  monographs.  A  more  liberal  policy  would  have  stretched 
the  line  of  references  to  the  crack  of  doom.  I'^or  a  like  reason 
the  compilers  have  refrained  from  conunents  upon  the  merits  of 
the  various  authorities  cited.  They  have,  however,  while 
treating  of  the  Sicbjcct-Mattej'  of  Aisthctic  llicory,  of  Types  of 
Literature,  and  of  Critieisni,  permitted  themselves  to  su])i)k'- 


PREFA  CE. 


ment  monographs  and  sporadic  articles  by  indication  of,  or  refer- 
ence to,  more  exhaustive  treatises  already  elsewhere  classified. 

It  will  be  the  aim  of  future  bibliographies  to  take  up  special 
topics  of  aesthetic  criticism,  to  analyze  them  minutely,  and  to 
collect  from  available  sources  whatever  references  are  found  to 
bear  upon  them.  Such  a  bibliography  in  respect  of  lyiterary 
Criticism  has  been  prepared,  and  will  shortly  be  sent  to  press. 

In  the  collection  of  material  the  work  has  of  necessity  been 
confined  to  two  University  libraries,  neither  of  which  is  so 
well  equipped  with  special  treatises  on  aesthetics  as  might  be 
desired.  Furthermore,  since  the  list  has  been,  in  general, 
limited  to  works  consulted  at  the  shelves,  the  compilers  have 
been,  at  times,  reduced  to  the  citation  of  an  inferior  edition, 
although  they  knew  that  a  later  and,  presumably,  better  edition 
existed.  But  to  bow  to  this  inevitable  has  seemed  wiser  than  to 
circulate  information  at  second  hand.  Of  course,  in  a  few  cases, 
reference  has  been  made  to  volumes  not  owned  by  either  library, 
volumes,  however,  altogether  too  important  to  be  omitted  from 
a  general  list. 

A  few  signs  and  abbreviations  may  need  explanation.  Prog, 
means  that  the  work  is  one  of  the  numerous  and  valuable  Ger- 
man S chit l-Progranime .  The  letter  p.  before  numbers  is  used, 
even  in  case  of  foreign  works,  for  page,  and  is  omitted  after  the 
first  reference.  If  the  first  reference  is  to  paragraphs  or  sections, 
the  following  numbers,  unless  otherwise  indicated,  have  the  same 
significance.  In  the  references  to  subject-matter,  the  subject  fol- 
lows immediately,  and  without  punctuation,  the  number  of  the 
page  or  paragraph. 

The  compilers  desire  to  acknowledge  their  indebtedness  to 
Mr.  J.  C.  Rowell,  L,ibrarian  of  the  University  of  California, 
whose  counsel  and  ready  aid  in  all  matters  technical  and  biblio- 
graphical, have  rendered  the  preparation  of  this  work  much  less 
laborious  than  thev  had  feared. 


June,  1890. 


A    GUIDE 


LITERATURE  OF  ESTHETICS, 


I.     ^ESTHETIC  DOCTRINES. 

A.  Historico-Critical. 

Burt,  B.  C.  A  Brief  Histor}-  of  Greek  Philosophy.  Boston: 
1889. 

p.  63  Socrates,  loS  Plato,  1S3-5  Aristotle. 

Chaignet,  A.,  ed.  Histoire  de  la  Psychologic  des  Grecs. 
Paris:   1887. 

Tome  Premier:  Histoire  de  la  Psychologie  des  Grecs  avant  et  aprgs  Aristote. 
P.  156-S  Socrates,  233-41  Plato. 

Egger,  E.  Essai  sur  I'Histoirc  dc  la  Critique  chez  les  Grecs. 
2'^  ed.      Paris:   1886. 

Encycl.  Brit.     9th  ed.     "Esthetics."     Jas.  Sully. 

Erdmann,  J.  E.  Gruudriss  der  Geschichte  der  Philosophic. 
2  V.      3'"  Aufl.      Berlin:    1878. 

See  index  under  "  Plato,"  "Aristotle,"  "  Kaiit,"  etc. 

—  —  Engl.  Trans.  VA.  by  \V.  S.  Hough.  3  v.  Eond.  and 
N.  Y.:   1890. 

Guhl,  E.,  and  Koner,  W.  The  Life  of  the  Greeks  and  Romans 
described  from  .Vntique  Monuments.  Trans,  from  3d  Ger- 
man ed.  by  F.  Hueffer.      Illust.      Lond.:    1877. 

Hartmann,    E.    von.     Ausgewahlte   Werke.      Berlin:     1887. 

9-12    Hft.     Die    dcutschc    ^isthctik    seit    Kant.     i.     Ilistorisch-krit.     Thl.   der 
v^-sthetik. 


lo  A  GUIDE  TO  THE 

Lotze,  H.     Geschichte  der  ^stlietik  in  Deutschland.     Miin- 
chen:    1868. 

Schasler,  M.     Kritisclie  Geschichte  der  ^sthetik.     2  v.     Ber- 
lin:  1872. 

Ueberweg-,  F.     History  of  Philosophy.     Trans,  by  G.  S.  Mor- 
ris.    2  V.     N.  Y.:   1872-4. 

See  index  in  v.  2  under  "Esthetics,"  "Art,"  "  Beautiful,"  etc. 

Zeitschrift  fiir  Philos.      89   [Beigabeheft]:    i.     Ueber   einige 
Principienfehler  der  niodernen  ^sthetik.     Max.  Schasler. 

Zimmerman,  R.     Geschichte  der  ^sthetik    als    Philosophi- 
scher  Wissenschaft.     Wien:   1858. 


LITERATURE  OF  ESTHETICS.  ii 


B.  Original  Sources. 

/.  Ancient  and  Medicsval. 

Aristotle.     De  Arte  Poetica  [Vahlen's  Text]  with  Trans,  b}^ 
E.  R.  Wharton.     Oxford:   1883. 

—  A  Commentan,'  ilkistrating  the  Poetic  of  Aristotle  ...   to 

which  is  prefixed  .   .   .   the  Trans,  of  the  Poetic.     By  H. 
J.  Pye.     Lond. :   1792. 

—  Treatise  on  Poetn,-.     Translated;  with  Notes  .   .   .   and  two 

Dissertations.     By  Thos.  Twining.     2d  ed.     2  v.     By  D. 
Twining.     Lond.:    1812. 

p.  3-93  Imitatiou. 

—  De  Poetica.     Griechisch  und  deutsch;   und  mit  .    .   .   An- 

merkungen  von  F.  Susemihl.     2'"  Aufl.     Leipz.:   1S74. 

—  Donaldson,  J.  \V.     The  Theatre  of  the  Greeks.     4th  ed. 

Camb. :    1836. 

p.  155-194  Twiniag's  Traus.  of  the  Poetics. 

—  The  Nicomachean  Ethics.     Trans,  by  F.  H.  Peters.     Eond. : 

1881. 

p.  131-3  Wit,  1S5-9  Art. 

—  The  Metaphysics.     Trans,  by  J.  H.  McMahon.     Bohn  Eibr. 

Lond.:   1857. 
p.  4-6, 320. 

—  Opera  Omnia.     Graece  et  Latine.     5  v.     Paris:   1862-74. 

V.  I.  Rhetoric,  Poetics,  Politics;  v.  2,  Ethics,  Metaphysics;  v.  5,  Index. 

—  The  Politics.     Trans.   .   .   .  by  J.   E.   C.  Welldon.     Lond.: 

1883. 

p.  227-249  Music,'  245-6  Purging  of  the  Emotions. 

—  The  Rhetoric.     Trans.   .   .   .  by  J.  E.  C.  Welldon.     Lond.: 

1886. 

Bk.  2,  c.  5,  8. 

—  Biesc,  F.      Die   Philosophic  des  Aristoteles.     2  v.     Berlin: 

1835-42. 

Bd.  2,  p.  661-732  .^sthctik. 


12  A   GUIDE  TO  THE 

Aristotle.     Bruning,   G.     Ueber  die  tragische  F'urcht  in  der 
Poetik  des  Aristoteles.     Prog. 

—  Doring,   A.     Die  Kunstlehre  des  Aristoteles.     Jena:   1876. 

—  Frohschammer,  J.     Ueber  die  Principien  der  Aristotelischen 

Philosophie.     Mlinchen:   1881. 

p.  98-106  Die  Kuiist  als  allgemeiue  Analogic  iu  der  Aristotelischen  Welterkla- 
rung. 

—  Herrig's  Arcliiv.  40:145-8.     Ueber  die  Aristotelisciie  Katliar- 

sis. 

Prog.  47:342.      L,essing's  und  Goethe's  Ansichten  liber 

d.  Arist.  Katbarsis. 

—  Manns,   P.     Die   Uebre  des  Aristoteles  von  der  tragiscben 

Katbarsis  und  Hamartia.     Karlsrube:   1883. 

Reviewed  in  Zeitschrift  fiir  Philos.  86:130. 

—  Raumer,  F.  von.     Ueber  die  Poetik  des  Aristoteles.     Pam- 

pblet.      115  p. 

—  Stiester,  T.     Ueber  die  Katbarsis  in  der  Poetik  des  Aristot- 

eles.    Prog. 

—  Teicbmliller,   G.     Aristoteliscbe  Forschungen.     3  v.   in   i. 

Halle:   1867-9. 

I,  Beitrage  zur  Erklarung  der  Poetik  des  Aristoteles;  II,  Aristoteles  Philosophie 
der  Kunst. 

—  Ueberweg,   F.     History  of  Pbilosopby.     Ed.    Cit.     \.    i., 

p.  177-180.     Aristotle's  ^stbetics. 

—  Wallace,  K.     Outlines  of  the  Philosoph>^  of  Aristotle.     Ox- 

ford:  1880. 

—  Zeller,  E.     Die  Philosophie  der  Griechen.     3"'Aufl.     Leipz. : 

1879. 

Theil  2,  Abtli.  2  Aristoteles  und  die  alten  Peripatetiker,  p.   763-87  Die  Kunst- 
theorie. 

Augustine,  St.     Opera  Omnia.      12  v.  in  16.     Paris:   1877. 

V.  I,  p.  1082-1194  De  Musica.     See  also  index  in  v.  ii  under  "  Poesis,"  "  Poetae," 
etc. 


LITERATURE  OF  ESTHETICS.  13 


Cicero,  M.  Tullius.  Ue  Oratore  libri  tres.  2  v.  Ed.  by 
A.  S.  Wilkins.     Oxford:   1879. 

—  Bnitus  de  Claris  Oratoribus.     Erkl.  von  Otto  Jahn.     Berl. : 

1865. 

—  Cicero  on  Oratory  and  Orators.     (De  Ovatore  and  Brutus.) 

Tr.  by  J.  S.  Watson.     N.  Y.:    i860. 

Horace.     Works.      Trans,  by  C.  Smart.      Bohn  ed.      Lond.: 

1858. 

p.  299-325  Art  of  Poetry. 

—  Works.     Trans,  into  English  verse  ...   by  Sir  T.  Martin. 

2  V.      Edinb.:    1881. 

V.  2,  p.  373-402  Art  of  Poetrj'. 

—  Xettleship,  H.     Eectures  and  Essays.     Oxford:   1885. 

p.  16S-187  Horace's  De  Arte  Poetica. 

Longinus,  Dionysius.  Quae  Supersunt  Graece  et  Latine. 
Recens  ...  J.  Toupius.  Ace.  emend.  D.  Ruhnkenii. 
Editio  altera.     Oxford:    1778. 

—  On  the  Sublime.     Trans,  from  the  Greek.     With  notes  .   .   . 

by  Wm.  vSmith.     5th  ed.     Eond. :   1800. 

—  Traite  du  Sublime  traduit  du  Grec. 

See  Boileau,  Oeuvres  Compl.,  p.  240-282. 

Plato.  The  Dialogues  of  Plato.  Trans.  ...  by  B.  Jowett. 
4  V.     N.  Y.:   1872. 

V.  I,  Ion,  Phffido,  Symposium,  Phsedrus;  v.  2,  Republic  [bk.  2,  376-3^3;  bk.  3,  3S6- 
404;  bk.  7;  bk.  9,  580-591;  bk.  10,  595-608];  v.  3,  Gorgias,  Philebus;  v.  4,  Laws 
[bk.  2;  bk.  4,  719;  bk.  7,  796-803,  811-17;  bk.  8,  829-].  Reference  to  marginal 
numbers. 

—  Abbott,  E.     Index  to  Plato  compiled  for  the  Second  Edition 

of  Prof  Jowett's  Trans,  of  the  Dialogues.     Oxford:   1875. 

\Ed.']     Hellenica.     Oxford:    1880. 

P.  67-180  The  Theory  of  }%ducatioii  in  the  Republic  of  Plato,  by  II.  Nettleship  ; 
88-154  Literature  and  Art. 

—  Works.      Bohn  Eibr.     6  y.      Loud.:    1854-61. 

V.  I,  Phiedo  (p.  80-81,  106-7),  Gorgias,  Phiedrus;  v.  2,  Republic  p.  57-85,  202-231, 
270-283,  284-298;  V.  3,  Banquet;  v.  4,  PhiUbns,  Ion;  v.  5,  Laws  [bk.  2;  bk.  4,  144-5; 
bk.  7,  261-276,  288-300;  bk.  8,  312-5]. 


14  A   GUIDE  TO  THE 

Plato.    The  Republic.     Trans.   .   .   .  b}^  J.  I^.  Davies  and  D.  J. 
Vaughan.     2d  ed.     Camb. :   1858. 

Loc.  cit.  in  Jowett's  Trans.     Also  3d  ed.  1866,  and  4th  ed.  186S. 

—  Zeller,  K.     Plato  and  the  Older  Academy.     Trans,  by  S.  F. 

Alleyne  and  A.  Goodwin.     L,ond.  •   1876. 
p.  505-16. 

Quintilian.     The  Institutes  of  Oratory.     Trans,  by  J.  S.  Wat- 
son.    Bohn  Libr.     2  v.     I^ond.:   1882. 

Xenophon.    The  Anabasis  .   .   .   and  the  Memorabilia.    Trans, 
by  J.  S.  Watson.     L^ond. :   1859. 

p.  447-50  Socrates  on  Beaut}',  454-6  Painting  and  Sculpture,  499  Beauty. 

—  Minor  Works.   .    .   .   Trans,  by  J.   S.  Watson.     Bohn  L,ibr. 

Ivond. :    1857. 

p.  176-178  Banquet,  c.  5. 


LITERATURE  OF  ^ESTHETICS.  15 

2.  Modern. 

a.   English  and  American. 
Addison,  Jos.     Works.     6  v.     Lond.:   1811. 

V.  4,  p.  336-377;  Spectator,  Nos.  411-421  Imagiuation. 

Alden,   Jos.     Elements  of  Intellectual   Pliilosoph5\     N.   Y. : 
1866. 

p.  147-162  Coguition  of  Beautj-. 

Alison,  Archibald.     Essa3-s  on  the  Nature  and  Principles  of 
Taste.     2  V.     Edinb.:   1825. 

—  Blackw.  13:385.     Alison  explained  b}'  Jeflfre}'. 
Allen,  G.     Physiological  Esthetics.     N.  Y.:   1877. 

—  The  Color-Sense.     Boston:   1879. 

—  Mind  2:387.      Grant  Allen's    Physiological  Esthetics.     J. 

Sully. 

—  —  5:445-     Esthetic  Evolution  in  Man.     G.  Allen. 

—  Nation    25:185.      Grant    Allen's    Ph5-siological    .Esthetics. 

\V.  James. 

Allston,  Washington.     Eectures  on  Art,  and  Poems.     Ed.  by 
R.  H.  Dana.     N.  Y.:   1850. 

Bacon,  Francis.    Works.     Ed.  by  Spedding  and  others.     15  v. 
N.  Y. 

V.  2,  p.  186-8.  220-6;  V.  3,  40;  V.  4,  225-32;  V.  6,  182-3,  202-6,  337,  418-9;  V.  7,  285-7;  V. 
8,  407-9.  439-44;  V.  9,  220;  V.  10,  403-5- 

—  Fischer,  Kuno.     Francis  Bacon  und  seine  Nachfolger.     2** 

Aufl.      Eeipzig:    1875. 

p.  269-283  Bacon's  Poetik. 

Bain,  Alex.     The  Emotions  and  the  Will.     Eond. :   1859. 

1'.  65,  91-2,  117,  143,  153  [I.aughter,  156,  182-3,  196-".  204,  225  Imitation,  246,  247-285 
[c.  14]  The  ^^sthetic  Kinotions. 

—  Mental  Science.     N.  Y. :   1870. 

p.  106  Association  in  I-inc  Art,  122-3  Acquisitions  in  the  Fine  Arts,  149,  172-4,  289- 
317  ^sth.  Kniotions. 


i6  A   GUIDE  TO  THE 

Bain,  Alex.    The  Senses  and  the  Intellect.    2d  ed.    L,ond. :  1 864. 

P-  452-454,  543-550,  555.  604-5,  614-624. 

Bascom,  J.     Esthetics;  or,  The  Science  of  Beauty.     Newed., 
rev.  and  enl.     N.  Y. :   1886. 

Begg,  W.  P.     The  Development  of  Taste,  and  other  Studies 
in  Esthetics.     Glasgow:    1887. 

—  Rev.   Philos.   23:654.     W.    P.    Begg.     The  Development  of 

Taste.     [Review.] 

Bell,  Sir  Chas.     The  Anatomy  and  Philosophy  of  Expression 
as  connected  with  the  Fine  Arts.     6th  ed.     I^ond. :   1872. 

Blackie,  J.  S.     On  Beauty  .   .   .  with  an  exposition  of  the  Doc- 
trine of  the  Beautiful  according  to  Plato.     Edinb. :  1858. 

—  Contemp.  43:813.    Philosophy  of  the  Beautiful.  J.  S.  Blackie. 

Blair,   H.     Eectures  on  Rhetoric  and  Belles  Eettres.     Phila. : 
i860. 

Brown,  Thos.     Lectures  on  the  Philosophy  of  the  Human 
Mind.     4  V.     Edinb.:   1851. 

V.  3,  p.  61-197,  171  Hobbes's  Theory  of  the  Ludicrous. 

Burke,  Edmund.      Philosophical  Inquiry  into  the  Origin  of 
Our  Ideas  of  the  Sublime  and  Beautiful.     Eond. :   1821. 

—  An  Essay  on  the  Sublime  and   Beautiful.      Cassel's  Nat. 

Libr.     N.  Y. 

Carlyle,    Th.     On    Heroes,    Hero-Worship    and    the    Heroic. 

N.  Y.:   1846. 

Lect.  3,  The  Hero  as  Poet.     Lect.  5,  The  Hero  as  Man  of  Letters. 

—  Critical  and  Miscellaneous  Essay's.     4  V.     Lond. :   1857. 

Coleridge,   S.   T.     Complete  Works.     Ed.    by   Prof.    Shedd. 
7  V.     N.  Y.:  1853-4. 

V.  3,  Biographia  Literaria,  c.  3-4,  10-22;  v.  4,  p.  19-22  Definition  of  Poetry,  22-46 
Drama,  275-285  The  Ludicrous,  328-336  Poesy  as  Art,  337-343  Style,  368-70  Taste, 
370-3  Beauty,  387-8  Wonderfulness  of  Prose. 

—  Eiterary  Remains.     Ed.  by  H.  N.  Coleridge.     4  v.     Eond. : 

1836-9. 

v.  2,  p.  7-12  Definition  of  Poetry,  12-53  Drama,  372-3  Wonderfulness  of  Prose. 


L I TERA  Tl  ^RE  OF  .^S  THE  TICS.  1 7 

Dallas,  E.  S.     The  Gay  Science.     2  v.     Lond.:   1866. 

Day,  H.  N.     The  Principles  of  Esthetics.     N.  Y.:   1876. 

Digby,    Sir    K.     Two  Treatises  .   .   .   The   Nature  of  Bodies 
.   .   .  The  Nature  of  Man's  Soul.     Lond.:   1658. 

Second  Treatise,  p.  35  Poetry. 

Dryden,  J.     Works.     Ed.  b}- Sir  Walter  Scott.      i8v.     Lond.: 
1808. 

V.  2,  p.  265-289  Defense  of  an  Essay  of  Dramatic  Poesy;  v.  4,  16-27  Of  Heroic 
Plays,  211-228  Dramatic  Poetrj';  v.  15,  293-3S2  An  Essay  of  Dramatic  Poesy, 
385-396  Answer  to  Rymer:  v.  17,  286-332  Poetry  and  Painting,  33^499 Trans,  of 
Du  Fresnoy's  Art  of  Painting. 

Emerson,   R.   W,     Complete  Works.     Riverside  ed.      ii    v. 
Boston:   1883-4. 

V.  I  [Nature,  etc.],  p.  21-30  Beauty,  149-1S0  Literary  Ethics;  v.  2  [Essays— First 
Series],  327-343  Art;  v.  3  [Essays— Second  Series],  9-45  The  Poet;  v.  6  [Conduct 
of  Life],  265-290  Beauty;  v."_7  [Society  and  Solitude],  41-59  Art;  v.  8  [Letters  and 
Social  .\ims],  9-75  Poetry  and  Imagination,  151-166  The  Comic. 

Everett,  C.  C.     Poetry,  Comedy  and  Duty.     Boston:   1888. 

—  The  Science  of  Thought.     Boston:   1882. 

p.  153-163  Propositions  of  Beauty,  221-232  The  Logic  of  .Esthetics. 

Field,  Geo.     Outlines  of  Analogical  Philosophy.     2  v.     Lond.: 
1839. 

V.  2, p.  103-1S8. 

Gray,  Thos.     Works  in  Prose  and  A'erse.     Ed.  by  E.  Gos.se. 
4  V.     Lond.:   1884. 

V.  1,  p.  293-302  Xorman  .Architecture,  322-386  Metre  and  Rhyme. 

Hamilton,  E.  J.     The  Human  Mind.     N.  Y.:   1883. 
p.  491-501. 

Hamilton,  Sir  Wm.     Lectures  on  Metaphj^sics  and  Logic.    2  v. 
Boston:    i860. 

V.  I,  p.  623-633  [Lect.  46]  The  Beautiful  and  the  Sublime. 

—  Scottish  Metaphysics  Reconstructed.   [Anon.]  Pvdinb. :   1887. 

p.  192-203  Crit.  of  Hamilton's  .lEsthetics. 

Harris,   Geo.     A  Philosophical  Treatise    on  the  Nature  and 
Constitution  of  Man.      2  v.      Lond.:    1876. 

V.  2,  p.  316-351. 


1 8  A   GUIDE  TO  THE 


Harris,  Geo.     The  Theory  of  the  Arts.     2  v.     L,ond.:   1869. 

Hartley,    David.      Observations   on   Man.      6th  [ed.     L,ond. : 
1834. 

p.  262-278,  473-481  Pleasures  and  Paius  of  Imagination. 

Hazlitt,    W.     Lectures   on   the   English    Poets   and    English 
Comic  Writers.     Bohn  Eibr.     lyond. :   1876. 

I,  p.  1-25  Poetry;  II,  1-36  Wit  and  Humor,  142-180  English  Novelists,  181-204 
Hogarth,  205-232  Comic  Writers  of  the  Last  Century. 

—  Literary  Remains.     2  v.     Lond.:   1836. 

V.  I,  p.  33-60  Wit;  V.  2,  III- 192  The  Fine  Arts. 

—  The  Round  Table,  etc     Bohn  Libr.     Lond.:   1871. 

p.  14-20  Modern  Comedy,  51-57  Milton's  Versification,  T02-9  Imitation,  109-113 
Gusto,  229-235  Progress  of  Art. 

Hobbes,   Thos.     English  Works.     Ed.   by  Sir  Wm.    Moles- 
worth.     Lond.:   1839-45. 

V.  3,  p.  3-17,  58;  V.  4,  441-460  Answer  to  Davenant's  Preface  before  Gondibert. 

Hodgson,    Shadworth    H.     The   Theory  of  Practice.     2  v. 
Lond.:   1870. 

v.  I,  p.  264-305  Poetical  Emotions. 

Hopkins,  Mark.     An  Outline  Study  of  Man.     N.  Y.:   1873. 
p.  199-202. 

Hume,   David.     Essays   and  Treatises   on   Several  Subjects. 
2  V.     Lond.:   1768. 

V.  I,  p.  217-222  of  Simplicity  and  Refinement  in  Writing,  244-254  Tragedy,  255- 
281  Of  the  Standard  of  Taste. 

—  Philosophical  Works.     4  v.     Boston:   1854. 

V.  2,  p.  30-36  of  Beauty  and  Deformity;  v.  3,  211-216  Of  Simplicity  and  Refine- 
ment in  Writing,  237-247  Of  Tragedy,  248-273  Of  the  Standard  of  Taste;  v.  4, 
517-522  Of  Essay  Writing. 

—  A  Treatise  on  Human  Nature.     Ed.  by  T.   H.   Green  and 

T.H.Grose.     2  v.     Lond.:   1878. 

v.  2,  p.  95-99  of  Beauty  and  Deformity,  151-2,  336-7. 

Hutcheson,  Francis.     A  System  of  Moral  Philosophy.     2  v. 
Lond.:   1855. 

V.  I,  p.  15-19  Pleasures  of  Imagination,  86-7,  145-6  Tragedy. 


LITERATURE  OF  .ESTHETICS.  19 

Jeffrey,  F.     Contributions  to  the  Edinburgh  Review.     N.  Y. : 

1S60. 

p.  13-3Q  Alisou  ou  Taste. 

—  Ed.  R.  7  :  307.     In  \\'hat  Does  Beauty  Consist?     E.  Jeffrey. 
18:1.     AHson  on  Beaut}-.     F.  Jeffrey. 

—  Eucycl.  Brit..  8th  ed.      "Beauty."     F.  Jeffrey. 

—  Westm.  53  :  I.     Jeffre^-'s  Theor>^  of  Beauty. 
Johnson,  S.     Works.      11  v.     Oxford:   1825. 

V.  2,  Rambler,  No.  4  Romance,  36-7  Pastorals,  86,  88,  90,  92,  94  Versification;  v.  3, 
139-140  Samson  Agonistes,  156  Tragi-Comedy,  168  Poetrj';  v.  4,  Adventurer, 
58  Criticism  and  Poetry,  Idler  No.  45  Painting,  60-61  Criticism,  63  Art  and  Lan- 
guage, 76,  79  Painting,  82  Beauty;  v.  5,  p.  55  Observations  of  the  Tragedy  of 
Macbeth,  118-124  Shakespeare  and  the  Unities,  366-414  Trans,  of  Brumoy's 
Dissertation  upon  the  Greek  Comedy,  414-430  General  Conclusion  to  Brumoy's 
Greek  Theatre;  v.  7,  p.  14-16  (Cowley)  Wit,  125-142  (Milton)  Epic  Poetry,  p. 
301-307  Dryden  as  a  Critic. 

Karnes,  Lord.     Elements  of  Criticism.     Ed.  by  J.  R.   Boyd. 

1870. 

Knight,  R.  P.     An  Analytical  Inquiry  into  the  Principles  of 
Taste.     Eond. :   1805. 

Lamb,  Ch.     Life  Letters  and  Writings,     Ed.   ...  by  P.  Fitz- 
gerald.    6  V.     Lond.:   1882. 

V.  3,  p.  259-264  My  First  Play,  361-371  ^On  the  Artificial  Comedy  of  the  Last 
Century,  407-11  Stage  Illusion;  v.  4,  87  Barrenness  of  the  Imag.  Faculty  in  the 
Productions  of  Modern  Art,  18S  Tragedies  of  Shakespeare. 

Lauder,  Sir  T.  D.     Sir  Uvedale  Price  on  the  Picturesque,  with 
an  Essay  on  the  Origin  of  Taste.     Edinb. :  1842. 

Macaulay,   T,    B.      Critical,     Historical    and    Miscellaneous 
Essays.     6  v.     N.  Y.:   1861. 

V.  I.,  p.  206-11  (Milton)  Poetry  and  Civilization,  325-351  (Dryden)  Laws  of  Prog- 
ress of  the  F"ine  Arts.     See  also  index. 

McCosh,  Jas.     The  Emotions.     N.  Y.:   1880. 

]■.   1^8-211. 

McDermot,  M.     A   Critical   Dissertation   on   the  Nature  and 
Principles  of  Taste.     Lond.:    1823. 


20  A   GUIDE  TO  THE 

Martineau,    Jas.     Types  of  Ethical  Theon*.     2  v.     Oxford: 

18S5. 

V.  I,  p.  417-21  Comte,  Concomitant  ^^sthetic  and  Moral  States;  v.  2,  166-7 
^stheticism,  448-521  Esthetic  IJthics,  Shaftesbury,  Hutcheson. 

Mill,  Jas.  Analj'sis  of  the  Phenomena  of  the  Human  Minck 
2  V.      Lond. :   1829. 

V.  I,  p.  177-1S5  Imagination;  v.  2,  191-20S  The  Objects  Called  Sublime  and  Beau- 
tiful. 

—  Same.     Ed.  by  J.  S.  Mill.     2  v.     2d  ed.     Eond.:   1878. 

V.  2,  p.  230-255  The  Objects  called  Sublime  and  Beautiful. 

Moffatt,  J.  C.  An  Introduction  to  the  Study  of  JBsthetics. 
Cincin.:    1856. 

Porter,  Noah.     The  Human  Intellect.     4th  ed.     N.  Y. :   1875. 
p.  366-7. 

Reid,  Thos.  Essays  on  the  Intellectual  Powers  of  Man.  Ed. 
hy  J.  Walker.     6th  ed.     Boston:    1855. 

p.  455  Essaj'  VIII,  of  Taste. 

Reynolds,  Sir  Joshua.  Eiterar\-  Works.  To  which  is  affixed 
a  Memoir  of  the  Author  with  remarks  .  .  .  illustrative  of 
his  Principles  and  Practice.  By  H.  W.  Beechey.  2  v. 
Lond.:   1835. 

—  Seven  Discourses  on  Art.     Cassell's  Libr.     N.  Y. 

Ruskin,  J.  "A  Joy  for  Ever;"  (and  its  Price  in  the  Market): 
being  the  Substance  (with  Additions)  of  two  Eectures  on  the 
Political  Economy  of  Art.     Orpington:   1880. 

—  Arrows  of  the  Chace.     2  v.     Orpington:   1880. 

V.  I,  p.  3-252  Letters  on  Art,  3-50  Art  Criticism  and  Art  Education,  53-82  Pub- 
lic Institutions  and  the  National  Gallery,  85-114  Pre-Raphaelitism,  117-158 
Turner,  161-178  Pictures  and  Artists,  181-252  Architecture  and  Restoration; 
V.  2,  235-264  Literary  Criticism. 

—  Eectures  on  Architecture  and  Painting.     N.  Y. :   1856. 

—  Modem  Painters.     5  v.     Orpington:   1887. 

—  On  the  Old  Road.     2  v.  in  3.     Orpington:   1885. 

v.  I,  pt.  I,  p.  21-132  Lindsay's  Christian  Art,  133-205  Eastlake's  History  of  Oil 
Painting,  329-348  Pre-Raphaelitism,  349-400  Architecture;  pt.  2,  405-438  Ad- 
dress at  Cambridge  School  of  Art,  549-624  Picture  Galleries,  643-698  Minor 
Writings  upon  Art ;  v.  2,  3-166  Fiction  Fair  and  F'oul,  167-176  Fairy  Stories. 


LITERATURE  OF  .ESTHETICS.  21 

Ruskin,  J.     Seven  Lamps  of  Architecture.     N.  Y.:   1859. 

—  Stones  of  Venice.     3  v.     X.  Y.:   i860. 

—  Same.      3  V.      Lond. :    1873. 

—  The  Eagle's  Nest.     Ten  Lectures  on  the  Relation  of  Natural 

Science  to  Art.     Orpington:   1880. 

—  The  Two  Paths:  being  Lectures  on  Art,  and  its  Application 

to  Decoration  and  Manufacture.     Orpington:   1884. 

—  Bayne,  P.     Lessons  from  my  Masters:  Carlyle,   Tennyson 

and  Ruskin.     N.  Y.:   1879. 

p.  380-449  Ruskiii's  Theories  of  Art. 

—  Japp,  A.   H.     Three   Great  Teachers    of  Our   Own   Time. 

Lond. :   1865. 

p.  187-243  Ruskin. 

—  Milsand,   J.       L'Ksthetique  anglaise:    l^tude   sur   M.    John 

Ruskin.      Paris:    1864. 

—  Rev.  d.  D.  Mondes.      i  Juillet  i860,  and  15  Aout  1861.     Une 

Nouvelle   Theorie  de   I'Art   en  Angleterre  .   .   .   M.    John 
Ruskin.     J.  Milsand. 

See  also  Blackw.  54  •4S3;  Fraser  33  :358;  55:619;  For.  R.  [Am.  cd. 137:202;  Macm. 
22  :423;  Quar.  [Am.  ed.]  98  :2o8. 

Shaftesbury,  Cooper,  A.  A.,  3d  Earl  of.     Characteristicks. 
3  V.     1749- 

V.  I,  p.  3-38  Enthusiasm,  41-101  Wit  and  Humor,  105-245  Advice  to  an  Autlior; 
V.  3,  5-233  Miscellaneous,  269-279  Art  of  Design.  See  also  index,  v.  3,  following 
p.  267. 

—  Gizycki,  G.  von.     Die  Philosophic  Shaftesbury's.     Leipsig: 

1876. 
p.  32-34, 107-8. 

Spencer,  Herbert.     Ivducation.     N.  Y.:   1S83. 

p.  71-S4- 

—  Essays:  Moral,  Political  and  Esthetic.     N.  Y.:    1873. 

p.  9  Philos.  of  Style,  149  Personal  IKauty,  312  Gracefulness. 

—  First  Principles.     Lond.:    1862. 

p.  313-334  The  Rhythm  of  Motion. 


22  A   GUIDE  TO  THE 

Spencer,  Herbert.     The  Primciples  of  Psycliology.      I^ond.: 

1855- 

p.  584-61 1  The  Feelings. 

—  Same.     2  v.     N.  Y.:   1885. 

V.  I,  p.  272-290  Pleasures  and  Pains,  472-494  The  Feelings;  v.  2,  539-557  I,auguage 
of  the  Emotions,  627-648  The  Esthetic  Sentiments. 

Stewart,   D.     Works.     Ed.   bj-   Sir  Wm.    Hamilton.     lo  v. 
Edinb.:   1834-8. 

V.  5,  pt.  2,  p.  189-406  Essays  relative  to  matters  of  Taste. 

Sully,  J.     Sensation  and  Intuition:  Studies  in  Psychology  and 
Esthetics.     Lond. :   1S74. 

Essaj'S  7-9  Music,  lo  .Esthetic  Aspects  of  Character,  ii  Character  in  Art,  12  I<ess- 
ing's  Hamburg  Dramaturgy'.  13  Possibility  of  a  Science  of  .Esthetics. 

—  Mind  4: 172.     Harmony  of  Colours.     J.  Sully. 
Tappan,  H.  P.     Elements  of  Logic.     N.  Y. :   1856. 

p.  80-82  .Esthetics,  99-102  Art,  185-192  The  Beautiful,  315-7  The  Logic  of  Art. 

Upham,    Thos.    C.     Elements    of  Mental    Philosophy.     2   v. 
N.  Y.:   1856. 

V.  I,  p.  383-398  Imagination;  v.  2,  35-104. 

—  Same.     3d  ed.     Boston:   1832. 

p.  455-463  Imagination,  483-520. 

Van  Dyke,  J.  C.     Principles  of  Art.     N.  Y.:   1887. 

Wayland,    F.     The    Elements    of    Intellectual    Philosophy. 
Boston:   1855. 
P-  351-419- 

Winslow,  H.     Elements  of  Intellectual  Philosophy.     Boston: 
1853- 

p.  301-311  Imagination. 


LITERATURE  OF  ^^STHETICS.  23 

MINOR  REFERENCES. 

Bower,  G.  S.     Hartley  and  James  Mill.     Lond.:   1881.     [Eng- 
lish Philos.  Ser.] 

p.  191-7  ^5;sth.  Doctrines. 

Calvert,  G.  H.     Essa3^s  -3j)stlietical.     Boston:   1875. 
Clarke,  J.  F.     Self-Culture.     2d  ed.     Boston:   1880. 

p.  175-192  Education  of  the  Imagination. 

Contemp.  Rev.  38:  300.     Comparative  Esthetics.    Vernon  Lee. 
Cooke,  G.  W.     Poets  and  Problems.     Boston:   1886. 

p.  17-53  The  Poet  as  a  Teacher,  171-267  Ruskin,  303-15  Browning's  Theory  of  Art. 

Crane,  Lucy.     Art  and  the  Formation  of  Taste:    Six  lectures. 
Illustr.  by  T.  and  W.  Crane.     Lond.:    1882. 

Education  5:246.      ^F^sthetic  Element  in  Education.      J.   D. 
Anderson. 

Fowler,    Th.     Shaftesbury    and    Hutcheson.     Lond.:     1882. 
[Eng.  Philos.  Ser.] 

p.  125-134  Shaftesbury's  Theory  of  Beautj-  and  Art,  210-13  Hutcheson 's  ..Esthetics. 

Jardine,  Geo.     Outlines  of  Philosophical  Education.     2d  ed. 
Glasgow:    1825. 

p.  170-256  Taste. 

J.  Spec.  Philos.  10:  i.     Philosophy  of  Art.     G.  S.  Morris. 
Maurice,  F.  D.     Modern  Philosophy.     Lond.:   1862. 

I".  5S8  Burke,  610-12  Lessing. 

Mure,  Wm.     A  Critical  History  of  the  Language  and  Litera- 
ture of  Ancient  Greece.     2d  ed.     5  V.     Lond.:   1854-7. 

V.  I,  p.  137-144  Principles  of  Art. 

Nation  29:  380.      Is  there  a  Science  of  Esthetics?     G.  S.  Hall. 

See  for  same  article,  G.  S.  Hall,  Aspects  of  German  Culture,  p.  101-6. 

New  Eng.  24:674.     Principles  of  Art.     J.  M.  Iloppin. 

—  48:20.     Commonplace /Esthetics.     D.  C.  Ivaton. 

Paget,    V.       [\'.    Lee].       Belcaro,    being    essays   on    vSundry 
yEsthetical  Questions.     Lond.:   1886. 

I'.  191-229  Ruskinism,  230274  I'oetic  Morality. 

Pater,  Walter.     vStudies   in  the  History  of  the  Renai.s.sance. 
Lond.:    1873. 

Preface  and  Conclusion. 


24 


A   GUIDE  rO  THE 


Peabody,  Eliz.  P.,    [ed.].     ^Esthetic  Papers.     Boston:    1849. 

r.  1-4  The  Word  "  .5^sthetic,"  5-24  Criticism,  25-35  Music. 

Princeton   Review,    N.   S.   11:290  [1883-!]. 
Esthetics.     B.  L,.  Gildersleeve. 


Grammar  and 


Roscoe,  W.  C.     Poems  and  Essays.     2  v.     lyond. :   i860. 

V.  2,  p.  61-8  Tragedj-,  169-180  Gray's  Theory  of  Poetic  Expression. 

Science  8:419.     Physical  Basis  of  ^Esthetics. 

Seth,  A.,  and  Haldane,  R.  B.,  [eds.].     Essays  in  Philosophical 

Criticism.     Preface  by  E.  Caird.     Lond.:   1883. 

The  Philosophy  of  Art,  by  W.  P.  Ker. 


LITERATURE  OF  ESTHETICS.  25 

b.     German. 

Carriere,  M.     ^sthetik.     Die  Idee  des  Schonen  u.  ihre  Bewirk- 
lichg.  durch  Natur,  Geist,  u.  Kuiist.     2  v.     L,eipzig:   1S73. 

—  Die  Kunst  im  Zusammenhang  der  Culturentwickelung,  und 

die  Ideale  der  Menschheit.     5  v.     Leipzig:   187 1-3. 

—  Die  sittliche  Weltordnung.     Leipzig:    1877. 

P-  339-354  Die  Kuiist. 

—  Das  Wesen  und  die  Fornien  der  Poesie.     Leipzig:   1854. 

—  Bib.  Sac.  18:227.     Carriere's  Esthetics. 

Eye,  A.  von.     Das  Reich  des  Schonen.      BerHn:   1878. 
Fechner,  G.  T.     Vorschule  der  ^sthetik.     Leipzig:   1876. 

—  Zur  Experimentalen  ^sthetik.     Leipzig:    1871. 

—  Mind  2:  102.     Fechner's  ^-Esthetics.     J.  Sulty. 

Goethe,   J.  W.  von.     Werke,     [Hempel  ed.].     36  v.   in  23. 
Berlin:   1879. 

Bd.  2,  p.  175-220  Kunst;  Bd.  28  Schrifteii  und  Aufsatze  zur  Kunst:  Bd.  29  Aufsatze 
zur  Literatur.     See  indexes  in  Bde.  2,  28  and  29,  and  index  to  Bde.  1-36  in  Bd.  36. 

—  Sammthche  Werke.     40  v.  in  20.     Stuttgart:   1840. 

Bd.  3,  p.  257-274  Verschiedenes  Einzelne  iiber  Kunst;  Bd.  30  Winckelman,  Ueber 
Laokoon,  Wahrheit  und  Wahrscheiulichkeit,  u.  s.  w.;  Bd.  31  Von  Deutsche 
Baukunst,  Verschiedenes  iiber  Kunst,  u.  s.  w.;  Bd.  32  Deutsche  Literatur;  Bd. 
33  Auswartige  Literatur  und  Volkspoesie;  Bd.  35,  p.  333-459  Theater  und 
dramatische  Poesie. 

—  Correspondence  between   Schiller  and  Goethe.     Trans,  by 

L.  D.  Schmitz.     2  v.     Lond. :   1877. 

V.  I,  p.  321-2,  324-7  Aristotle,  398-9,  428-30,  439-60  Epic  and  Drama;  v.  2,  p.  371-5. 
Same  in  Goethe's  Works,  v.  13-14. 

—  Blackie,  J.  S.     The  Wisdom  of  Goethe.     N.  Y.:   1884. 

p.  Ixxvii-lxxxiii,  109-147,  201-221. 

—  Eckermann,  J.   P.     Gesprache  mit  Goethe.     6'"  Aufl.     3  v. 

Leipzig:   1885. 

See  Register  in  Bd.  3. 

—  Eckermann.  J.  P.  and  M.  Soret.     Conversations  of  Goethe. 

Trans,  by  J.  Oxenford.      Lond.:    1875. 

See  index.     Same  in  Goethe's  works  v.  6. 

3 


26  A   GUIDE  TO  THE 


Goethe,  J.  W.  von.      Goethe-Jahrbuch    1:17.      Goethe   und 
lycssing. 

5:  298.     Zu  Goethes  Aufsatzen  iiber  Kunst, 

—  Rosenkranz,    K.     Goethe  und  seine  Werke.     Konigsberg: 

1847. 

p.  8-16  Der  jetzige  Standtpunkt  der  Kritik,  29-36  Die  humanitaire  Kritik,  65-78 
Goethe  als  Kunstforscher. 

—  Schubarth.     Zur   Beurtheilung   Goethe's.     2^"   Aiifl.     2    v. 

Breslau:   1820. 

Bd.  2,  p.  4S-147  Kuust  und  Alterthuni,  148-200  Poesie  und  Kritik,  201-425  iljsthet- 
ische  Aphorismen. 

Grillparzer,  F.     Sammtliche  Werke.     lo  v.  in  5.     Stuttgart: 
1S78-9. 

Bd.  9,  p.  79-262  ^sthetische  Studien. 

Hartmann,  E.  von.     Ausgewahlte  Werke.     Berlin:   1887. 

13-20  Hft.  Philosophie  d.  Schoneu,  2  Systemat.  Thl.  der  yljsthetik. 

—  Phanomenologie  des  sittHchen  Bewusstseins.     Berlin:   1879. 

p.  14S-162  Das  Moralpriucip  der  kunstlerischeu  Lebengestaltung. 

—  Philosophie  des  Unbewussten.     8'*  Aufl.     2  v.  in  i.     Berlin: 

1878. 

Bd.   I,  p.  233  Das  Unbewusste  iin  sesthetischen  Urtheile  und  in  der  kuustler- 
i.schen  Production;  Bd.  2,  p.  33S  Wissenshaftlicher  und  Kunstgenuss. 

—  Philosoph}"  of  the  Unconscious.     Trans,  bj' W.  C.  Coupland. 

3  V.     N.  Y.:   1884. 

V.  I,  p.  269  The  Unconscious  in  the  Esthetic  Judgment  and  in  Artistic  Produc- 
tion; V.  3,  60-66  Scientific  and  Art-enjoyment. 

Hebenstreet,  W.    WissenschaftHche-literarische  Encyclopadie 
der  zBsthetik.      1848. 

Hegel,  G.  W.  F.     Werke.      18  v.     Berlin:   1833-48. 

Bd.  10,  Theile  1-3  ^sthetik. 

—  The  Introduction  to  Hegel's  Philosophy  of  Fine  Art.     Trans. 

by  B.  Bosanquet.     Lond. :   1886. 

—  Brit,  and  For.  R.  13:  i.     Hegel's  Esthetics. 

—  Mind   12:597.     Bosanquet's  Trans,    of  Hegel's    Introd.    to 

Philos.  of  Fine  Arts.     D.  G.  Ritchie. 


LITERATURE  OF  jESTHETICS.  27 

Hegel,  G.  W.  F.  J.  Spec.  Philos.  1:36,  91,  169,  221;  2:39, 
157:  3-31)  ^47'  281,  317.  Benard's  Exposition  of  Hegel. 
Trans,  by  J.  A.  Martling. 

See  Comment  in  Mind  12:599. 

5:368;  6:125,  252;  7:33.  Hegel's  Philos.  of  Art — Chiv- 
alry'.    Trans,  bj-  S.  A.  Longwell. 

11:337;     12:18.      Symbolic   Art.      Hegel.      Trans,    by 

W.  M.  Bryant. 

12:145,277.     Classical  Art.     Hegel.     Trans,  by  W.  M. 

Br\-ant. 

12:403:13:113,244,351.    RomanticArt.    Hegel.   Trans. 

by  \V.  M.  Bryant. 

—  Kedney,  J.  S.     Hegel's  Esthetics.     A  Critical  Exposition. 

Chicago:   18S5. 

—  Ulrici,   H.     Ueber   Princip   und   Methode  der   Hegelschen 

Philosophic.     Halle:    1841. 
p.  216-244. 

Hegel,  G.  W.  F.,  and  Michelet,  C.  L.  The  Philosophy  of  Art: 
An  Introduction  to  the  Scientific  Study  of  Esthetics. 
Trans,  from  the  German  by  \V.  Hastie.     Edinb. :   1886. 

Herder,  J.  G.  Sammtliche  Werke.  Hrsg.  von  B.  Suphan. 
27  V.     Berlin:   1877-81. 

Bd.  I,  p.  43-56  Schouheit;  Bd.  4.  1-218  Kritische  Walder  oder  Betrachtnngen  iiber 
die  Wissenschaft  und  Kunst  des  Schoneu;  Bd.  12,  1-308  Vom  Geist  der  Kbra- 
ishen  Poesie;  Bd.  22  [Kalligone],  3-122  Vom  Angenehmcn  und  Schonen,  125- 
224  Von  Kunst  und  Kunstrichterei,  227-360  Vom  Krhabenen  und  vom  Ideal. 

—  Haym,  R.     Herder  nach  seinem  Leben  und  seinem  Werken. 

2  V.      Berlin:    1880-5. 

Bd.  I,  p.  225-274;  Bd.  2,  p.  68-73,  697-718  Die  Kalligone. 

—  Herrig's  Archiv  17:1,  113,  337;  18:1.     Herder's  ^sthetik. 

G.  Zimmerman. 

—  Nevinson,  H.     A  Sketch  of  Herder  and  his  Times.     Loud.: 

1884. 

C.  13  The  Good,  c.  14  The  Beautiful,  c.  15  The  Complete. 


28  A   GUIDE  TO  THE 

Hermann,  C.     Die  ^sthetik  in  ihrer  Geschichte  u.  als  wissen- 
schaftliches  System.     I^eipzig:   1875. 

Hinkel.     Allgemeine  yEsthetik.  .  1847. 

Humboldt,  Alex.  von.     Kosmos.     Stuttgart:   1845. 

Bd.  2,  p.  3-134  Dichterische  Naturbeschreibung  und  Landschaftsmalerei. 

—  Cosmos.     Trans,  by  E.  C.  Otte.     5  v.     N.  Y.:   1850. 

V.  2,  p.  1-105  Nature  in  Poetry  and  Painting. 

Humboldt,    W.    von.       Gesammelte   Werke.       7    v.     Berlin: 
1841-52. 

Bd.  4,  p.  1-268  Ueber  Gothe's  Hermann  und  Dorothea,  JEsthetische  Ver.suche. 

Kant,  Imm.     Sammtliche  Werke.     Hrsg.  von  C.  Hartenstein. 
8  V.     Leipzig:   1867-8. 

Bd.  2,  p.  227-280  Beobachtungen  iiber  das  Gefiihl  des  Schoneu  und  Erhabenen; 
Bd.  5, 205-368  Kritik  der  ^sthetischen  Urtheilskraft;  Bd.  6, 386  Von  der  ^sthetik 
des  Beurtheilsvermogens. 


—  Introduction  to  Logic.   ,   .   .  Trans,  by  T.  K.  Abbott,  witb 

a  few  notes  by  Coleridge.     Lond. :   1885. 
P-  5, 25, 27-8, 97. 

—  The  Philosophy  of  Kant  in  Extracts.     Selected  by  J.  Wat- 

son.    New  Haven:   1884. 

p.  160-173  Kritik  of  Judgment. 

—  The  Philosophy  of  Kant  as  contained  in  extracts  from  his 

own  writings.     Selected  and  trans,  b}^  J.  Watson.     N.  Y. : 
1888. 

p.  307-323  The  Critique  of  Judgment. 

—  Fenner,    H.     Die   ^sthetik  Kants   und  seiner  Vorganger. 

Biitzow:   1875. 

—  Caird,  Edw.     The  Critical  Philosophy  of  Immanuel  Kant. 

2  V.     Glasgow:   1889. 

v.  2,  p.  420-476  Critique  of  .Elsthetic  Judgment. 

—  Fischer,   Kuno.     Geschichte  der  neuern  Philosophic.     4  v. 

Munich:   1878-82. 

Bd.  3,  p.  231-7  Kant's  Beobachtungen  iiber  das  Gefiihl  des  Schouen  und  Erha- 
benen; Bd.  4  399-473  Die  Kritik  der  Urtheilskraft. 

—  Wallace,  Wni.     Kant.     Edinb.:   1882. 

[Blackw.  Ph.  Cl.]     C.  13  JEsthetic  Ideas. 


LITERATURE  OF  ESTHETICS.  29 


Kohler,  J.     .-Esthetische  Streifereien.     Mannheim:   1S89. 
Kostlin,  K.     ^Esthetik.     Tubingen:   1869. 

—  Prolegomena  zAir  ^sthetik.     Tubingen:   1889.     Progr. 

—  Zeitschrift  fiir  Philos.  87:215.     Kostlin's  /Esthetik.     E.  von 

Hartmann. 

Krause,  K.  C.  F.     System  der  ^sthetik  oder  der  Philosophie 
d.  Schonen  und  d.  Schonen  Kunst.     Leipzig:   1882. 

—  Rev.  Philos.   18:327.    Krause.     Vorlesung  iiber  ^sthetik. 

Ch.  Benard.     [Review.] 

—  Zeitschrift  flir  Philos.  86:  112.     Krause's  ^sthetik.    E.  von 

Hartmann. 

Lavater,   J.    K.     Ausgewahlte  Schriften.     Hrsg.  von  J.    K. 

Orelli.     8  v.     Zurich:   1844. 

Bd.  I,  p.  165-197  Vom  Erhabeneu. 

Lemcke,  C.     Populare  ^sthetik.     2'"  Aufl.     Eeipzig:   1867. 

—  Zur  Einleitung  in  die  ^Esthetik.     Heidelberg:   1862. 
Lessing,  G.  E.     Werke.     20  v.  in  12.     Berlin. 

Bd.  6  Laokoou;  Bd.  7  Hamburgische  Dramaturgic;  Bd.  11,  Abth.  1-2  Kleinere 
Schriften  zur  dramatischen  Poesie  und  zur  Fabel;  Bd.  13,  Abth.  2,  p.  249-306  Wie 
die  Alten  den  Tod  gebildet,  p.  332-347  Anmerkungen  zu  Winekelniann's  Ge- 
schichte  der  Kunst. 

—  Hamburgische  Dramaturgic.    Einglt  .  .  .  von  J.  Buschmann. 

Trier:   1882. 

—  Hamburgische  Dramaturgic.     Erl.  von  SchroterundTheile. 

Halle:   1877. 

—  Laocoon.     Trans.     [De    Quincey's  Philos.  Writers,     v.    i, 

p.  234.] 

—  Selected  Prose  Works.     Trans,   by  Beasley  and  Zimmern. 

Bohn  ed.     L,ond. :   1879. 

T^aocoon,  How  the  Ancients  Represented  Death,  and  Dramatic  Notes. 

—  Bliimncr,    H.      Laokoon-vStudien.      lirstes   Heft:   Ucber  den 

Gebrauch  der  Allegoric  in  den  bildendcn  Kiinstcu.  Zweites 
Heft:  Ueber  den  fruchtbaren  Moment  und  das  Transito- 
rische  in  den  bildenden  Kiinstcn.      I'reiburg  i.  B.:    188 1-2. 


30  A   GUIDE  TO  THE 


Lessing-,  G.  E.  Herrig's  Archiv  51:33.  Materialen  zu  Less- 
ing's  Hamburgische  Dramaturgic.     Cosack. 

—  N.  Eng.  51:  198.     I^essing  and  the  German  Drama.     W.  L,. 

Phelps. 

—  Sime,  Jas.     Lessmg.     2  v.     Lond. :   1877. 

V.  7,  p.  247-30S;  V.  2,  1-62,  76-80. 

—  Stahr,   A.     G.  E.   I,essing:  sein  L^eben  und   seine  Werke. 

3'"  Aufl.     2  V.     Berlin:   1864. 

Theil.  I,  p.  168-179,  243-271,  315-361;  Theil.  2,  26-30. 

The  Ufe  and  Works  of  G.  E.  I^essing.     Trans,  by  E.  P. 

Evans.     2  V.     Boston:    1866. 

V.  I,  p.  183-193,  261-289,  337-3S3;  V.  2,  27-30.. 

—  Walter,  E.   ly.     Pressing  on  the  Boundaries  of  Poetrj^  and 

Painting.     Ann  Arbor:   1888. 

[Univ.  of  Mich.  Philos.  Papers.     2d  Ser.,  No.  3.] 

Lotze,  H.  Geschichte  der  ^sthetik  in  Deutschland.  MUnchen: 
1868. 

—  Microcosmus.     Trans,  by  E.  Hamilton  and  E.  E.  C.  Jones. 

2  V.     Edinb. :   1885. 

V.  I,  p.  324,  578-586;  V.  2,  168-9  History  and  Poetry,  398-443  Beauty  and  Art. 

—  Mikrokosmus.     3  v.     Leipzig:    1856. 

Bd.  I,  p.  351-2;  Bd.  2,  1S5-189;  Bd.  3,  45-7  Die  Geschichte  als  gottliche  Gedicht, 
282-328  Das  Schone  und  die  Kunst. 

—  Outlines  of  Esthetics.     Trans,  by  T.  Eadd.     Boston:   1886. 

—  Rev.  Philos.  22:665.     E.  Koegel.     Eotze's  ^sthetik.     F.  C. 

[Review.] 

Meyer,  B.  Aus  der  aesthetischen  Padagogik.  6  Vortrage. 
Berlin:  1873. 

Michelet,  C.  L.  Das  System  der  Philosophic.  4  v.  in  3. 
Berlin:   1876-9. 

Bd.  3,  p.  406-453  Die  ^sthetik. 

Mundt,  Theodor.  ^.sthctik.  Die  Idee  d.  Schonhcit  .  .  . 
U.S.7U.  .  .  im  Lichtc  unscrer  Zeit.  Neue  Ausg.  Leipzig: 
18—. 


LITERATURE  OF  ESTHETICS.  31 

Olser's  Briefe  an  eine  Jungfrau,  iiber  die  Hauptgegeustaude 
der  x55sthetik.     Leipzig:   1870. 

Richter,  Jean  Paul.     Vorschule  der  ^^sthetik.     3  v.     Stutt- 
gart:  1S13. 

Schasler,  M.     ^^jjsthetik.   (DasWissenderGegenwart,  Bd.  55.) 
1886. 

—  Das  S^'stem  der  Klinste  aus  e.  neuen,  im  W'esen  der  Kuust 

begriindeten  Gliederungsprincip.     2  Aufl.     Leipzig:   1885. 

Schelling-,   F.  W.    J.   von.     Sammtliche  Werke.     Stuttgart: 
1S56-61. 

Bd.  5,  Abth.    I,  p.  357  Philosophic  der  Kunst;  Bd.  7,  Abth.  i,  289-329  Ueber  das 
Verhaltniss  der  bildenden  Kiinste  zu  der  Xatur. 

—  Watson,  J.     Schelling's  Transcendental  Idealism.     Chicago: 

1882. 

C.  7  Teleology'  aud  Art. 

Schiller,  J.  C.  F.     Sammtliche  Werke.      12  v.  in  6.     Stuttgart: 
1847. 

Bd.  5,  p.  375-383  Ueber  den  Gebrauch  des  Chors  in  der  Tragodie;  Bd.  ii,  383-483; 
Bd.  12  jJJsthetische  Schrifteii. 

—  Sammtliche  Schriften.     Hrsg.  von  R.  Kohler.      15  v.  in  17. 

Stuttgart:    1867-76. 

Bd.  10  --Ksthetische  Schrifteu;  Bd.  14,  p.  3-12  Ueber  deu  Gebrauch  des  Chors  in 
der  Tragodie. 

—  The  Esthetic  Letters,  Essays,  and  the  Philosophical  Letters. 

Trans,  with  an  Introduction  by  J.  Weiss.     Boston:   1845. 

P-  1-338-    See  also  the  Introduction. 

—  Works:  Historical  Dramas,  etc.     Trans.     Loud.:   1854. 

r.  439-444  On  the  Use  of  the  Chorus  in  Tragedy. 

—  Sime,  Jas.     Schiller.     Phila.:  [1882]. 

p.  120-6. 

—  Zimmermann,   R.     Versuch   eiiier  Schillerschen   ^sthetik. 

Berlin:    1889. 

Schlegel,   A.    W.    von.     Kritische   Schriften.     2    v.     Berlin: 
1828. 

Theil.  I,  p.  416-436;  Theil.  2,  145-336. 


32  A   GUIDE  TO  THE 

Schlegel,  F.  von.     The  Esthetic  and  Miscellaneous  Works. 
Trans,  by  E.  J.  Millington.     I^ond.:   i860. 

p.  413-424  On  the  Limits  of  the  Beautiful.     See  also  index. 

Schleiermacher,  F.  E.  D.     Sammtliche  Werke.     Hrsg.  von 
C.  Lrommatzch.     30  v.  in  29.     Berlin:   1835-84. 

Bd.  7,  Abth.  3  Vorlesungen  iiber  die  j5Jsthetik. 

Schopenhauer,  A.     Sammtliche  Werke.     Hrsg.  von  J.  Frau- 
enstadt.     6  v.     L,eipzig:   1877. 

Bd.  2,  p.  197-316  Objekt  der  Kunst;  Bd.  3,  99-112  Theorie  des  Lacherlichen ;  Bd.  6, 
447-4S  Metaphysik  des  Schonen  uud  ^^isthetik,  536-586  Schriftstellerei  und  Stil. 

—  The  World  as  Will  and  Idea.     Trans,  by  R.  B.   Haldane 

and  J.  Kemp.     3  V.     lyond. :   1883. 

V.  I,  p.  219-346  The  Object  of  Art;  v.  2,  270-2S4  Theory  of  the  Ludicrous;  v.  3,  173- 
219,  231-244  .aesthetics. 

—  Bowen,  F.     Modern  Philosoph5^     N.  Y. :   1877. 

p.  420-5  Schopenhauer's  ilisthetics. 

—  Zimmern,  H.     Arthur  Schopenhauer:  His  lyife  and  Philoso- 

phy.    IvOnd.:   1876. 

p.  229  ^5Jsthetics. 

Seemann,   T.     Einleitung   in  die  ^sthetik.     Dresden:   1867. 

Siebeck,  H.     Das  Wesen  d.   aesthetischen  Anschauung.     Ber- 
lin:  1875. 

Solger,  K.  W.  F.     Vorlesungen  iiber  die  ^sthetik.     1829. 

Stockl,   Alb.     Allgemeines    Lehrbuch  der  JSsthetik.     Mainz: 
1889. 

Ulrici,  H.     Gott  und  der  Mensch.     2  v.     Leipzig:   1873. 

Theil.  2,  p.  157-183  Der  Begriff  des  Schonen. 

Vischer,  F.  F.     .^sthetik  oder  Wissenschaft  des  Schonen.    3  v. 

Reutlingen:    1846. 

—  Bib.  Sac.  16:469.     Vischer's  Esthetics.     B.  Sears. 

Wagner,  Rich.     Gesamnielte  Schriften  und  Dichtungen.     9  v. 
Leipzig:   187 1-3. 

Bd.  3,  p.  9-50  Die  Kunst  und  die  Revolution,  51-210  Das  Kunstwerk  der  Zukuufl, 
251-268  Kunst  und  Klima,  269-394  Oper  und  Drama;  Bd.  4,  3-2S4  Oper  und 
Drama;  Bd.  5,  65-81  Mu.sikalische  Kritik,  83-108  Das  Judenthum  in  der  Musik. 


LITERATURE  OF  ESTHETICS.  33 

Wieland,  C.  M.     Sammtliche  Werke.     36  v.  in  17.     Leipzig: 
1839-40. 

Bd.  33,  p.  201-218  Timoklea,  221-234  Theoges,  257-266  Ueber  das  Verhaltniss  des 
Angeuehmeu  utid  Schonen  zuiu  Xiitzlichen,  "269-341;  Bd.  34,  107-114,  117-170 
Veber  die  Ideal  der  Griechischeu  Kiinstler. 

Wundt,    W.     Grundzlige    der   pliysiologischen    Psychologie. 
2'^  Aufl.     2  V.  in  I.     Leipzig:   1880. 

Bd.  2,  p.  179-194  .iE-sthetische  Elemeutargefiihle;  350-352  Hohere  aesthetische 
Gefiihle. 

—  Ribot,    Th.     German    Psjxhology   of  To-day.     Trans,    by 

J.  M.  Baldwin.     N.  Y.:   1886. 

p.  227-230  Wundt's  -Hsthetics. 

Zeising,  A.    iEsthetische  Forschungen.   Frankfurt-a-M. :   1855. 
Zimmermann,  R.     ^sthetik.     2  v.     1858-65. 

—  Studien  und  Kritiken  zur  Philosophie  und  ^Esthetik. 


34  A   GUIDE  TO  THE 

MINOR  REFERENCES. 

Carriere,  M.     Ivcssing:  Schiller:  Goethe:  Jean  Paul.     Giessen: 
1862. 

Dessoir,  Max.     Moritz  als  ^sthetiker.     Dunckso:   1889. 

Hall,  G.  S.     Aspects  of  German  Culture.     Boston:   1881. 

p.  101-106  Is  ^Esthetics  a  Science?    [Same  article  in  Nation.    29:380.] 

Hillebrand,  K.     German  Thought.     N.  Y.:   1880. 

p.  84-87  I,essing  and  Winckelmanu,  120-130  Herder,  217-226  Schiller  and  Kant. 

Kirchner,  F.     Gottfried  Wilhelm  I^eibnitz:  sein  Leben  und 
Denken.      Cothen. 

p.  267-279  Kunst. 

Neudecker,  G.    Studien  zur  Geschichte  der  deutschen  ^sthetik 
seit  Kant.     Wurzburg:   1878. 

Philos.  Monatshefte.     22:59.     Ein  vergessener  ^sthetiker. 
[K.  F.  E.  Trahndorf.]     E.  von  Hartmann. 

Riehl,  W.  H.     Culturstudien  aus  drei  Jahrhunderten.     Stutt- 
gart:  1862. 

P'  333-408  Znr  cesthetischen  Cultnrpolitik. 


LITERATURE  OF  ^ESTHETICS.  35 

c.     French. 

Beaumarchais,   C.  de.     Oeuvres  Completes  .   .   .   Introd.  par 
E.  Fouruier.     Paris:    1S76. 

p.  1-8  Essai  sur  le  Genre  draraatique  serieux,  67-71,  104-112,  165-6,  197-201. 

Boileau-Despreaux,  N.     Oeuvres  Completes  .   .  .  Publ.  par 
P.  Cheron.     Paris:   1875. 

p.  91-109  L' Art  Po6tique,  186-9  Discours  sur  la  Satire,  204-240  Reflexions  Critiques 
sur  quelques  passages  du  Rh6teur  Longiu,  240-282  Traits  du  Sublime  traduit 
du  Grec  de  Longin,  et  Remarques. 

—  Oeuvres  .   .   .  par  M.  Amar.     Paris:   1851. 

p.  188-220  L' Art  Po6tique,  358-428  Trait€  du  Sublime,  429-493  Reflexions  Critiques. 

Bossuet,  J.  B.     Maximes  et  Reflexions  sur  la  Comedie.     Nou- 
velle  ed.  par  A.  Gazeau.     Paris:   iSSi. 

Chenier,  M.-J.     Poesies,   precedees  d'une  notice  .   .   .  par  C. 
I,abitte.     Paris:   1844. 

26  Partie,  p.  57-79  Les  Principes  des  Arts,  1 12-124  Essai  sur  la  Satire. 

Comte,  Aug.     The  Positive  Philosoph3\     Trans,   b}'  Harriet 
Martineau.     2  v.     N.  Y.:   1854. 

V.  2,  p.  392-405,  432,  454,  559- 

—  Lewes,  G.  H.     Comte's  Philosophy  of  the  Sciences.     Lond.: 

1853- 

p.  313-16,  165  Connection  of  Scietice  and  Art. 

Corneille,  P.     Oeuvres.     Nouvelle  ed.   .   .   .  par  Ch.    Mart}-- 
Laveaux.      12  v.     Paris:   1862-68. 

Tome  I,  p.  13-51  Discours  de  1' Utility  et  des  Parties  du  Pocnie  Dramatique,  52- 
97  De  la  Tragedie,  98-122  Des  Trois  Unites,  137-141  Kxamen  de  M61ite,  261-273 
Preface  et  Examen  dc  Clitaudre,  394-7  Examen  de  la  Veuve;  T.  2,  11-15  Examen 
de  la  Galerie  du  Palais,  120-5  Examen  de  la  Suivante,  221-3  Ex.  de  la  Place 
Royale,  333-9  Ex.  de  M^d^c,  432-3  Ex.  de  ^'Illusion;  T.  3,  S0-102  Avertissement 
and  Ex.  du  Cid  [See  p.  1-76  for  the  discussion  regarding  the  Cid],  273-280  Ex. 
d'Horace,  379-382  Ex.  de  Cinna,  478-485  Ex.  de  Polyeuctc:  T.  4,  19-25  Ex.  de 
Pomp6e,  137-8  Ex.  du  Menteur,  285-6  Ex.  de  la  Suite  du  Menteur,  418-27  Ex.  de 
Rodagune;  T.  5,  10-14  Ex.  de  Theodore,  148-154  Ex.  de  H6raclius,  299-311  Ex. 
d'Androm^de,  414-416  Ex.  de  Don  Sanche,  505-9  p:x.  de  Nicom^de,  128-132  Ex. 
d'Oedipe,  245-250  Ex.  de  la  Toison  d'Or;  T.  10.  399-407  I.ettre  Apolog6tiquc, 
407-12  Discours  k  I'Academie. 

Condillac,  E.  B.     Oeuvres.     lo  v.     Paris:   1798. 

V.  I,  p.  317-341  La  Musique,  342-63  La  Po6sie;  v.  2,  p.  395-400  De  I'Usage  des  sys- 
tfimcs  dans  Ics  Arts;  v.  7,  337-424  Uu  CharactCre  du  Style,  429-443  Dissertation 
sur  I'Harmonic  du  Style. 


36  A   GUIDE  TO  THE 

Cousin,  V.     Cours  de  I'histoire  de  la  Philosophie  moderne.      ist 
Ser.  5  V.      Paris:    1846. 

T.  2,  p.  120-205  Du  Beau,  419-428  Du  Beau  rSel  et  du  Beau  idSal;  T.  4,  526-540  Reid, 
Esth^tique. 

—  Du  Vrai,  Du  Beau,  et  du  Bien.      Paris:   1853. 

p.  141-270  Du  Beau. 

—  Elements  of  Psycholo,^'.     Trans.   .   .   .  by  C.  S.  Henry.    4th 

ed.     N.  Y.:   1856. 

P-  543-558  Of  the  Beautiful  and  of  Art. 

—  Lectures  on  the  True,  the  Beautiful,  and  the  Good.     Trans. 

by  O.  W.  Wight.     N.  Y.:   i860. 

p.  123-214  The  Beautiful. 

Diderot,    D.     Oeuvres   Completes,    rev.   .   .   .  par  J.   Assizat. 
20  V.     Paris:   1875-7. 

T.  7,  p.  307-394  De  la  PoSsie  Dramatique;  T.  lo,  3-42  Sur  I'Origine  et  la  Nature  du 
Beau,  461-520  Essai  sur  la  Peinture;  T.  12,  75-133  PeusSes  detachSes  sur  la  Pein- 
ture;  la  Sculpture,  I'Architecture,  et  la  Poesie;  T.  10-12  Salons;  T.  13-17  Diet. 
Encyclopedique.    See  articles  "  Art,"  "  Beauts,"  etc. 

—  Morley,  J.     Diderot  and  the  Encyclopaedists.     N.  Y.:  ,1878. 

p.  269-294  Art. 

Guizot,  F.  P.  G.     E^tudes  sur  les  Beaux-Arts  en  general.     2" 
ed.     Paris:   1852. 

Guyau,  Ch.     L'Art  au  point  de  vue  socialogique.     Paris:   1889. 

—  Les  Problemes  de  I'Esthetique  contemporaine.     Paris:   1884, 

Helvetius,  C.  A.     A  Treatise  on  Man.     Trans,  by  W.  Hooper. 
2  V.      Lond. :   18 10. 

V.  2,  p.  236-240. 

Hugo,  V.     Litterature  et  Philosophie  melees.    2  v.    Paris:   1876. 

T.  I,  p.  101-112  Theatre,  302-9. 

—  Odes  et  Ballades.     Paris:   1875. 

p.  3-7. 

—  Theatre.     4  v.     Paris:   1875-8. 

T.  I,  p.  5-74  Preface  to  Cromwell,  508-14  Notes;  T.  2,  3-9  Preface  to  Hernani;  T.  4, 
243-255  Preface  to  Les  Burgraves. 

—  William  Shakespeare.     2"  ed.     Paris:   1867. 

p.  27-78  Les  G6nies,  79-101  L'Art  et  la  Science,  265-288  Le  Beau:  Serviteur  du 
Vrai. 


LITERATURE  OF  .ESTHETICS.  37 

Hugo,  V.     William  Shakespeare.     Trans,  by  M.  B.  Anderson. 
Chicago:   1887. 

p.  36-94  Men  of  Genius,  95-121  Art  and  Science,  312-338  The  Beautiful. 

—  Cappon,  Jas.     Victor  Hugo:  A  Memoir  and  a  Stud}-.    Edinb. : 

1885. 

p.  56-68,  88-95.  loS-iio,  369-373. 

Joubert,    J.      Pensees   precedees  .   .   .   d'une   notice  .   .   .  par 
P.  de  Raynal.     2  v.     Paris:   1877-80. 

T.  2,  p.  247-262  Des  Beaux-Arts,  263-272  De  la  Po^sie,  273-300  Du  Style,  301-341  Des 
Qualitgs  de  I'l^crivain,  342-390  Jugements  litt^raires. 

Jouffroy,  Th.     Cours  d'Ksthetique  .   .   .   Preface  par  Ph.  Dami- 

ron.      Paris:    1S45. 

Laprade,  Victor  Richard  de.     Questions  d'Art  et  de  Morale. 
Paris:   1861. 

Leclercq.     L'Art  est  Rationnel.     Bruxelles. 

Leveque,  Ch.     La  Science  du  Beau.     2^  ed.     2  v.     Paris:   1872. 

—  Rev.    d.    D.    Mondes.      15    Xov.    1861.     Un  Nouvel  Essai 

d'Esthetique,  "La  Science  du  Beau "  par  Ch.  Leveque.     E. 
Sai.sset.     [Repr.  in  Saisset's  L'Ame  et  la  \'ie,  p.  91.] 

Marmontel,  J.  F.     £ilements  de  Litterature.    3  V.    Paris:   1846. 

T.  1,  p.  1-51  Essai  sur  le  Gollt,  204-19  Beau,  306-19  Com6die,  319-24  Coinique,  344- 
367  Critique;  T.  2,  100-121  Epopee;  T.  3.  90-104  Pathetique,  137-208  Po^sie,  Poete, 
Po^tique,  304-13  Satire,  352-S  Sublime,  379-414  Trag6die.  See  other  subjects  in 
index  at  the  end  of  each  volume. 

Pascal,  B.     Pensees  .   .   .  suivies  d'un  choix  des  Pensees  de 
Nicole.      Paris:    1852. 

Premiere  Partie,  Art.  lo,  %%  24-29,  31-5;  Art.  17,  367-8,  369,  378. 

—  Pensees.     Publ.  par  E.  Havet.      Paris:   1883. 

.\rt.  6,  %  15,  24-29,  31-5;  Art.  24,  64. 

Prudhomme,    Sully-.     Oeuvres.     Prose.     L'lixpression   dans 
les  Beaux- Arts.      Paris:   1883. 

—  Rev.     Philos.     19:  loi.      Sully-Prudhomme.      L'Expression 

dans  les  Beaux- Arts.     G.  Gueroult.     [Review.] 

Ronsard,  P.  de.    Oeuvres  Completes.    Nouvelle  ^d.  publ.   .   .   . 
par  P.  Blanchemain.     8  v.     Paris:   1857-67. 

T.  7,  p.  117-336  Abr6g6  de  I'Art  po6tique  Fraii9ois,  337-341  I-a  Musiquc. 

42810 


38  A   GUIDE  TO  THE 


Rousseau,  J.  J.     Oeuvres  Completes.     4  v.     Paris:   1868. 

T.  3,  p.  115-177  lyCttre  a  d'Alembert,  183-191  De  I'Iniitation  thfiatrale,  446-494,  512- 
857  Kcrits  sur  la  Musique. 

—  Morley,  J.      Rousseau.     2  v.     T^ond. :   1873. 

V.  I,  p.  298-307  R.'s  Musical  Theories,  332-4  Dramatic  Theories. 

Saint-Evremond,    C.    de.     Oeuvres   Melees.     Rev.   par  Cb. 
Giraud.     3  V.     Paris:   1865. 

T.  2,  p.  320-345,  363-369  La  Trag^die,  317-388  La  Com^die,  389-417,  492-510. 

Souriau,  P.     UEsthetique  du  Mouvertient.     Paris:   1889. 

Taine,  H.     The  Ideal  in  Art.     Trans,  by  J.  Durand.     N.  Y.: 
1869. 

—  Italy,  Florence  and  Venice.     Trans,  by  J.  Durand.     N.  Y. : 

1869. 

p.  98-159  Florentine  School  of  Art,  272-327  Venetian  Art. 

—  Italy,   Naples  and  Rome.     Trans,   by  J.    Durand.     Lond.: 

1867. 

—  Ivcctures  on  Art.     Trans,  by  J.  Durand.     2d  Ser.     N.  Y. : 

1877.     [Italy,  The  Netherlands,  Greece.] 

—  The  Philosophy  of  Art.     Lond.:   1867. 

—  Brit.  Q.  68:  I.     Taine  on  Art  in  the  Netherlands. 

—  Fiske,  J.     The  Unseen  World,  and  other  Essaj^s.     Boston: 

1876. 

p.  280  A  Philosophy  of  Art.     [Rev.  of  Taine's  Phil,  of  Art.] 

—  N.  Eng.  30:45.     Taine  on  Art  in  the  Netherlands.     J.   F. 

Weir. 

Vauvenargues.     Oeuvres.   .   .   .  Commentaires  par  D.-L.  Gil- 
bert.    Paris:   1857. 
P.  15-23, 62, 94, 107-110, 233-285, 377, 396, 399, 408, 410, 425. 463, 464, 466. 

—  Oeuvres  Posthumes  et  Oeuvres  inedites  .   .   .   Commentaires 

par  D.-L.  Gilbert.     Paris:   1857. 

p.  34,  36-40,  178-g,  274  Voltaire  on  Comedy,  277. 

Veron,  E.     Esthetics.     Trans,  by  W.  H.  Armstrong.     Lond.: 

1879. 


LITERATURE  OF  ESTHETICS.  39 

Virey,   J.   J.     L'Art    de  perfectiouner  THomme.     2  v.     Paris: 
1809. 

V.  2.  p.  31-100. 

Voltaire,  F.  M.  A.   de.     Oeuvres   Completes.     50  v.     Paris: 
1877-83. 

V.  2,  p.  7-46  Lettres  sur  I'Oedipe,  4S-52  Des  trois  Unites,  52-3  De  I'Op^ra,  53-S  Des 
Tragedies  en  Prose,  311-325  Discours  sur  la  Trag^die,  la  Rime,  le  Theatre  An- 
glais, etc.;  V.  4,  4S7-505  Sur  la  TragMie  ancienue  et  moderne;  v.  7,  209-37  Re- 
marques  sur  Sophonisbe,  484-6  Observations  sur  le  Jules  C^sar  de  Shakespeare; 
V.  8,  305-363  Essai  sur  la  Po6sie  £pique,  555-So  Le  Temple  du  Gofit;  v.  14,  530- 
564  Des  Beaux-Arts;  v.  17,  Diet.  Philos.,  372-6  "Aristotle,"  393-425  "  Art  Dra- 
matique,"  429-31  "Art  Po^tique,"  431-4  "Arts;"  v.  18,  Do.,  130-3  "Chant,"  etc., 
284-92  "Critique,"  564-92  "Epop6e;"  v.  19,  Do.,  121-2  "Fiction,"  248-50  "  Genre 
de  Style,"  250-2  "Gens  de  Lettres,"  270-284  "Gofit,"  427-38  "Imagination," 
562-571  "Harmonic  des  Langues,"  589-90  "Lieux  Communs  en  Litt^rature," 
590-2  "  Litt^rature;"  v.  20,  Do.,  230-3  "  Poetes,"  371-4  "Rime,"  374-5  "Rire," 
436-44  "Style,"  561-71  "Vers  et  Po^sie;"  v.  22,  148-156  Lettre  sur  la  Trag^die, 
156-162  Lettre  sur  la  ComMie,  241-266  Conseils  £L  un  Jourualiste;  v.  23,  47-64 
M6moire  sur  la  Satire,  327-424  Connaissance  des  Beaut^s,  etc.;  v.  24,  211-21 
Chaugements  arrives  ^  I'Art  Tragique;  v.  31,  173-600  Commentaires  sur  Cor- 
neille;  v.  32,  Do.,  1-375- 

—  Works..   Trans,  by  T.  Smollett  and  Others.     V.  i-ii,  13-22, 
24-35.     Lond.:   1776. 

V.  9.  p.  1-31  The  Polite  .\rts;  v.  lo,  ii,  14.  15.  18,  25,  27,  Dramas;  v.  17,  134-151  En- 
glish Comedy  and  Tragedy;  v.  22,  189-194  Fable,  198-209  Wit,  219-222  Style. 


40  A   GUIDE  TO  THE 

MINOR  REFERENCES. 

Contemp.  1:279.     French  Esthetics.     E.  Dowden. 
Joly,  M,  H.     Notions  de  Pedagogic.     Paris. 

C.  14  Education  esthfitique. 

N.  Eng.  49:246.     French  ^^Esthetics.     D.  C.  Eaton. 
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p.  1 21-158  I,e  Sens  esthfitique. 

Rev.  d.  D.  Mondes.     15  Sept.  1879.    L'Esthetique  Naturaliste. 
C.  Bigot. 

—  15  Nov.  1 88 1.     L'Art  de  la  Nature  et  la  Finalite  esthetique 

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Rev.  Pol.  et   Lit.    31:557.     L'Esthetique  de  Descartes  et  la 
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Saisset,  E.     L'Ame  et  la  Vie:  suivie  d'un  Examen  critique  de 
I'Esthetique  Frangaise.     Paris:   1864. 


LITERATURE  OF  .ESTHETICS.  41 


d.      Italian. 

Brunnhofer,  H.     Giordano  Bruno's  Weltanschauung  und  Ver- 
hangniss.     Leipzig:   1882. 

p.  195-200  Bruno's  Kunstphilosophie. 

Conti,  A.     L'Amionia  delle  Cose.     2  v.     Firenze:   1878. 

V.  2,  p.  S7-108  Come  la  Bellezza  sia  Teseuiplare  d'ogni  Perfeziouaiuento,  544-6 
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—  Giovanni  Dupre  o  dell' Arte.     Dialoghi    Due.     Pisa:    1865. 

Dupre,  G.     Pensieri  sull'Arte,   e   Ricordi  Autobiografici.     Fi- 
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—  Scritti    Minori  e   Lettere  ....  con  un  appendice  ai  suoi 

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—  Frieze,  H.  S.     Giovanni  Dupre.    With  two  dialogues  on  Art, 

from  the  Italian  of  Augusto  Conti.     lyond.:   18S6. 

Gioberti,  Vincenzo.     Del  Buono,  del  Bello.     Firenze:  1857. 

Rosmini-Serbati,    Antonio.     The    Philosophical    System   of 
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Trissino,  G.  G.     Tutte  le  Opere.     2  v  in  i.     Verona:   1729. 

V.  2,  p.  1-139  La  Poetica. 

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p.  213-274  De  Arte  Poetica. 

4 


42  A   GUIDE  TO  THE 

3.  Psychology  of  Aesthetics. 

Bourget,  Paul.     Essais  de  Psychologic  Contemporaine.     4"  ed. 
Paris:   1885. 

p.  116-138  [Flaubert]  Du  Romantisme,  156-173  Theories  d'Art,  175-218  Taiue. 

—  Nouveaux   Essais  de    Ps3'chologie    Contemporaine.     Paris: 

1886. 

p.  99-iiS  [De  Lisle]  Science  et  Poesie,  139-157  [De  Goticourt]  L'Objet  d'Art  et  des 
Lettres,  180-198  Questions  de  Style,  213-228  [Tourgeniev]  L'Esth^tique  de  I'Db- 
servation. 

Cohen,    H.     Die  dichterische  Phantasie  u.    der  Mechanismus 
d.  Bewiisstseins.     Berlin:   1869. 

Contemp.  12:437.     Psychology  in  Art.     H.  A.  Page. 

Dewey,  J.     Ps3-cholog5\     N.  Y.:    1887. 

C.  7  Imagination,  c.  9  Intuition,  c.  15  .Esthetic  Feeling. 

Dimetresco,   C.  D.     Der   Schonheitsbegriff:    eine    aesthetisch- 
psycholog.  Studie.     Leipzig:   1877. 

Dreher,  E.     Kunst  in  ihrer  Beziehung  zur  Ps^xhologie  u.  zur 
Naturwissenschaft.     Berlin:   1878. 

Hecker,  E.     Die  Physiologic  u.  Psychologic  dcs  Lachens  und 
des  Komischcn.     Berlin:   1873. 

Hickok,  L.  P.     Empirical  P.sychology;  or  the  Human  Mind  as 
given  in  Consciousness.     Schenectady:   1855. 
p.  201-204. 

—  Rational  Psychology.     Schenectady:   1854. 

p.  634-639  Esthetic  Facts. 

Jahn,  Max.    Psychologic  als  Grundwissenschaft  der  Padagogik. 
Leipzig:   1883. 
p.  96-103. 

Jardine,  Robt.     The  Elements  of  the  Psycholog3^  of  Cogni- 
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p.  172-179. 

Ladd,  Geo.  T.     Elements  of  Phj-siological  Psychology-.    N.  Y. : 

1887. 

p.  520-523  .Esthetic  Feelings. 


LITER  A  TURE  OF  ^S  THE  TICS.  43 

Mind  1 :  479.     Art  and  Psychology-.     J.  Sully. 

Murray,  J.  C.     A  Handbook  of  Psycliology.     Lond. :   1885. 

p.  223-235  The  -^Jsthetic  Ideal,  3S7-390. 

Rauch,  F.  A.     Psychology.     X.  Y.:   1853. 

p.  233-251  Irnagiiiatioii. 

Rev,  d.  D.  Mondes.  i  Sept.  1873.  Le  Sens  du  Beau  chez 
les  Betes,  le  Darwinisme  psychologique  et  la  Psychologic 
comparee.     Ch.  Leveque. 

—  15   Aout   1 88 1.     lyC  Plaisir  du  Beau  et  le  Plaisir   du  Jen, 

d'apres  I'ecole  de  revolution.     M.  Guyau. 

Rev.  Philos.  19:652.     Sur  1' emotion  esthetique.     F.  Paulhan. 

—  20:  lor.     S.  Rubinstein.     Psychologisch-sesthetische  Essays. 

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Ribot,  Th.     English  Ps3-chology.     Trans.     X.  Y. :   1874. 

t"-  231-37  Bain's  and  Spencer's  -iisthetics. 

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Sully,  Jas.     Outlines  of  Psychology.     Lond.:   1884. 

p.  316-329  Imagination,  531-552  ..Esthetic  Sentiments. 

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v.  I ,  p.  5S5-94  Esthetic  Interests. 

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44  A   GUIDE  TO  THE 

II.     SUBJECT-MATTER  OF  ^ESTHETIC  THEORY. 

A.  The  Agreeable,   and  the  Beautiful;  the  Sublime, 

AND  THE  Pathetic. 

Atlantic  58:  716.     Pathos  in  Story. 

Blackw.  74:  727.     Real  and  Ideal  Beauty. 

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1850. 

p.   419-515  Chief  metaphysical   writers  who  have  treated  of  the  Sublime  and 
Beautiful. 

Blencke,  Fr.     Die  Trennung  d.  Schonen  vom  Angenehmen  in 
Kant's  Kritik  d.  sesthetischen  Urtheilskraft. 

Cambridge  Essays  1856: 115.     The  Taste  for  the  Picturesque 
among  the  Greeks.     E.  M.  Cope. 

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R.  St.  J.  Tyrwhitt. 

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the  Beautiful.     V.  Lee. 

Deutsche  Rundschau  56:414.     Korperschonheit.    F.  Merkel. 
Ed.  R.  140: 168.     Canon  of  Beauty  in  Greek  Art. 
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—  49:211.     Beaut}',  Composition,  etc. ,  in  Art.     J.  A.  Symonds. 
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J.  Spec.  Philos.  16:122.     Beauty,  Use,  Reason.     M.  Tuthill. 

—  17:94.     The  Beautiful.     W.  H.  Kimball. 

Kostlin,  K.     Ueber  d.  Schbnheitsbegriff.     Tubingen:   1879. 
Macm.  16:441.     S^-mbolism  of  the  Sublime.     J.  H.  Stirling. 
Maistre,  J.  de.     Oeuvres  Completes.     9  v.     Lyon:  1884. 

T.7,  p.  306-324  Sur  le  Beau. 


LITERATURE  OF  .ESTHETICS. 


45 


Mind  4:482.     Reason  and  Relations  of  Beauty.     E.  Gurney. 

—  3:324.     The  Origin  of  the  Sublime.     G.  Allen. 

—  4:  301.     The  Origin  of  the  Sense  of  Symmetry.     G.  Allen. 

Postgraduate  and  Wooster  Quarterly  2: 177.  The  Phi- 
losophy of  the  Beautiful.     K.  Merz. 

Rev.  d.  D.  Mondes.  i  Sept.  1847.  Du  Beau  dans  I'Art, 
d'apres  M.  Topfler.     Th.  Gautier. 

—  15  Jtilliet  1854.     Questions  sur  le  Beau.     E.  Delacroix. 

—  15  Juin  1857.     Des  A^ariations  du  Beau.     E.  Delacroix. 

Ruskin,  J.  The  True  and  the  Beautiful  in  Nature,  Art,  Morals 
and  Religion.  Selections  from  his  Works  by  Mrs.  E.  C. 
Tuthill.     N.  Y.:   1880. 


Seidl. 


Zur  Geschichte  d.  Erhabenheitsbegriffes  seit  Kant. 


Shedd,  W.  G.  T.     Eiteran,-  Essays, 
tiful  and  its  Relation  to  Culture. 


True  Nature  of  the  Beau- 
N.  Y.:  1878. 


For  a  fuller  examination  of  the  theories  of  the  Agreeable  and  the  Beautiful  the 
student  is  referred  to  the  following  authorities  already  cited:  P.  13  Plato; 
p.  14  Xeuophon;  p.  16  Blackie,  Burke,  Coleridge;  p.  :;  Dallas,  Emerson;  p.  18 
Hume;  p.  19  Jeffrey,  Kames;  p.  2oJas.  Mill;  p.  20-21  Ruskin,  Spencer;  p.  25  Car- 
riere;  p.  26  von  Hartmann,  Hegel;  p.  27  Herder;  p.  28  Kant,  Fischer;  p.  29-30 
Lessing;  p.  30  Lotze;  p.  31  Schiller;  p.  32  Schlegel  F.  von,  Schopenhauer,  Ulrici; 
p.  33  Wieland,  M'undt;  p.  36  Cousiu,  Diderot;  p.  37  Hugo,  Joubert,  L^vfique, 
Marmontel;  p.  38  Taine;  p.  39  Voltaire;  p.  41  Couti;  Gioberti. 

For  the  Sublime  and  the  Pathetic  see  p.  16  Hurke.  Carlyle;  p.  19  Kanies;  p.  20  Jas. 
Mill;  p.  26  Hegel;  p.  27  Herder:  p.  28  Kant,  Fischer;  p.  32  Schopenhauer;  p.  35 
Boileau-Despr^aux;  p.  37  Marmontel. 


B.   The  Mysterious,    the  Awful,  the  Horrible,  etc. 

Seep.  1 1-12  Aristotle;  p.  isPlato;  p.  igKames;  p.  26 von  Hartmann;  p.  26-27 Hegel; 
p.  28  Kant;  p.  32  Schopenhauer;  p.  29-30  Lessing;  p.  31  Schiller;  p.  35  Corncille; 
p.  37  Marmontel;  p.  38St.  Evremond;  p.  39  Voltaire;  and,  in  general,  the  refer- 
ences on  Tragedy. 


46  A   GUIDE  TO  THE 


C.  The  Incongruous,  the  Ludicrou.s,  the  Grotesque,  etc. 
Belsham,  Thos.     Elements  of  the  Philosophy  of  Mind. 

p.  200-5  Wit. 

Dowden,  E.     Shakespeare:  A  Critical  Study  of  his  Mind  and 
Art.     Lond. :   1875. 

P-  337-377  Humor. 

Nuova  Ant.     3  s.  11:  373.     Richter  e  Tumorismo  tedesco.     E. 
Nencioni. 

Philos.  Monatshefte  22:449.     Der  Begriff  des  Komischen  in 
der  modernen  ^sthetik.     E.  von  Hartmann. 

Philos.  Studien  [Wundt]  2:128,  327.     Zur  Psychologie  des 
Komischen.     E.  Kraepelin. 

Rev.  d.  D.  Mondes.     i  Sept.  1863.     Ee  Rire,  le  Comique  et  le 
Risible  dans  I'Esprit  et  dans  I'Art.     Ch.  Eeveque. 

Rev.  Philos.  17:584.     Ee  Rire,  par  E.  Philbert.     [Review.] 

Spielhagen,  F.     Vermischte  Schriften.     Eeipzig:  1872. 

p.  153-172  Der  Humor. 

Weiss,  J.     Wit,  Humor  and  Shakespeare.     Boston:   1876. 

p.  3-71- 

Whipple,  E.  P.     Eectures  on  Subjects  connected  with  Eitera- 
tureandEife.     5th  ed.     Boston:   1859. 

p.  84-121  Wit  and  Humor. 

Wright,  Thos.     A  History  of  Caricature  and  Grotesque  in 
Eiterature  and  Art.     Eond.:   1875. 

For  other  theories  of  the  Ludicrous,  the  Grotesque,  etc.,  consult  p.  15  Bain;  p.  16 
Coleridge;  p.  17  Dallas,  Emerson,  Everett;  p.  18  Hazlitt,  Hume;  p.  19  Kames; 
p.  21  Shaftesbury;  p.  29-30  I^essing;  p.  32  Schopenhauer;  p.  35  Bossuet;  p.  37 
Marmontel;  p.  38  St.  Evremond;  p.  39  Voltaire;  and,  in  general,  the  references 
on  Comedy. 


LITERATURE  OF  ESTHETICS.  47 

III.     THE  FINE  ARTS.     [Except  Literature.] 

A.  Histories  and  Dictionaries  of  Art. 

I.   General. 

Agincourt,  Seroux  d'.  History  of  Art  b}-  its  Monuments. 
2  V.  in  I.     Lond. :   1847. 

Bell,  N.  R.  E.  ipseiid.,  D'Anvers,  N.).  Elementary  History  of 
Art.     Lond. :   1874. 

Clement,  C.  E.  Painters,  Sculptors,  Architects,  Engravers 
and  their  Works.  A  Handbook.  Illust.  5th  ed.  Boston: 
1879. 

De  Forrest,  J.  B.     A  Short  History  of  Art.     N.  Y. 

Fairholt,  F.  W.,  [ed.].  A  Dictionary  of  Terms  in  Art. 
Illust.     lyond. 

Jameson,  Anna.  Legends  of  the  Madonna  as  represented  in 
the  Fine  Arts.     Boston:   1877. 

—  Legends  of  the  Monastic  Orders  as  represented  in  the  Fine 

Arts.     Boston:   1876. 

—  Sacred  and  Legendary  Art.     2  v.     Boston:   1879. 

Llibke,  W.  Outlines  of  the  History  of  Art.  Trans,  and  ed. 
by  C.  Cook.     2  v.     N.  Y.:   1878. 

—  and  C.  von  Liitzow.     Denkmaler  der  Kunst  zur  Uebersicht 

ihres  Entwickelungsganges  von  den  ersten  \"ersuchen  bis 
zu  den  Standpunkten  der  Gegenwart.     3  v.     Stuttgart. 

Mollet,  J.  W.  An  Illustrated  Dictionary  of  Words  used  in 
Art  and  Archaeology.     Lond.:    18S3. 

Schnaase,  K.  J.  Fd.  Geschichte  der  bildenden  Kiinste.  2^ 
verb.  u.  verm.  Aufl.  Unter  Mitwirkung  d.  \'erfassers 
bearb.  von  C.  von  Liitzow.  8  v.  Diisseld.  u.  Stuttg. : 
1866-79. 

Spooner,  S.  A  Biographical  History  of  the  Fine  Arts.  4th 
ed.     2  V.     N.  Y.:   1867. 

Vasari,  G.  Lives  of  the  most  Eminent  Painters,  Sculptors 
and  Architects.  Trans,  by  Mrs.  J.  Foster.  5  V.  Lond.: 
1850-52. 


48  A   GUIDE  TO  THE 

2.  Ancient  and  MedicBval. 

Baumeister,  A.,  Hrsg.  Denkmaler  des  klassischen  Alter- 
tums.     3  Bde.     Miinchen  u.  Leipzig:   1885-88. 

Burn,  Robt.  Roman  Literature  in  Relation  to  Roman  Art. 
Lond.:   1 885. 

Clement,  C.  E.  A  Handbook  of  Legendar>'  and  M^^thological 
Art.      nth  ed.     N.  Y.:   1877. 

Dyer,  Thos.  H.     Pompeii.     Lond.:    1875. 

Furtwangler,  W.  Die  Idee  des  Todes  in  den  Mythen  und 
Kunstdenkmalern   der  Griecben.     Freiburg   im  Breisgau: 

1855- 

p.  289-299  Kuust. 

J.  Philol.  1 :  236,  360.     Cla.ssical  Autborities  for  Ancient  Art. 

Lubke,  W.  Ecclesiastical  Art  in  Germany  during  tbe  Middle 
Ages.  Trans.,  witb  appendix,  by  L.  A.  Wbeatley.  Lond.: 
1870. 

Memes,  J.  S.  Histor}-  of  Sculpture,  Painting  and  Arcbitect- 
ure.     Edinb. :   1829. 

Mliller,  C.  O.  Ancient  Art  and  its  Remains.  Witb  additions 
by  F.  G.  Welcker.     Trans,  by  Jobn  Leitcb.     Lond.:   1852. 

Owen,  A.  C.  Tbe  Art  Scbools  of  Mediaeval  Cbristendom. 
Ed.  by  J.  Ruskin.     Lond.:   1876. 

Perrot,  G.  and  Chas.  Chipiez.  A  History  of  Art  in  Cbaldea 
and  Assj^ria.  2  v.  Trans,  by  W.  Armstrong.  Lond.: 
1884. 

—  A  Histor}^  of  Ancient  Art  in  Sardinia,  Judaea,  Syria  and 

Asia  Minor.     2  v.     Lond.:   1890. 

Reber,  F.  von.  Gescbicbte  der  neueren  deutscben  Kunst. 
Stuttgart:   1876. 

—  History-    of   Ancient   Art.     Trans,     and    augm.    by   J.    T. 

Clarke.     Lond.:   1883. 


LITERATURE  OF  ESTHETICS.  49 

Sillig,  J.     Dictionary  of  the  Artists  of  Antiquity.     Trans,  by 
H.  W.  Williams.     Lond. :   1837. 

Winckelmann,  J.     Sammtliche  Werke.     Bde.  1-12  iind  Abbil- 
dungen.     Donauoschingen:    1825. 

—  The  History'  of  Ancient  Art.     Trans,  by  G.  H.  Lodge.     2  v. 
Boston:  1880. 

J.  Renaissance  and  Modern. 

Contemp.    36:44.     Dualism   of  the    Art   of  the    Renaissance. 
A'.  Lee. 

Deutsche   Rundschau    50: 195.     Die   Florentinische   Malerei 
und  der  Charakter  der  Kunst  im  Quattrocento.     J.  Meyer. 

Jameson,    Anna.     Memoirs   of   the   Early    Italian   Painters. 
Boston:   1875. 

Pattison,  Mrs.   Mark.     The  Renaissance  of  Art  in  France. 
2  V.     Lond.:    1S79. 

Swinburne,  A.  C.     Kssaj-s  and  Studies,     Lond.:  1875. 

P-  314-357  Old  Masters  at  Floreuce,  358-380  Pictures  of  1868. 

Symonds,  J.  A.     Renaissance  in  Italy:  The  Fine  Arts.  Lond.: 
1877. 

Timler,  C.     Renaissance  in  Italien.     Leipz. :   1865. 

For  further  references  ou  Ancient,  Mediaeval,  Renaissance  and  Modern  Art,  see 
special  lists  under  Architecture,  Sculpture,  Painting,  Engraving,  etc. 


50  A  GUIDE  TO  THE 


B.  Treatises  on  the  Arts  in   General. 
Blackw.  145:591.     Conversations  on  Art.     W.  W.  Stor}\ 
Brit,  and  For.  Rev.  14:  512.     /Esthetical  Studj-  of  Art. 
Brown,  John.     Horae  Subsecivse.     3  V.     Edinb. :   1882. 

First  Series,  p.  193-209  Art  aud  Science;  Second  Ser.,  215-296  Notes  on  Art. 

Contemp.  54:  24.     Art  in  England.     F.  Leighton. 

Cornh.  18:  170.     Taste  in  Art.     F.  T.  Palgrave. 

Duganne,  A.     Art's  True  Mission  in  America.     N.  Y.:  1853. 

Encycl.  Brit.     9th  ed.      "Art."     Sidne}^  Colvin. 

Fortnightly  30:661.     Studj- of  Art.     S.  Colvin. 

Forum  7: 134.     Ethics  of  Art.     W.  S.  Lilly. 

—  7:331.     Art  in  Education.     J.  M.  Hoppin. 
Fraser  71:97,  334.     Hierarch}'  of  Art.     F.  P.  Cobbe. 
Gladstone,  W.  E.    Juventus  Mundi.     Eond.:   1870. 

p.  516-525  Ideas  of  Beauty  and  Art  in  Homer. 

Inge,  W.   R.     Society  in  Rome   under  the  Caesars.     Eond.: 
1888. 

p.  93-118  Literature  and  Art. 

Jameson,  Anna.     Sketches  of  Art,  Literature  and  Character. 
Boston:   1878. 

—  Studies,  Stories  and  Memoirs.     Boston:   1877. 

—  The  Diar>-  of  an  Ennuyee.     Boston:   1876. 

Mahaffy,  J.  P.     Rambles  and  Studies  in  Greece.     Eond. :  1876. 

p.  282-321  Greek  Music  and  Painting. 

Missouri  University  Lectures.     1879. 

p.  311  The  Ideal  and  the  Utility  of  Art.     Bingham. 

Morris,  Wm.     The  Decorative  Arts:  Their  Relation  to  Modem 
Life  and  Progress.     Lond. :   1878. 


LITERATURE  OF  ESTHETICS.  51 

Murphy,  Jos.  J.     Habit  and  Intelligence.     2  v.     Lond. :   1869. 

V.  2,  p.  175-8  Historical  Science  of  the  Fine  Arts. 

National  Rev.    1:72.     Conversations  in  Art.     W.  J.   Court- 
hope.     [Unbd.  pams.  i-ii.] 

N.  Eng.  50:  29.     Suggestions  in  Art.     J.  C.  Vandyke. 

—  50:348.     A  Pioneer  of  German  Art — A.  J.  Carstens.     F.  W. 

Williams. 

Newton,  Chas.  T.     Essays  on  Art  and  Archaeology.     L,ond. : 
1880. 

No.  Am.  81:212.     Origin  and  Character  of  Art.     S.  G.  Fisher. 

—  84: 379.     Classical  and  Romantic   Schools   of  Art.     C.  C. 

Everett. 

Palgrave,  F.  T.     Essays  on  Art.     lyond. :   1866. 

Princeton,  N.  S.  11:91  [i 883-1]  Art  and  Ethics.     H.  J.  Van 
Dyke. 

Putnam,  F.  W.     Conventionalism,  in  Ancient  American  Art. 
Salem:   1887. 

Rev.  d.  D.  Mondes.     2  Sept.   1833.     Un  Mot  sur  I'Art  Mod- 
erne.     A.  De  Musset. 

—  15  Juin  1855.     E'Art  grec  et  I'Art  Romain.     J.  J.  Ampere. 

—  15  Sept.  1856.     t)tude  sur  les  Beaux-Arts.     M.  F.  Mercey. 

—  I    Oct.    1866.     Les   Arts    du    dessin    et   la   Science.     Ch. 
.  Leveque. 

—  15  Avril  1879.     Ea  Moralite  dans  I'Art.     C.  Martha. 

—  15  Juin  1 88 1.     La  Delicatesse  dans  I'Art.     C.  Martha. 

—  15  Nov.    1883.     L'Antagonisme  de  I'Art  et  de   la  Science. 

Ch.  Guyau. 

—  I  Avril  1886.     Les  Origines  du  Realisme.     E.  Miintz. 


52  A  GUIDE  TO  THE 

Rev.  Philos.    i8:  193.     G.   Seailles.     Essai  sur  le  genie  dans 
I'Art.     L.  Dauriac.     [Review.] 

—  20:  136.     Les  Comparisons  entre  la  peinture  et  la  musique 

G.  I^echalas. 

—  22:337.     G-.  Seailles.     Origine  et  destinees  de  I'Art. 

Ruhmohr,  Fr.     Italienisclie  Forschungen.     Berl. :   1827-31. 

Samson,  G.  W.     Elements  of  Art  Criticism.     Phila.:   1867. 

Schulz,    H.  W.     Denkmaler   der   Kunst   des    Mittelalters   in 
Unteritalien.     Dresden:   i860. 

Torrey,  Jos.     Theory  of  Fine  Art      N.  Y.:  1874. 

Vigny,  A.  de.     Cinq  Mars.   .   .   .   24*^  ed.,  precedee  de  Reflex- 
ions sur  la  verite  dans  I'art.     Paris:   1877. 

p.  I-IO. 

Wallace,  H.  B.     Art,    Scenery  and   Philosophy   in   Europe. 
Phila.:   1855. 

Westm.  96:  398.     Relations  of  Art  and  Science. 

Wiseman,  N.,  Cardinal.     Points  of  Contact  between  Science 
and  Art.     I^ond.:   1863. 


LITERATURE  OF  ^ESTHETICS.  53 

C.  Special  Treatises  on  the  Different  Arts. 

I.  Architecture. 
Babcock,  C.     Elementar>' Architecture.     N.  Y.:  1876. 

Beule,  C.  Ernest.  Histoire  de  Tart  grec  avant  Pericles. 
Paris:   186S. 

Billington,  J.     The  Architectural  Director.     I^ond. :   1834. 

Cofroyer,  E.     Architecture  romaine.     Paris:   1888. 

Durm,  Jos.,  ct  al.,  [ed.].  Handbuch  der  Architektur.  4  v. 
Damist.:   1883-6. 

Eastlake,  C.  L.  Hints  011  Household  Taste.  3d  ed.  rev. 
L,ond. :   1872. 

—  A  History  of  the  Gothic  Revival.     L,ond. :   1872. 

Elmes,  Jas.  Memoirs  of  the  lyife  and  Works  of  Sir  Christo- 
pher Wren,  with  a  brief  view  of  the  Progress  of  Architect- 
ure in  England  from  the  Beginning  of  the  Reign  of  Charles 
the  First  to  the  End  of  the  Seventeenth  Century.  Lond. : 
1823. 

Fergusson,  Jas.  An  Historical  Inquiry  into  the  True  Princi- 
ples of  Beauty  in  Art,  more  especially  with  reference  to 
Architecture.     Lond.:   1849. 

—  History   of    the   Modern   Styles  of    Architecture.     2d   ed. 

Forming   the  fourth   volume  of  the  New  Edition  of  the 
"Historj-  of  Architecture." 

—  History  of  Indian  and  Eastern  Architecture.     Forming  the 

third   volume   of  the   New    Edition   of  the    ' '  History   of 
Architecture."     Eond. :   1876. 

—  History    of  the    Modern    Styles    of  Architecture.     Ilhist. 

Lond.:   1862. 

—  The  Illustrated  Handbook  of  Architecture.     2  v.     Lond.: 

1855- 


54  A   GUIDE  TO  THE 

Fergusson,  Jas.  A  History  of  Architecture  in  all  Countries, 
from  the  Earliest  Times  to  the  Present  Da}'.  2d  ed.  V.  1-2. 
Lond.:   1874. 

Gailhabaud,  Jules,  et  al.  Monuments  Anciens  et  Modenies 
.   .   .   Hist,  de  r Architecture.     4  v.     Paris:   1865-70. 

Goller,  Adolf.  Die  Entstehung  der  architektonischen  Stil- 
formen.     Stuttg.:   1888. 

Glossary  of  Terms  used  in  Grecian,  Roman,  Italian  and  Gothic 
Architecture.     5th  ed.     2  v.  in  3.     V.  i  Text.     V.  2,  pts. 

1  and  2,  Plates.     Oxford:   1850. 

Gottgetreu,  Rudolph.  Eehrbuch  der  Hochbau — Konstruk- 
tionen.     2  v.     Berl. :   1880-2. 

Gwilt,  Jos.  An  Encyclopaedia  of  Architecture.  Rev.  by  W. 
Papworth.     Lond.:    1876. 

Hittorff,  J.,  et  Zanthe,  L.  Architecture  Antique  de  la  Sicile. 
Paris:   1826. 

Hope,  Thos.     An  Historical  Essay  on  Architecture.     3d  ed. 

2  V.     V.  I  Text.     V.  2  Plates.     Lond.:   1840. 

King,  R.  J.  Handbook  to  the  Cathedrals  of  England.  Illust. 
6  V.     Lond.:   1869. 

Laloux,  V.  Architecture  Grecque.  Illust.  [Bibl.  Enseignem. 
des  Beaux- Arts.]     Paris:   1888. 

Leeds,  W.  H.  Rudimentary-  Architecture  .  .  .  The  Orders 
and  their  Esthetic  Principles.     2d  ed.     Lond.:   1852. 

Lefevre,  Andre.  Wonders  of  Architecture.  Illust.  N.  Y. : 
1871. 

Liibke,  W.  Geschichte  der  Architektur  von  den  altesten 
Zeiten  bis  zur  Gegenwart  dargestellt.     2  v.     Leipzig:  1875. 

Mothes,  O.  Die  Baukunst  des  Mittelalters  in  Italien.  Jena: 
1882-4. 

Norton,  C.  E.  Historical  Studies  of  Church-building  in  the 
Middle  Ages:  Venice,  Siena,  Florence.     New  York:   1880. 


LITERATURE  OF  ^ESTHETICS.  55 

Osten,  F.  Die  Bauwerke  in  der  Lombardei  vom  jteii  bis  zu 
i4ten  Jahrhundert.     Darmstadt:   1846-54. 

Otte,  H.  Geschichte  der  romanischen  Baukimst  in  Deiitsch- 
laiid.      Leipz. :   1874. 

Palladio,  A.  The  Architecture  of  A.  Palladio;  in  Four  Books, 
containing  a  short  Treatise  of  the  Four  Orders  .  .  .  Revis'd 
...  by  Giacomo  Leoni.  Trans,  from  the  Italian  Original. 
2d  ed.     2  V.     Lond.:   1721. 

Parker,  J.  H.  An  Introduction  to  the  Study  of  Gothic  Archi- 
tecture.     5th  ed.     Oxford:   1877. 

Patte.  jNIemoires  sur  les  Objets  les  plus  importans  de  I'Archi- 
tecture.     Paris:   1769. 

Penrose,  Francis  C.  Investigation  of  the  Principles  of  Athe- 
nian Architecture  .   .   .  London,  Society  of  Dilettanti:  1888. 

Redtenbacher,  R.  Leitfaden  zum  Studium  der  mittelalter- 
lichen  Baukunst.     L,eipz.:   1881. 

Ruskin,  John.  Lectures  on  Architecture  and  Painting;  deliv. 
Oxford,  1853.     N.  Y.:   1882. 

—  Seven  Lamps  of  Architecture.     N.  Y. :   1857.     Also  N.  Y.: 

1882. 

—  Stones  of  Venice.     3  V.     Lond.:   1858. 

Schnaase,  Karl  J.  Fd.  Geschichte  der  bildenden  Ktinste. 
2"  verb.  u.  verm.  Aufl.  Unter  Mitwirkung  des  \'erfassers 
bearb.  von  C.  von  Liitzow.  8  v.  Diisseldorf  und  Stutt- 
gart:  1866-79. 

See  under  Architektur.     Index. 

Scott,  Sir  George  G.  Lectures  on  the  Rise  and  Development 
of  Mediaeval  Architecture.     2  v.     Lond.:   1879. 

Tuckerman,  A.  L.  vShort  History  of  Architecture.  N.  Y. : 
1887. 

Toussaint,  Claude  F.,  of  Sens.  Nouveau  Manuel  Complet 
d'Architecture.     Nouv.  ed.     Paris:    1857. 


56  A   GUIDE  TO  THE 

VioUet-le-Duc,  E.  E.  The  Habitations  of  Men  in  all  Ages. 
Trans,  b)^  B.  Bucknall.     Illust.     Boston:   1876. 

—  Annals  of  a   Fortress.     Trans,   by   B.    Bucknall.     Boston: 

1876. 

—  The  Story  of  a  House.     Trans,  by  G.  M.  Towle.     Illust. 

Boston:   1874. 

—  Discourses  on  Architecture.     Trans.,  with  an  Introductory 

Kssay,     by    H.    Van    Brunt    and    B.     Bucknall.       Illust. 
Boston:   1875-1881. 

—  Entretiens   sur   1' Architecture.       2    v.    and    Atlas.       Paris: 

1863-72. 

—  Dictionnaire  Raisonne  de  1' Architecture  frangaise  du  xi"  au 

xvi''  Siecle.      10  v.     Paris:    1868-75. 

Vitcuvius  Pollio,  M.  De  Architectura  lyibri  Decern.  Ed.  V. 
Rose  and  H.  Mliller-Striibing.     Deipzig:   1867. 

—  The  Architecture  of  M.  Vitruvius  Pollio.  Trans,  from  the 

Original  Latin  by  W.  Newton.     2  v.     Eond. :   1791. 

Weale,  John,  [ed.].  Quarterly  Papers  on  Architecture. 
Illust.     V.  1-4.     Lond.:   1844-5. 

White,  J.  Rural  Architecture.  Illustrated  in  a  New  Series 
of  Designs.     Glasgow:   1852. 

Wiebering,  Le  Chevalier  de.  Analyse  descriptive,  histor- 
ique  et  raisonnee  des  Monumens  de  I'Antiquite,  des  Edi- 
fices les  plus  remarquables  .  .  .  de  I'ltalie.  5  v.  and 
Atlas.     Munich:   1838-40. 

Winckelmann,  J,  J.  Baukunst  der  Alten  (Sammtl.  Werke, 
vol.  2). 

Wotton,  Sir  H.  Elements  of  Architecture.  (Reliq.  Wotton- 
ian.) 


LITERATURE  OF  .-ESTHETICS.  57 

2.   Sculpture. 

Borboni,  G.  A.     Delle  Statue.     Roma:   1661. 

Carter,  J.  Specimens  of  Ancient  Sculpture  and  Painting  now 
remaining  in  England  from  the  earliest  period  to  the  reign 
of  Henr>-  \'III  .  .  .  with  critical  and  historical  illustra- 
tions by  F.  Douce  and  others.     New  ed.     Lond.:   1838. 

Cellini,  Benvenuto.  Duo  Trattati:  uno  dell'  orificeria,  I'altro 
della  Scultura.     Milano:   181 1. 

—  Goethe,  J.  W.  von.  Werke,  Bde.  22-23.  Uebersetzung 
von  Cellini. 

Canova,  A.  The  Works  of  Antonio  Canova  in  Sculpture  and 
Modeling,  engraved  in  Outline  by  H.  Moses.  With  a 
Memoir  by  Count  Cicognara,  and  Descriptive  Notes. 
Lond.:   1876. 

Dietrichson,  L.  Antinoos;  eine  kunstarchaologische  Unter- 
suchung.     Christiania:   1884. 

Flaxman,  John.     Lectures  on  Sculpture.    2d  ed.   Lond. :  1838. 

Fortnum,  C.  D.  E.  Bronzes.  [South  Kensington  Museum 
Art  Handbooks.]     Lond.:   1877. 

Grimm,  H.     Essays.     Hanover:   1859. 

p.  41-45  Die  Venus  von  Milo;  177-260  Rafael  und  Michelangelo. 

Kekule,  Reinhard,  [ed.].  Griechische  Thonfiguren  aus 
Tanagra.     Stuttg.:   1878. 

Lee,  Mrs.  Hannah  F.  FamiHar  Sketches  of  Sculpture  and 
Sculptors.     2  v.     Bost. :   1854. 

Llibke,  W.  History  of  Sculpture.  Trans,  by  F.  E.  Bunnett. 
2  V.     Lond.:    1872. 

Michaelis,  A.  Ancient  Marbles  in  Great  Britain.  Trans, 
from  the  German  by  C.  A.  M.  Fernell.     Camb.:   1882. 

Mitchell,  Lucy  M.     A  Hi.stor}^  of  Ancient  Sculpture.     N.  Y. : 

1.S.S3. 
5 


58  A  GUIDE  TO  THE 

Mothes,  O.     Geschichte  der  Baukunst  und  Bildhauerei  Vene- 
digs.     Leipz. :    1859. 

Murray,  A.  S.     Histor}^   of  Greek  Sculpture.     2  v.     Lond. : 

1880-83. 

Overbeck,  J.     Geschichte  der  griechischen  Plastik.     lyeipzig: 

1857- 

—  Same.      3"  umgearb.  u.  verm.  Aufl.      2  v.     Leipzig:   1881-2. 

Perkins,  Charles  C.     Historical  Handbook  of  Italian  Sculpt- 
ure.    N.  Y.:   1883. 

—  Tuscan  Sculptors:    Their   Lives,    Works  and  Times;   with 

Illustrations  from  Original  Drawings  and  Photographs.   2  v. 
lyond. :   1864. 

Perry,  W.  C.     Greek  and  Roman  Sculpture.     Lond. :   1882. 

Plon,  E.     Thorwaldsen:  His  Life  and  Works.     Trans,  by  I.  M. 
Luyster.     Illust.     2d  Am.  ed.     Boston:   1874. 

Ruskin,  John.     Aratra  PenteHci:  Six  Lectures  on  the  Elements 
of  Sculpture  delivered  at  Oxford,  1870.     Oxford:   1872. 

Rydberg,  Victor.     Roman  Daj^s.     Trans,  by  A.  C.  Clark.     2d 
ed.     N.  Y.:   1887. 

p.  1-208  Sculpture. 

Semper,    H.     Uebersicht    der    Geschichte    der    toskanischen 
Sculptur.     Ziirich:    1869. 

—  und    Barth,  W.     Ueber   die    hervorragendsten    Bildhauer- 

Architek ten  der  ital.  Renaissance.     Dresden:   1S80. 

Upcott,  L.  E.     An  Introduction  to  Greek  Sculpture.     Oxford: 
1887. 

Waldstein,  Chas.     Essays  on  the  Art  of  Pheidias.     Camb. : 
1889. 

Westmacott,  R.     Handbook  of  Sculpture,  Ancient  and  Mod- 
ern.    Edinb. :   1864. 

—  Sculpture.     [Encycl.  Metr.,  v.  5.] 


LITERATURE  OF  ESTHETICS.  59 


J.   Ceraviics. 

Audsley,  G.  A.,  and  Bowes,  J.  L.  Keramic  Art  of  Japan. 
Lond. :   1 88 1. 

Birch,  S.     History  of  Ancient  Potter}-.     Lend.:   1858. 

Blake,  W.  P.     Ceramic  Art.     Report  Intern.  Exhib.  \'ienna, 
1873.     X.  Y.:   1875. 

—  Ceramics,   Glass  and  Glassware.     [Reports  U.   S.  Commis. 

Paris  Expos.]     3  v.     1878. 

Bohn,  H.  G.  Guide  to  the  Knowledge  of  Potter}-,  etc.  Cata- 
logue of  Bernal  Collection.     Eond. :   1857. 

Brongniart,  A.  Traite  des  Arts  Ceramiques.  2  v.  Paris: 
1854. 

Deck,  J.  T.  Faience.  [Bibl.  I'Enseignem.  Beaux-Arts.] 
Paris:   1887. 

Dubreuil.  Porcelaine..  [Fr^my,  Encj-cl.  Chimique.  Vol.  5.] 
1885. 

Elliott,  C.  W.  Potter)^  and  Porcelain,  from  Early  Times  to 
1876.     N.  Y.:   1878. 

Hartt,  C.  F.  Notes  on  the  Manufacture  of  Potter}-  among 
Savage  Races.     R.  dej.:   1875. 

Jacquemart,  Albert.  History  of  the  Ceramic  Art.  Trans, 
by  Mrs.  Bury  Palliser.     Eond. :   1873. 

—  Merveilles  de   la  Ceramique.     [Bibl.    des  Merveilles.]     2  v. 

Paris:   1866-8. 

Julien,  S.  Histoire  et  Fabrication  de  la  Porcelaine  Chinoise; 
trans,  par  Julien.  Notes  et  additions  par  Salvetat,  A.  Me- 
moire  sur  la  Porcelaine  du  Jappn;  tr.  par  Dr.  J.  Hoffmann. 
Paris:   1856. 

Marryat,  Jos.  A  History  of  Pottery  and  Porcelain,  Meditieval 
and  Modern.     3d  ed.     Eond.:   1868. 


6o  A   GUIDE  TO  THE 

Morley,  H.     Palissy,  the  Potter.     The  Life  of  Bernard  Palissy 
ofSaintes.     New  ed.  'Lond. :   1878. 

Moses,   H.     Vases  from  the  Collection    of  Sir  Henry  Engle- 
field,   Bart.     Drawn  and  engraved  by   H.   Moses.     Lond. 

Palissy,  B.     Oeuvres  Completes  .   .   .  avec  des  Notes  et  tine 
Notice  historique  par  Paul-Antoine  Cap.     Paris:   1844. 

—  Enjubault,     l^m.     L'Art    Ceramique    et    Bernard    Palissy. 

Paris:   1858. 

—  Jonveaux,  E^m.     Histoire  de  Trois  Potiers  Celebres:  Palissy, 

Wedgwood,  Bottger.     Paris:   1874. 

—  Salles,  Jules.     ]E)tude  sur  Bernard  de  Palissy:  precedee  par 

.   .   .  recherches  sur  I'art  ceramique.     Paris:   1856. 

Porter,  G.  R.     Porcelain  and  Glass  Manufacture.     [Cab.  Cycl.] 
Phila.:    1832. 

Pettier,  Andre  Ariodant.     Histoire  de  la  Faience  de  Rouen. 
Rouen:    1870. 

Prime,  W.  C.     Pottery-  and  Porcelain  of  All  Times  and  Nations. 

N.  Y.:   1878. 

Schumann,  Ludwig  F.     Kunst  durchsichtiges  Porzellan  und 
weisses  Steingut.  11.  s.  w.     Weimar:   1835. 

Young",  J.  J.     Ceramic  Art:  History  and  Manufacture.     N.  Y. : 

1878. 

Zeigler,  J.     Ijtudes  Ceramiques.     Recherche  des  Principes  du 
Beau,  etc.     Paris:   1850. 


LIT  ERA  TV  RE  OF  ^S  THE  TICS.  6 1 

^.  Painting. 

a.   Histories  and  Biographies. 

Church,   W.    E.     W.    M.   Thackeray  as  au  Artist  and  Art- 
Critic.     An  Essay.      Privately  printed. 

Clement,  C.  E.,  and  Hutton,  L.     Artists  of  the  Nineteenth 
Century.      A  Handbook.      2  v.      Boston:    1879. 

Crowe,  J.  A.,  [ed.].     Handbook  of  Painting.     The   German, 
Flemish  and  Dutch  Schools.     Based  on  the  Handbook  of 
Kugler.     Remodeled   by  Dr.  Waagen.     New  ed.     Illust. 
2  V.     Lond.:    1879. 

—  and  Cavalcaselle,    G.  B.     The   Early   Flemish   Painters: 

Notices  of  their  Lives  and  Works.     2d  ed.     Lond. :   1872. 

Titian;  His  Life  and  Times.     2  v.     Illust.     Lond.:   1877. 

Raphael:  His  Life  and  Works.     2  v.     Lond.:   1882-85. 

A  new  History  of  Painting  in  Italy  from  the  Second  to 

the  Sixteenth  Centurs-.     3  V.     Lond.:   1864-66. 

A    History-  of  Painting   in   North  Italy  .   .   .   from   the 

Fourteenth    to    the    Sixteenth     Century.     2     v.     Lond.: 
1871-74. 

Cunning-ham,  Allan.  The  life  of  Sir  David  Wilkie;  with  his 
Journals,  Tours,  and  Critical  Remarks  on  Works  of  Art: 
and  a  Selection  from  his  Correspondence.  3  v.  Lond. : 
1843. 

—  The  Lives  of  the  Most  Eminent  British  Painters,  Sculptors 

and  Architects.     6  v.     Lond.:   1829-33. 

Dobson,  Austin.  Thomas  Bewick  and  his  Pupils.  Illust. 
Lond.:   1884. 

Duppa,  R.  The  Life  of  Michel  Angelo  Buonarroti,  with  his 
Poetry  and  Letters.     2d  ed.     Lond.:   1807. 

—  and  Quatremdre   de  Quincey.     The  Lives  and  Works  of 

Michael  Angelo  and  Rai)hael.      Illust.     Lond.:   1856. 


62  A   GUIDE  TO  THE 

Eastlake,  Sir  C.  L.,  [ed.].  Handbook  of  Painting.  The 
Italian  Schools.  Based  on  the  Handbook  of  Kugler.  4th 
ed.  Revised  ...  by  Lady  Eastlake.  Illiist.  2  v. 
Lond. :   1874. 

Gilchrist,  Alex.  Life  of  WilHam  Blake.  Illust.  2  v.  Lond.: 
1863. 

Grimm,  H.  Life  of  Michael  Angelo.  Trans,  by  F.  E.  Bun- 
nett.     9th  ed.     2  v.     Boston:    1877. 

Hamerton,  P.  G.  The  Life  of  J.  M.  W.  Turner.  Illust. 
Boston:   1879. 

Illustrated   Biographies   of   the    Great   Artists.      Lond.: 

1880-83. 

Clavide  leLorrain,  by  O.  J.  Dullea;  Correggio,  by  M.  C.  Heaton;  Dellia  Robbia  and 
Cellini,  by  L.  Scott;  Albrecht  Diirer,  by  R.  F.  Heath;  Figure  Painters  of  Hol- 
land, by  Gower;  Fra  Angelico,  Masaccio  and  Botticelli,  by  C.  M.  Phillimore; 
Fra  Bartolommeo,  Albertinelli  and  Andrea  del  Sarto,  by  L.  Scott;  Gainsbor- 
ough and  Constable,  by  G.  M.  Brock-Arnold;  Ghiberti  and  Donatello,  by  I,. 
Scott;  Giotto,  by  Harry  Quilter;  Hogarth,  by  Austin  Dobson;  Hans  Holbein, 
by  Jos.  Cundall;  Landseer,  by  F.  G.  Stevens;  Leonardo  da  Vinci;  Little  Mas- 
ters of  Germany,  by  W.  B.  Scott;  Mantegna  and  Francia,  by  Julia  Cartwright; 
Meissonier,  by  J.  W.  Mollet;  Michelangelo  Buonarotti,  by  Clement;  Mu- 
rillo,  by  E.  F.  Minor;  Overbeck,  by  J.  B.  Atkinson;  Raphael,  by  N.  D'Anvers; 
Rembrandt,  byJ.W.  Mollet;  Reynolds,  by  F.  S.  Pulling;  Romney  and  Law- 
rence, by  Gower;  Rubens,  by  C.  W.  Kett;  Tintoretto,  by  W.  R.  Oster;  Titian,, 
by  R.  F.  Heath:  Turner,  by  W.  C.  Monkhouse;  Vandyck  ar»d  Hals,  by  P.  R. 
Head;  Velasquez,  by  E.  Stowe;  Vernet  and  Delaroche,  by  J.  R.  Rees;  Watteau, 
by  J.  W.  Mollet;  Wilkie,  by  J.  W.  Mollet. 

Janitscheck.     Die  deutsche  Malerei.     Berlin:   1889. 

Jerrold,  B.  The  Life  of  George  Cniikshank,  in  Two  Epochs. 
Illust.     2  V.     N.  Y.:   1882. 

Justi,  Karl.     Velasquez  und  seine  Zeit.     Bonn:   1888. 

Krell,  Dr.     Die  Klassiker  der  Malerei.     Stuttgart. 

Kugler,  F.  T.  Handbuch  der  Kunstgeschichte.  5*^  Aufl. 
bearb.  von  W.  Liibke.     2  v.     Stuttgart:   1872. 

Lacroix,  Paul.  The  Arts  in  the  Middle  Ages,  and  at  the 
Period  of  the  Renaissance.  Trans,  by  J.  Daffome. 
Illust.   .   .   .  by  F.  Kellerhoven.     Lond.:    1870. 

—  Sciences  et  Lettres  au  Moj^en  Age  et  a  I'E^poque  de  la  Renais- 
sance. Illust.  par  Compere,  Daumont,  Pralon  et  Werner. 
2"  ed.     Paris:    1877. 


LITERATURE  OF  ESTHETICS.  63 


Lanzi,  A.  L.  The  History  of  Painting  in  Italy:  from  the  period 
of  the  Revival  of  the  Fine  Arts  to  the  end  of  the  Eight- 
eenth Century.  Trans,  by  Thos.  Roscoe.  6  v.  Lond. : 
1828. 

Leslie,  Chas.  Robert.  Autobiographical  Recollections  b}'  the 
late  Charles  Robert  Leslie,  R.  A.  Ed.,  with  a  prefatory- 
Essay  on  Leslie  as  an  Artist,  and  Selections  from  his  Corre- 
spondence, by  Tom  Taylor.     Boston:    i860. 

Mason,  G.  C.  The  Life  and  Works  of  Gilbert  Stuart;  with 
Selections  from  Stuart's  Portraits  Reproduced  on  Steel  and 
by  Photogravure.     N.  Y.:   1879. 

Merlo,  J.  J.  Die  Meister  der  altkolnischen  Schule.  Koln: 
1852. 

Meyer,  Julius.     Correggio.     Leipz.:   1871. 

Mollet,  J.  W.  An  Illustrated  Dictionarj^  of  Words  used  in 
Art  and  Archaeology.     Lond.:   1883. 

Morgan,  Lady.  The  Life  and  Times  of  Salvator  Rosa.  2  v. 
Lond.:   1824. 

Northcote,  Jas.     The  Life  of  Titian.     2  v.     Lond.:   1830. 

Passavant,  J.  D.  Raphael  of  Urbino  and  his  Father,  Giovanni 
Santi.     Illust.     Lond.:   1872. 

Pater,  W.     Imaginary- Portraits.     Lond.:   1887. 

Scott,  W.  B.  Murillo  and  the  Spanish  School  of  Painting. 
Fifteen  engravings  on  steel  and  nineteen  on  wood;  with 
an  account  of  the   school  and  its  great  masters.     Lond. : 

1873- 

Scheibler,  L.  A.     Die  Meister  der  Kolner  Malerschule.     Bonn: 

1S80. 

Swinburne,  A.  C.  William  Blake.  A  Critical  Essay.  Illust. 
Lond.:    1868. 

Tuckerman,  H.  T.  Book  of  the  Artists.  American  Artist 
Life  .  .  .  with  an  appendix  containing  an  account  of  Nota- 
ble Pictures  and  Private  Collections.     N.  Y.:   1867. 


64  A   GUIDE  TO  THE 

Vertue,  Geo.  Anecdotes  of  Painting  in  England;  with  some 
Account  of  the  Principal  Artists,  and  Incidental  Notes  on 
other  Arts,  .  .  .  digested  and  published  .  .  .  b\'  the  Hon. 
Horace  Walpole;  with  considerable  additions  bj-  the  Rev. 
Jas.  Dalloway.     5  v.     Lond.:   1828. 

Viardot,  Louis,  and  other  writers.     An  Illustrated  History  of 
Painters  of  all  Schools.     Loud.:   1877. 

Woltmann,  A.     Holbein  und  seine  Zeit. 

—  and  Woermann,  K.  History  of  Painting.  Trans,  by 
Clara  Bell.     2  v.     Lond.:   1887. 


LITERATURE  OF  ESTHETICS.  65 

b.   Treatises  on  Painting. 

Armitage,  E.     Lectures  on  Painting;  delivered  to  the  students 
of  the  Royal  Academy.     X.  Y. :    18S3. 

Art  Year  Book,  i884.  American  Art.  Prepared  and  pub- 
lished by  the  New  England  Institute.     Boston. 

Contains  examples  of  various  graphic  processes,  and  of  aiiplied  art. 

Boot,  W.  H.  J.  Trees,  and  How  to  Paint  Them  in  Water 
Colors.     Illust.     lyond. :   1883. 

Burnet,  J.  A  Treatise  on  Painting.  In  four  parts.  Illust. 
New  ed.     Lond.:   1880. 

Catalogue  of  the  Art  Department  of  the  New  England  Manu- 
facturers and  Mechanics'  Institute.     Boston:   1883. 

Supplemented  b\-  etchings,  albertypes,  and  photo-engravings  from  the  original 
drawings,  and  by  a  series  of  short  articles  on  "Various  Phases  of  American 
Art." 

Camper,  P.     Differences  des  Traits  du  Visage.    Autrecht:  1791. 

Da  Vinci,  Leonardo.  A  Treatise  on  Painting.  Trans.  .  .  . 
by  J.  F.  Rigaud.  Illust.  To  which  is  prefixed  a  life  of 
the  author  .   .   .   by  J.  W.  Brown.     Loud.:   1835. 

Diderot,  Denis.  Essai  sur  la  peinture.  [In  Ocuvrcs,  Ed.  Cit. 
V.  8.] 

Encyl.  Brit.     9th  ed.      "Painting."     G.  Reid. 

—  "Schools  of  Painting."     J.  H.  Middleton. 

Hamerton,  P.  G.     A  Painter's  Camp.     2d  ed.     Lond. :   1S66. 

—  The  Graphic  Arts;  a  treatise  on  the  varieties  of  drawing, 

painting  and  engraving,  in  comparison  with  each  other  and 
with  nature.     Boston:   1882. 

Haydon,  B.  R.  Correspondence  and  Table  Talk;  with  a  Me- 
moir b}'  his  son,  F.  W.  Haydon.     2  v.     Boston:   1877. 

—  Lectures  on  Painting  and  Design.     2  v.     Lond.:   1844-46. 

V.  2,  p.  251-283  Beauty. 

Herrick,  H.  W.  Water  Color  Painting.  Illust.  Artists'  ed. 
N.  v.:   1882. 


66  A   GUIDE  TO  THE 

Hermann,  C.     .li^sthetische  Farbenlehre.     I^eipzig:   1876. 

Hogarth,  W.m.  The  Works  of  WilHam  Hogarth  in  a  series 
of  Engravings;  with  Descriptions  and  a  Comment  on  their 
Moral  Tendency,  by  the  Rev.  J.  Trusler.     Lond. :   1833, 

—  The  Works  of  Wilham  Hogarth,  [inckiding  the  "Analysis 

of  Beaut}',"]  elucidated  b}'  descriptions,  critical,  moral  and 
historical,  ...  to  which  is  prefixed  some  account  of  his 
life.     By  Thos.   Clerk.     2  v.     Lond.:   1812. 

Hollar,  W.  The  Dance  of  Death;  from  the  original  designs 
of  Hans  Holbein.  Illustrated  with  thirt5'-three  plates  en- 
graved by  W.  Hollar;  with  descriptions  in  English  and 
French.     Lond. :   1 8 1 6. 

Lermolieff,  Morelli.  Ueber  die  italienischen  Bilder  in  d.  Gale- 
rien  zu  Miinchen,  Dresden  und  Berlin.     Leipz.:   1880. 

Merimee,  M.  J.  F.  L.  The  Art  of  Painting  in  Oil  and  in 
Fresco  .  .  .  Trans.  .  .  .  with  original  observations  .  .  . 
by  W.  B.  S.  Taylor.     Lond.:   1839. 

Michelangelo.  Drawings  and  Studies  by  Michelangelo  in  the 
University  Galleries,  Oxford.  Etched  and  engraved  by 
Jos.  Fisher.     New  ed.     Lond.:   1879. 

Noble,  L.  L.  The  Course  of  Empire,  Voyage  of  Life  and  other 
Pictures  of  Thos.  Cole,  N.  A.     N.  Y.:   1853. 

Rahn,  R.     Ein  Besuch  in  Ravenna.     Leipz.:   1869. 

Ruskin,  John.     Modern  Painters.     5  V.     N.  Y.:   1883. 

—  Lectures  on  Architecture  and  Painting.     N.  Y. :    1882. 

Tyrwhitt,  Rev.  R.  St.  John.  Handbook  of  Pictorial  Art; 
with  a  chapter  on  perspective  by  A.  Macdonald.  2d  ed. 
Oxford:   1875. 

Wedmore,  F.  The  Masters  of  Genre  Painting.  Illust. 
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Wornum,  R.  N.,  [ed.].  Lectures  on  Painting  by  the  Royal 
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J.   Engraving,  Etching,  etc. 
Baker,  W.  S.     Origin  and  Antiquity  of  Engraving.     Boston: 

—  William  Sharp,  Engraver;  with  a  Descriptive  Catalogue  of 

his  Works.      Phila.:    1875. 

Cellini,    B.     Memoirs  .   .   .   with  Notes   and   Observations   of 
G.  P.  Caq^ani.     Trans,  by  Thos.  Roscoe.     Eond. :   1850. 

Delaborde,  Henri.     Gravure:  precis  elementaire  de  ses  origines 
.   .   .  procedes  .   .   .  histoire.     Paris:   188-. 

Didot,  Ambr.  Firmin.     Essai  Typogr.  et  Bibliogr.  sur  I'His- 
toire  de  la  Gravure  sur  Bois.     Paris:   1863. 

Duplessis,  G.     Coup  d'oeil  sur  I'Histoire  de  la  Gravure.     Paris: 

1881. 

Diirer,   Alb.     Album.     [Hrsg.  von  Kaulbach,   W.  von,   und 
Kreling,  A.]     42  plates.     Niirnb. 

—  Humiliation  and  Exaltation  of  our  Redeemer.     32  prints. 

[Ed.  John  Allen.]     Lond.:   1856. 

—  Schefer,  E.     Artist's  Married  Eife.     Trans,  by  Mrs.  T.  R. 

Stodart.     N.  Y.:   1867. 

Emerson,  W.  A.     Handbook  of  Wood  Engraving  .   .   .   Prac- 
tical Instruction  .   .   .   Hist.  Art.     New  ed.     Bost. :   1881. 

Fielding,  T.  H.     The  Art  of  Engraving.     Eond. :   1844. 

Gillray,   James.      Works   from   the   Original   Plates.     2    v. 
Lond.:   1849-51. 

v.  I  Portrait  of  Gillray  and  582  subjects;  v.  2  Suppressed  Plates,  45  in  luunber. 

—  Wright,  Thos.,  and  PZvans,  R.  H.     Historical  and  Descrip- 

tive Account  of  the  Caricatures  of  Gillray.     Lond.:   1851. 

Hamerton,  P.  G.     The  litcher's  Handbook.     Illust.     3d  ed. 
Lond.:    1881. 

—  Etching  and  Etchers.     3d  ed.     Lond.:   1880. 


68  A   GUIDE  TO  THE 


Hogarth,  William.     Original  and   Genuine  Works.     Lond. : 

1 79-. 

io8  pieces  on  Sg  sheets.     2  portraits. 

Jackson,  J.  A  Treatise  on  Wood  Engraving,  Historical  and 
Practical.      Illvist.      L,ond. :   1839. 

Lalanne,  Max.  A  Treatise  on  Etching.  Text  and  plates. 
Trans,  from  the  second  French  ed.  by  S.  R.  Koehler;  with 
an  introductory'  chapter  and  notes  by  the  translator.  Boston: 
1880. 

Landseer,  J.  Lectures  on  the  Art  of  Engraving,  delivered  at 
the  Royal  Institution  of  Great  Britain.     Eond. :   1807. 

Lindsay,  Rev.  J.     Engraving.     [Encycl.  Metr.,  v.  5.] 

Lostalot,  Alfred  de.     Procedes  de  la  Gravure.     Paris:   1882. 

Maberley,  J.  The  Print  Collector.  Ed.  with  notes,  account 
of   Etching,    bibhogr.    of   Engraving,    by   Rob.    Hoe,    Jr. 

N.  Y.:   1880. 

Norton,  J.  T.  Wood  Carving.  2  v.  [Reports  U.  S.  Commis. 
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Picart,  Bernard,  ef  Stosch,  Phil,,  Baron  von.  Pierres 
antiques  gravees.     Amst. :   1724. 

—  Winckelmann,  J.  J.  Beschreibung  der  geschnittenen  Steine 
des  seligen  Baron  Stosch.     Werke,  v.  9. 

Ruskin,  J.  Ariadne  Florentina.  Six  Lectures  on  Wood  and 
Metal  Engraving.     Orpington:   1876. 

Walpole,  Horace,  Earl  of  Orford.  Catalogue,  and  Lives 
of  Engravers.     Life  of  George  \'ertue. 

See  Walpole's  Works,  v.  4. 


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6.  Music. 

a.   Histories  of  Music. 

Ambros,  A.  W.  Geschichte  der  Miisik.  5  v.  Leipzig: 
1880-82. 

Burney,  Charles.  General  Histon-  of  Music.  4  v.  Loud. : 
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Commettant,  Oscar.  Musique:  les  Musiciens  et  les  Instru- 
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Coussemaker,  C:  E,  H:  de.  L'Art  Harmonique  aux  xii''  et 
xiii"  Siecles.      Paris:    1865. 

—  Histoire  de  THamionie  au  moyen  Age.     Paris:   1852. 

Edwards,  S.     Histor>^  of  the  Opera.     2d  ed.     L,ond. :   1862. 

Hueffer,  Francis,  [ed.].     Great  Musicians.     Lond.:   1881. 

Hullah,  J.  The  Histon.-  of  Modern  Music.  3d  ed.  Lond.: 
1881. 

—  The  Third  or  Transition  Period  of  Musical  History.     2d  ed. 

Lond.:   1876. 

Kiesewelter,  R,  G,  History  of  the  Modern  Music  of  Western 
Europe.     Trans,  b}^  R.  Mliller.     Lond.:   1848. 

Langhans,  W.  Die  Geschichte  der  Musik  des  i7ten,  iSten 
und  i9ten  Jahrhunderts.  (In  chron.  Anschlusse  an  die  Mu- 
sik-geschichte  von  A.  W.  Ambros.)    2  v.     Leipzig:  1884-87. 

Lavoix,  H.,y?/j-.     Histoire  de  la  Musique.     Paris:   1884, 

Ritter,  F.  L.     History  of  Music.     Boston:   1876. 


70  A   GUIDE  TO  THE 

b.  Treatises  on  Music. 

Adams,  John  S.  Five  Thousand  Musical  Temis;  a  complete 
dictionary  of  L,atin,  Greek,  Hebrew  .  .  .  Spanish,  English 
words  .  .  .  and  signs.  Including  the  dictionaries  of 
Busb}',  Czemy,  Crassineau  and  Hamilton;  also  a  treatise  on 
playing  the  organ.     Boston:   1851. 

Boetius.  Flinf  Biicher  liber  die  Musik.  Aus  der  Lateinischen 
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Leipzig:    1872. 

Bahr,  O.     Das  Tonsystem  unserer  Musik.     Leipzig:   1882. 

Baker,  Th.  Ueber  die  Musik  der  Nordamerikanischen  Wilden. 
Leipzig:   1882. 

Clement,  Felix.  Musiciens  celebres,  depuis  le  i6''siecle  jusqu'a 
nos  jours.      Paris:    1868. 

Curwen,  J.     A  Tract  on  Musical  Statics.     Lond. 

—  Musical  Theor}-.     Lond. 

Descartes,  R.  du  Perrot.  Abregedela  Musique.   Oeuvres,  v.  5. 

Engel,  C.     Musical  Mj'ths  and  Facts.     2  v.     Lond.:  1876. 

Grove,  Sir  Geo.     A  Dictionar}-  of  Music  and  Musicians.     4  v. 

Lend.:    1880-89. 

Gurney,  Edm.     The  Power  of  Sound.     Lond.:   1880. 

C.  23  Musical  Criticism. 

Gwilt,  Joseph.     Music.     [Enc3-cl.  Metr.,  v.  5.] 

Hart,  George.     Violin  and  its  Music.     Lond.:  1881. 

Hastings,  Thos.    Dissertation  on  Musical  Taste.    N.  Y. :   1853. 

Hauptmann,  M.  The  Nature  of  Harmony  and  Metre.  Trans, 
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Haweis,  Rev.  H.  R.     Music  and  Morals.     N.  Y. :   1875. 


LITERATURE  OF  yESTHETICS.  -ji 

Helmholtz,  H.  L.  F.  Sensations  of  Tone  as  a  Physiological 
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Ellis.     lyond.:   1875. 

Jefferson,  Joseph.  Lyra  Evangelica:  an  Essay  on  Instru- 
mental Music  in  Christian  Worship,  f/f.     Lond. :   1805. 

Meshakah,  Mikhail,  of  Damascus.  Treatise  on  Arabian  Music. 
Trans,  by  Eli  Smith.      (Jour.  Amer.  Orient.  Soc. ,  v.  5.) 

Ouseley,  Sir  F.  A.  G.  A  Treatise  on  Musical  Form  and 
General  Composition.     Oxford:   1875. 

Philos.  Monatshefte  20:518.  C.  Stumpf's  Tonpsychologie. 
R.  Falckenberg. 

Pole,  Wm.     The  Philosophy  of  Music.     Lond.:   1879. 

Postgraduate  and  Wooster  Quarterly  1:91.  Schopenhau- 
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Reissmann,  Aug.    Zur  ^E^sthetik  der  Tonkunst.    Berlin:   1879. 

Rev.  Philos.  17:36.  L'Esthetique  Musicale  en  France.  V 
Psychologic  des  Timbres.  27:113,  \T  Psychologic  du 
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—  17:276.     Sur  le  Mode  d'action  de  la  musique.     G.  Lechalas. 

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[Review.] 

—  20:617.   Sur  la  Representation  des  Melodies.     C.  Stumpf. 

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Rev.  Pol.  et  Lit.  31:338.  La  Voix  des  Instruments.  Ch. 
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Rice,  I.  L.     What  is  Music?     N.  Y.:   1875. 

Riemann,  Hugo.     Musikalische  Logik.     Leipzig. 

Ritter,  F.  L.     Music  in  America.     N.  Y.:    1883. 

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72  A  GUIDE  TO  THE 

Ritz,  J.  Untersuchungen  iiber  die  Zusammensetzung  der 
Klange  der  Streichinstrumente.  Ph^^sikalisch-musik- 
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Rousseau,  J.  J.  Dictiounaire  de  Musique.  2  v.  Paris:  1823. 
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Schubart,  C.  F.  D.  Ideen  zu  einer  ^55sthetik  der  Tonkunst. 
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Schumann,  Rob.  Music  and  Musicians.  Trans.,  ed.  and 
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Stumpf,  C.     Tonpsychologie.     V.  i.     Leipzig:   1883. 

Tagore,  Sourindro  Mohun.  Yantra  Kosha.  Musical  Instru- 
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Calcutta:   1875.     (In  Bengalee.) 

Taylor,  Sedley.     Science  of  Music.     N.  Y. :   1875. 

—  Sound  and  Music.     Loud.:   1873. 

Thibaut,  A,  F.  J.  On  Purity  iu  Musical  Art.  Trans,  from 
the  German  by  W.  H.  Gladstone.      Lond. :   1877. 

Wagner,  Richard.  Art  Life  and  Theories  of  Wagner: 
selected  from  his  writings,  and  trans,  by  E.  L.  Burlingame. 
X.  Y.:   1875. 

Weber,  G.  The  Theon,-  of  Musical  Composition.  Trans. 
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2  V.     Lond.:   1851. 

Wolf,  Ferdinand.  Ueber  die  Lais,  Sequenzen  und  Leiche. 
Ein  Beitrag.      Heidelb. :   1841. 

Zamminer,  F.  Die  Musik  und  die  Musikalischen  Instrumente 
in  ihrer  Beziehung  zu  den  Gesetzen  der  Akustik.     Giessen: 

1855- 

Zeitschrift  fiir  Philos.  89:293.  C.  Stumpf's  "  Musikpsj-chol- 
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IV.     LITERATURE. 
A.  Histories  and  Theories  in  General. 
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p.  72-137  Literature  and  Science. 

Bascom,  John.  Philosophy  of  English  Literature.  X.  Y. : 
1886. 

Berington,  Jos.  Literary  History  of  the  Middle  Ages  [A.  D. 
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Bornhak,  G.  Lexikon  der  allgemeinen  Literatur-geschichte. 
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Brande,  W.  T.,  and  Cox,  G.  W.  Dictionary  of  Science,  Lit- 
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Brandes,  Georg".  Die  Literatur  des  neunzehnten  Jahrhunderts 
in  ihren  Hauptstromungen.  Ueberszt.  und  eingeleitet 
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V.  I  Die  Eniigranten-Iyiteratur;  v.  2  Die  romantische  Schule  in  Deutschland;  v.  3 
Die  Reaktion  in  Frankreich;  v.  4  Der  Naturalisnius  in  England;  v.  5  Die 
romantische  Schule  in  Frankreich. 

Coppee,  H.  English  Literature:  considered  as  an  interpreter  of 
English  Histor>'.     Phila. :   1873. 

Gatschenberger,  Stephan.  Geschichte  der  enghschen  Lit- 
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Hallam,  H.  Introduction  [to  the  Literature  of  Europe,  in  the 
15th,   1 6th  and  17th  centuries.     4  V.      Lond.:    1S37-9. 

Heine,  Heinrich.  The  Romantic  School.  Trans,  by  S.  F. 
Fleishman.     N.  Y.:   1882. 

—  Zur  Geschichte  der  neueren  Schonen  Literatur  in  Deutsch- 
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Marmontel,    J.    F.     I'Uements    de  Litterature.     3    v.     Paris: 
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6 


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Morley,  H.     English  Writers.     Lond.:   1887. 

V.  1,  p.  1-121  Development  of  Literature. 

Mundt,  Theodor.     Geschichte  der  lyiteratur  der  Gegenwart. 
2^  Aufl.     Leipz.:    1853. 

Nodier,  C.     Romans.     Paris:   1850. 

p.  7-19  Des  Types  eu  LittSrature. 

Nuova  Ant.   3   S.    12:609.     L'Avvenimento  della    letteratura 
universale.     G.  Chiarini. 

Posnett,  H.  M.     Comparative  Literature.     N.  Y.:   1886. 

Raumer,  F:  L.  G.  von.     Handbuch  zur  Geschichte  der  lyitera- 
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Rev.  Philos.  18:704.     L.  Arreat.     La  Morale  dans  le  Drame, 
I'jE^popee  et  le  Roman.     B.  Perez.     [Review.] 

Sacy,  S.  U.  Silvestre  de,  and  others.     Rapport  sur  le  Progres 
des  Lettres.     Paris:   1868. 

p.  5-21  La  Critique,  35-44  Le  Roman. 

Sainte-Beuve,    C.  A.     Causeries   du   Lundi.     3''  ed.     15   v. 
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Tome  3,  p.  38-55  Qu'est-ce  qu'un  Classique?  T.  15.  345  Sur  la  Morale  et  I'Art;  356 
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Scherer,  Edm.     E^tudes  critiques  sur  la  Litterature  contempo- 
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T.  I,  p.  239-254  La  Critique  historique;  T.  4,  25-34  L'Avenir  de  la  Poesie,  113-139 
La  Portefeuille  de  Ste.  Beuve,  253-259  La  MSthode  de  M.  Taine,  261-272  M.  Taine 
et  la  Philos.  de  I'Art  Grec;  T.  5,  319-340  De  la  Traduction. 

Scherr,  Joh.     Allgemeine  Geschichte  der  Literatur.     Stuttg. :  , 
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Schlegel,    Karl  W.    F.    von.     Sammtliche    Werke.      lo   v. 
Wien:   1822. 

V.  1-2  Geschichte  der  alten  und  neuen  Literatur. 

—  Lectures  on  the  Historj' of  Literature.    Trans.     Lond. :  1876. 
p.  1-12. 

Schlosser,  F.  C.     Weltgeschichte  [zu  1871]  f  iir  das  deutsche 
Yolk.     2"Aufl.     19  V.  in  10.     Oberhausen  und  Leipz.:  1876. 

v.  1-2  History  of  the  Literature  and  Culture  of  the  i8th  Century. 


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Scott,  Sir  W.  Essays  on  Chivaln-,  Romance  and  the  Drama. 
[Misc.  Prose  Works,  v.  6.]     Edinb. :   1834. 

p.  129-216  Roniance,  219-395  Drama. 

Simonde  de  Sismondi,  J.  C.  L.  Historical  View  of  the  Litera- 
ture of  the  South  of  Europe.  Trans,  by  T.  Roscoe.  2  v. 
X.  v.:    1885.      4  V.      Loud.:    1823. 

Stael,  Mme.  de.     De  la  Litterature.     Paris:    1845. 
p.  213-529. 

Taine,  H.  A.  History  of  English  Literature.  Trans,  hy  H. 
Van  Laun.     Eond. :   1883. 

V.  I.  p.  1-36  Couditions  of  Literary  Development. 

Woolsey,  T.  D.  Revival  of  Letters  in  the  14th  and  15th  Cen- 
turies.    Pamphlet,  114  pages.      1864-5. 


76  A  GUIDE  TO  THE 


B.  Poetry. 
/.    General. 

Alembert,  J.  C.  R.  d'.     Oeiivres.     5  v.     Paris:   182 1-2. 

V.  4  Dialogue  entre  la  Poesie  et  la  Philosophic,  etc. 

Arnold,  M.     Kssays  in  Criticism.     Second  series.    I^ond. :   1888. 

p.  1-55  The  Study  of  Poetry. 

Austin,  Alfred.     Prince  Lucifer.     2d  ed.     Lond. :   1887. 

^  p.  vii-xxi  Ou  the  End  and  Limits  of  Objective  Poetry. 

Bain,  A.     On  Teaching  English:    with  ...   an  Enquiry  into 
the  Definition  of  Poetr>^     Lond.:   1887. 
p.  207-256. 

Blackw.  6:  363.     Progressive  Changes  in  Poetical  Style. 

—  11:  153.     How  Far  is  Poetry  an  Art? 

—  27:706.     Art  of  Poetry. 

—  38:829.     Philosophy  of  Poetry. 

Brit.  Q.  [Am.  ed.]  57:  92.  A  Theory  of  Poetry.  Wm.  Knight. 
[Repr.  in  W.  Knight's  Studies  in  Philos.  and  Lit.,  p.  264- 
282.] 

Brooke,  Rev.  Stopford  A.  Theology  in  the  English  Poets. 
N.  Y.:    1875. 

Browning,  Robt.  On  the  Poet,  objective  and  subjective;  on 
the  Latter's  Aim;  on  Shelley  as  Man  and  Poet.  2d  ed. 
[Browning  Soc.  Papers,  No.  i.]     Lond.:   1881. 

Brunswick.  Wordsworth's  Theorie  der  Poetischen  Kunst. 
Halle:    1884.     Prog. 

Bryant,  W.  C.     Prose  Writings.     Ed.  by  Parke  Godwin.     2  v. 

N.  Y.:   1884. 

V.  I,  p.  3-44  Lectures  on  Poetry,  57-67  On  Trisyllabic  Feet  in  Iambic  Measure. 

Buchanan,  Robt,     David  Gray,  and  other  Essays,  chiefly  on 
Poetry.     Lond.:    1868. 
p.  3-60. 

Contemp.  2:535.     Poetical  Feeling  for  Nature.     E.  Dowden. 


LITER  A  rVRE  OF  .-ES  THE  TICS.  'j-j 

Contemp,  39:682.     Morality  in  Poetry.     V.Lee. 

Cotterill,  H.   B.     An    Introduction  to  the  Study  of  Poetr}-. 
Lond. :    1SS2. 

Courthope,  W.  J.     The  Liberal  Movement  in  English  Litera- 
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p.  3-32  Definition  of  Poetrj-,  71-10S  Wordsworth's  Theory  of  Poetry,  197-240 
Prospects  of  Poetry. 

Doyle,  Sir  F.  H.     Lectures  on  Poetry.     Lond.:   1869. 
Dryden,  John.     Prose  Works.     Ed.  Cit. 

V.  2-4  Essays  on  Dramatic,  Heroic,  Satiric,  Epic  Poetry. 

Emerson,  R.  W.     Complete  Works.     Ed.  Cit. 

V.  3,  p.  9-45  The  Poet;  v.  S,  9-75  Poetry  and  Imagination. 

Encycl.  Brit.     9th  ed.     "Poetn,-."     Theodore  Watts. 
Everett,  C.  C.     Poetry,  Comedy  and  Duty.     Ed.  Cit. 
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—  32:686.     M.  Arnold  on  Poetry. 

—  49:568.     Science  et  Poesie.     P.  Bourget. 
Forum  7:  175.     What  is  a  Great  Poet?     E.  Gosse. 
Fuller,  S.  M.     Papers  on  Literature  and  Art.     N.  Y. :   1848. 

Pt.  1,  p.  5S-9q  Modern  British  Poets;  pt.  2,  p.  1-21  Poets  of  the  People;  et  passim. 

Gellert,    C.    F.     Sammtliche    Schriften.      lo   v.    in    5.     Bern: 

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Bd.  7,  p.  1 17-154  Wie  Weit  sich  der  Nutzen  der  Regeln  in  der  Beredsamkeit  und 
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V.  I ,  p.  89-120  Thoughts  on  Poetry  and  its  Varieties. 

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4  V.     N.  Y.:    1859. 

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V.  I.  p.  65-145  Lectures  on  Poetry. 

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No.  Am.  132:  195.     Poetry  of  the  Future.     W.  Whitman. 

No.  Brit.  19:297.     Theories  of  Poetry.     D.  Masson. 

Open  Court  3:  1727.     Poetry  and  Science.     C.  Thomas. 

Overland   Mo.    14:129.     The   Old   Notion   of  Poetry.     J.   V. 
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V.  3,  p.  197-219  The  Poetic  Principle,  219-265  The  Rationale  of  Verse,  266-278  The 
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86  A   GUIDE  TO  THE 


J.   Lyric. 
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Hegel,  G.  W.  F.     Werke.     Ed.  Cit. 

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Abth.  2.  p.  5S9-600. 


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88  A   GUIDE  TO  THE 

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Freiberg  i.  B.:   1886. 

Nation  38:  543.     Methods  of  English  Playwrights. 

No.  Am.  126:40.     Dramatic  Composition.     D.  Boucicault. 

Northbrooke,  J.  Treatise  against  Dicing,  Dancing,  Plays  and 
Interludes,  etc.     [Shakesp.  Soc,  v.  15.]     Lond. :   1843. 

Perry,  T.  S.  English  Literature  in  the  i8th  Centur3\  N.  Y.: 
1883. 

p.  1S3-204  The  Unities. 

Rousseau,  J.  J.     Oeuvres.     Ed.  Cit. 

V.  2  Lettre  a  M.  d'Alenibert  sur  les  Spectacles.     Apologie  du  Theatre  par  :Mar- 
moutel. 

Saint-Marc  Girardin.  Cours  de  Litterature  Dramatique  on 
de  r Usage  des  Passions  dans  le  Drame.  4*^  ed.  2  v. 
Paris:   1852.     f  ed.     5  v.     Paris:   1868. 

—  Lectures  on  Dramatic  Literature.     First  series.     Trans,  b}' 

R.  G.  Barnwell.     N.  Y.:   1849. 

Sanborn,  F.  B.,  [ed.].  The  Life  and  Genius  of  Goethe  as  a 
Playwright.     Boston:   1886. 

p.  189-217  Goethe  as  a  Plaj'wrigiit. 

Sat.  R.  55:56.     Persian  Farce. 

Schlegel,  A.  W.  von.  Dramatische  Kunst  und  Literatur. 
Vorlesungen.     2"^  Ausg.     3  V.     Heidelb.:   1817. 

—  Same.     Sammtliche  Werke. 

V.  5-6. 

—  A  Course  of  Lectures  on  Dramatic  Art  and  Literature.    Trans. 

by  John  Black.     Lond.:   1861. 

—  Same.     See  J.  \V.  Donaldson.     Theatre  of  the  Greeks,   p. 

291-480. 

Simpson-Baikie,  E.  The  Dramatic  Unities.  3d  ed.  Lond. : 
1878. 


LITER  A  TL  ^RE  OF  ^ES  THE  TICS.  9 1 

Snider,   D.  J.     System  of  Shakespeare's  Dramas.     2   v.     St. 
Louis:   1877. 

V.  1,  p.  5-44  The  Dramatic,  47-51  Nature  of  Tragedy,  279-301  Nature  of  Comedy. 

Stapfer,  P.     Shakespeare  and  Classical  Aiitiquitj-.     Trans,  by 
E.  J.  Carey.     Lond. :   1880. 

p.  40-56  Classical  Precepts  enforced  by  Sidney,  57-72  Shakespeare  and  the  Unities. 

Theatre, 'Si,  1:208.     Dramatic  Construction.     S.  Grund3\ 

—  '85,  1 :  269.     What  does  the  Public  Want?     W.  Archer. 

Tomlins,  F.  G.     A  Brief  View  of  the  English  Drama.     Eond. : 
1840. 

Ulrici,   H.     Shakespeare's    Dramatic  Art.     Bohn  Libr.     2    v. 
Eond. :   1876. 

P-  334-356  Characterization. 

Vega  Carpio,  L.  F.  de.      Colleccion  de  las  Obras  Sueltas.     21 
V.      Madrid:    1776-9. 

Tomo  4,  p.  405-17  Arte  nuevo  de  hacer  Comedias,  461-4S2  Discurso  sobre  la  uueva 
Poesie,  513-522  Question  sobre  el  Honor  debido  a  la  Poesie. 

Voltaire.     Oeuvres  Completes.     Ed.  Cit. 

See  under  I'oltaire,  p.  39. 

Ward,  A.  W.     A  History  of  English  Dramatic  Literature  to 
the  Death  of  Queen  Anne.     2  v.     Eond.:   1875, 

V.  I.  p.  viii-xvi. 


92  A   GUIDE  TO  THE 


b.  Tragedy. 
Aristotle.     Poetics.     (Wharton's  ed.) 

VI;  VII;  IX,   ii;  XI,  4,  6;  XIII;    XIV;  XV,  8;  XVII,  2;  XIX.  3;  XXIV,  S;  XXV; 
XXVI. 

—  Ethics.     Ed.  Cit. 

Bk.  II,  c.  1-6. 

—  PoHtics.     Ed.  Cit. 

Bk.  V,  c.  5-7. 

—  Rhetoric.     Ed.  Cit. 

Bk.  II,  c.  5,  8. 

Baumgart,  H.  Aristoteles,  Lessing  und  Goethe.  tJeber  das 
ethische  und  das  sesthetische  Princip  der  Tragodie.  Leip- 
zig':  1877. 

Blackw.  47:  145.     Theorv^  of  Greek  Tragedy. 

Bohtz,  Aug.  W.     Idee  des  Tragischen.     Gottingen:   1836. 

Colby,  J.  Rose.  Some  Ethical  Aspects  of  Later  Elizabethan 
Tragedy.  Preceded  b}"  an  examination  of  Aristotle's 
Theorj-  of  Tragedy.     Ann  Arbor:   1886. 

De  Quincey,  T.  Letters  to  a  Young  Man  and  other  Papers. 
Boston:   1854. 

p.  101-123  Theory  of  Greek  Tragedy.  v 

Donaldson,  J.  W.  The  Theatre  of  the  Greeks.  4th  ed. 
Cambridge:   1836. 

p.  155-194  Twining's  Trans,  of  Aristotle's  Poetics.  291-4S0  Traus.  of  Schlegel's 
Lectures  on  the  Drama. 

Egger,  Jos.     Katharsis-Studien.     Wien:   1883. 
Everett,  C.  C.     Poetiy^,  Comedy  and  Duty.     Ed.  Cit. 

P.  127-1.55  The  Tragic  Forces. 

Feller,  W.  Die  Tragische  Katharsis  in  der  Anfassung  Les- 
sings.     Leipz.:   1889. 

Freytag,  G.     Technik  des  Dramas.     Ed.   Cit. 

p.  7,  16-23,  74-90,  214-227,  258-273  Das  Tragische. 

Goethe-Jahrbuch  3:132.  Goethe's  Ansicht  iiber  das  Wesen 
der  Tragodie. 


LITERATURE  OF  .ESTHETICS.  93 

Greinz,  R.  H.  Die  tragischen  Motiven  in  der  deutschen  Dich- 
tung  seit  Goethe's  Tode.     Dresd. :   1889, 

Hegel,  G.  W.  F.    Ed.  Cit. 

Bd.  10:3,  p.  479-344  Die  draraatische  Poesie,  526-33  Das  Priucip  der  Tragodie. 

—  Kedney's  Hegel's  .-Esthetics.     Ed.   Cit. 

p.  2S7-301  Dramatic  Poetry. 

Herrig^'s  Archiv  26:  129.     Das  Tragischeund  das  Schicksal. 

—  26:  289.     Schiller  liber  die  Tragodie. 

—  47:  145.     Katharsis  und  Gloirecultus.      F.  Meyer. 

—  47:305-6.     Ueber  d.  Riihm  als  tragischen  Princip. 
Lessing,  G.     Hamburgische  Dramaturgic.     Ed.  Cit. 

No.  32.  37-39,  73-S5  Die  Reinigung  des  Mitleids  und  der  Furcht.    No.  48-50  Trag- 
ische  Ueberraschung. 

Kleinpaul,  E.     Poetik.     Ed.  Cit. 

Thl.  3,  p.  213-37  Die  Tragodie. 

Marmontel,  J.  F.     E^lements  de  Litterature.     Ed.  Cit. 

\ .  3  Article  on  Tragedie. 

McDermot,  M.  A  Philosophical  Inquiry  into  the  Source  of 
the  Pleasures  derived  from  Tragic  Representations.  lyond. : 
1824. 

Neue  Jahrbuch  f.  Philol.  u.  Paed.  iii:8i.  Der  Begrifif  der 
tragischen  Katharsis.     H.  Baumgart. 

Patin.     Etudes   sur   les   Tragiques    Grecs.     Eschyle.     4''    ^d. 
Paris:   1871. 
P.  1-164. 

Rev.  d.  D.  Mondes.  15  Sept.  1875.  La  Psychologic  dans  les 
tragedies  de  Racine.      Paul  Janet. 

Rev.  Philos.  23:  S3.  J.  Duboc.  Die  Tragik  vom  Standpunkte 
des  Optimismus,  mit  Bezugname  auf  die  moderne  Tragodie. 
L.  .A.rreat.     [Review.] 

Ribbeck,  O.  Die  romische  Tragodie  im  Zeitalter  der  Republik. 
Leipzig:    1875. 


94  A   GUIDE  TO  THE 

Rymer,  Th.  The  Tragedies  of  the  Last  Age  Considered  and 
Examined.  2d  ed.  Lond. :  1692.  Also  a  Short  View  of 
Tragedy".     Lond. :   1693. 

Saint-Marc  Girardin.  Essais  de  Litterature  et  de  Morale. 
2  V.     Paris:    1853. 

p.  371-g  La  TragMie  Grecque  et  la  Tragedie  Franfaise,  407-412  De  I'luspiration 
et  de  I'Expression. 

Schiller,  J.  C.  F.  von.     Esthetic  Letters.     Ed.  Cit. 
Schlegel,  A.  W.  von.     Dramatic  Art.     Ed.  Cit. 

p.  43,  66  et  seq.,  77-144.     And  on  The  Greek  Drajuatists. 

Schopenhauer,  A.     World  as  Will  and  as  Idea.     Ed.  Cit. 

V.  I,  p.  326-30  Tragedy  the  Summit  of  Poetical  Art:  v.  3,  p.  212-220  .5Jsthetics  of 
Tragedy,  p.  454  Purification  of  the  Emotions. 

—  Reich,  E.     Schopenhauer  als  PhilosophderTragodie.    Wieii: 

1S89.  ; 

Snider,  D.  J.     System  of  Shakespeare's  Dramas. 

V.  I,  p.  1-31,  47-51  Nature  of  Tragedj'. 

Voltaire.     Oeuvres  Completes.     Ed.  Cit. 

See  under  Voltaire,  p.  39. 

For  special  references  to  Aristotle's  Doctrine  of  Kathal'sis,  see  under  ARISTOTLE, 
p.  12. 


LITERATURE  OF  .ESTHETICS.  95 

c.   Comed\'. 
Aristotle.     Poetics.     (Wharton's  ed.) 

II,  4;  V;  XIII,  S. 

—  Ethics.     Ed.  Cit. 

Bk.  IV,  S. 

—  Rhetoric.     Ed.  Cit. 

Bk.  I,  c.  II,  <s  29;  Bk.  II,  c.  12,  %  16;  Bk.  Ill,  c.  3,  ^4:  c.  iS,  $  7. 

Bossuet,  J.  B.     Maximes  et  Reflexions  sur  la  Comedie.     Ed. 
Cit.     Paris:   1881. 

Diderot,  D.     Oeuvres.     Ed.  Cit. 

V.  I,  p.  46,  note  2,  L'Objet  de  la  Coiuedie;  v.  7,  p.  308-13  De  la  Comedie  Serieiise; 
V.  S,  p.  361-426  Paradoxe  sur  la  ComSdie. 

Everett,  C.  C.     Poetry,  Comedy  and  Duty.     Ed.  Cit.  . 

Fitzgerald,  P.     Principles  of  Comedy  and  Dramatic  Effect. 
Lond. :   1870. 

Fraser  89:  235.     Modem  Comedy. 

Hazlitt,  W.     Lectures  on  English  Poetry.     Ed.   Cit. 

Pt.  2,  p.  205-32  Comic  Writers  of  the  I,ast  Century. 

—  Round  Table.     Ed.  Cit. 

p.  14-20  Modern  Comedy. 

Hegel,  G.  W.  F.     Werke.     Ed.  Cit. 

Bd.  10:2,  p.  213-15,  226-28  Das  Komische;  Bd.  10:3,  p.  533-37  Princip  d.  Comodie. 

—  Kedney's  Hegel's  Esthetics.     Ed.  Cit. 

p.  292-8. 

Kleinpaul,  E.     Poetik.     Ed.  Cit, 

Thl.  3,  p.  237-52  Die  Komcjdie  und  Schauspiel. 

Lamb,  C.     Life,  Letters  and  Writings.     Ed.  Cit. 

V.  3,  p.  361-71  Artificial  Comedy  of  the  Last  Century. 

Lessing,  G.     Hamburgi.sche  Dramaturgic.     Ed.    Cit, 

No.  28-29,  5'  Komodie,  86-92  Komische  Charactere. 

Macaulay,  T.  B.     Works.     Ed.  Cit. 

V.  4,  p.  350-411  Comic  Dramatists  of  the  Restoration  [.A.rt.     I.cigh   Hunt].     .\lso 
in  Ed.  Rev.  72:490, 


96  A   GUIDE  JO  THE 

Marmontel,  J.  F.     E^lements  de  lyitterature.     Ed.  Cit. 

V.  I,  p.  306-ig  Comedie. 

No.  Am.  99:  364.     Modern  Italian  Comedy     W.  D.  Howells. 

Nuova  Ant.   3  S.    12:5.       La   Comedia  del   Secolo  xx.      T. 
Formioni. 

Princ.    N.    S.     11:273    [1883-1]-     Modern     Comedy.      J.    B. 
Matthews. 

Schopenhauer,  A.     World  as  Will  and  as  Idea,     Ed.  Cit. 

V.  3:  21S  Comedy  as  Distinguished  from  Tragedy. 

Snider,  D.  J.     System  of  Shakespeare's  Dramas.     Ed.  Cit. 

V.  I,  p.  40,  279-303  Comedy  or  Mediated  Drama. 

Vischer,  F.  T.     ^sthetik.     Ed.  Cit. 

Bd.  3.  p.  1431-46  Komodie;  and  see  Register,  end  Bd.  3   2  Abschn.  s- 

Westm.  64:302.     Greek  Comedy. 
—  65:  188.     Athenian  Comedy. 


LIT  ERA  TURE  OF  JES  THE  TICS.  97 

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Betterton,  Thos.  History  of  the  English  Stage,  from  the 
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Brown,  T.  A.     History  of  the  American  Stage.     N.  Y.:   1870. 

Campardon,  E.  Ees  Comediens  du  Roi  .  .  .  pendant  les 
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Collier,  J.  P.  Lives  of  the  Original  Actors  in  Shakespeare's 
Pla}-s.     Eond. :    1853. 

(Shakesp.  Soc.  v.  i6.) 

Cook,  D.     Book  of  the  Play.     2  v.     Eond. 

\'.  I,  p.  1S7-203  Prologues;  v.  2,  314-328  Epilogues. 

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Doran,  John,  Annals  of  the  English  Stage  from  Thomas  Bet- 
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Dunlap,  W,     History- of  the  American  Theatre.     Eond.:   1833. 

Fitzgerald,  P.  New  History  of  the  English  Stage.  2  v. 
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—  The  Romance  of  the  English  Stage.     Eond.:   1874. 
Gait,  J.     Eives  of  the  Players.     Eond.-:    1831. 
Houssaye,  A.     Ees  Comediennes  de  Moliere.     Paris:   1879. 

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Hunt,  J.  H.  L.  Critical  Essays  on  the  Performers  of  the  Eon- 
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Hutton,  L.     Plays  and  Players.     N.  Y.:   1876. 

Irving,  H.     The  Art  of  Acting.     Chicago. 


98  A   GUIDE  TO  THE 


J.   Hellen.    Stud.    2:309.     Bird-Masks   on  the  Greek  Stage. 
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Lewes,   G.  H.     On  Actors  and  the  Art  of  Acting.     N.    Y. : 
1880. 

Macready,  W.    C.     Reminiscences   and   Selections    from   his 
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Morley,  H.     The  Journal  of  a  London  Playgoer.     Lond. :  1886. 

Morris,  Mowbray.     Essays  in  Theatrical  Criticism.     Lond.: 
1882. 

Murdoch,  J.  E.     The  Stage;  or  Recollections  of  Actors  and 
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Nineteenth  Cent.  1 1 :  567.     Education  for  Dramatic  Art.     H. 
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Russell,  W.  C.     Representative  Actors.     Lond. 

Wright,  J.  A.     Historia  Histrionica.     [1699.]     Dodsley. 

V.  15. 


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5.   Miscellaneous  Poetical  Types. 

Banville,   Theodore  de.     Petit  Traite   de   Poesie  Frangaise. 
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Besant,  W.     The  French  Humorists.     Lond. :   1873. 

p.  1-3  Satire. 

Blair,  H.     Rhetoric.     Ed.  Cii. 

II,  234  On  Satire. 

Dacier,    Andre.      An   Essay  upon   Satyr.     Trans,    from    the 
French.     Paris:    17 19. 

Dobson,  A.     Foreign   Forms  of  Verse.      In  W.    D.   Adams's 
Latter-da}'  Lyrics.     Lond. :    1878. 

Dryden,  John.     Op.  Cit. 

V.  3  On  the  Origin  and  Progress  of  Satire. 

Encycl.  Brit.     Article  on  Satire. 
Florian.     Fables,  etc.     Paris:   1850. 

p.  9-20  De  la  Fable,  277-285  Essai  sur  la  Pastorelle. 

Gosse,  E.     Plea  for  Certain  Kxotic  Forms  of  Verse.     Cornh. 
Mag.  July,  1877. 

Gramont,  F.  de.     Les  Vers  Frangais.     Paris. 

Hegel,  G.  W.  F.     Philosophy  of  Art.     Trans,  by  \V.  ^L  Bry- 
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p.  78-82  Satire. 

Herder,  J.  G.     Werke.     Ed.  Cit. 

V.  1 :  492  Satire. 

Hood,  Tom.     Practical  Guide  to  English  Versification.     Lend. : 

i«77- 

Hunt,  Leigh,  and  Lee,  S.  A.     The  Book  of  the  Sonnet.     2  v. 
Lond.:   1867. 

V.  I,  p.  3-91  Essay  on  the  Sonnet. 

J.  Hellen.  Stud.  2:  233.     Byzantine  Satire.     Tozer. 

Laprade,  V.  R.  de.     Questions  d'Art.     E.d.  Cit. 
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loo  A   GUIDE  TO  THE 


Littell's  Liv.  Age   152:109;  46:366;  73:85.     Requirements  of 

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Main,  David  M.,  [ed.].    A  Treasim-  of  English  Sonnets.    N.  Y.  •, 

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Milton,  J.     Sonnets.     Ed.  by  M.  Pattison.     Lond.:   1883. 

p.  7-60  The  Sonuet. 

Petit  de  Julleville,  Louis.  La  Comedie  et  les  Moeurs  en 
France  au  Moyen  Age.     Paris:   1886. 

p.  208-329  Satire. 

Rosenkranz,  K.     Die  Poetik.     Ed.  Cit. 

p.  539-588  Die  classische  National-poesie  der  romanischen  Volker. 

Schiller,  J.  C.  F.     .Esthetic  Letters,  Essaj's,  etc.     Ed.  Cit. 

On  Simple  and  Sentimental  Poetry,  %%  on  Satire,  Elegiac,  etc. 

Sharp,  W.,  [ed.].  Sonnets  of  this  Century;  with  a  Critical  In- 
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Temple  Bar  22: 190.     Literature  of  Satire. 

Tomlinson,  C.  Sonnet:  its  Origin,  Structure  and  Place  in 
Poetry.     Lond.:   1874. 

Viehoff,  H.     Poetik.     Ed.  Cit. 

Bch.  I,  p.  357-391  Von  den  neueru  entlehnte  Strophenformen.  370  DasSonett. 

Voltaire.     Oeuvres.     Ed.  Cit. 

V.  42: 355- 

Waddington,  S.  English  Sonnets  by  English  Writers.  2d 
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p.  191-221  History  and  Composition  of  the  Sonnet. 

White,  Gleeson,  comp.  Ballades  and  Rondeaus,  Chants  Royal, 
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LITERATURE  OF  AESTHETICS.  loi 

6.    TecJinique  of  Verse. 

Abbott,  E.  A.,  and  Seeley,  J.  R.  English  Lessons  for  English 
People.      Boston:   1872. 

p.  145-221  Metre. 

Archiv  f.  Philol.  u.  Paed.  2:  268-307.  Ueber  Hermann's  Lehre 
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Becq  de  Fouquieres,  L.  Traite  general  de  la  \'ersification 
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Bellanger,  L.  Etudes  Historiques  et  Philologiques  sur  la 
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Belling,  E.     Beitrage  zur  Metrik  Goethes. 

Blackie,  J.  S.     Horae  Hellenicae.     Lond.:   1874. 

p.  278-296  English  Hexameters. 

Blackw.  7:  641.     Sweetness  of  Versification.     J.  Spedding. 

Bysshe,  E.     The  Art  of  English  Poetr3\     2  v.     Lond.:  1762. 

Cay  ley,  C.  B.  Pedigree  of  English  Heroic  Verse.  Transact. 
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—  Remarks  on  English  Hexameters.  Transact.  Philol.  Soc, 
p.  67.     Lond.:   1862-3. 

Cornh.  15:620.     Blank  Verse. 

Dlihr.     Ueber  Metrik  und  Rhythmik.      Prog. 

Everett,  E.     A  System  of  English  Versification.     N.  V.:i848. 

Gottschall,  R.  Poetik.  Die  Uichtkunst  und  ihre  Techuik. 
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Grabow,  A.  Ueber  Musik  in  der  deutschen  vSprache.  Lemgo: 
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Gramont,  F.  de.     Les  Vers  PVan^ais.     Paris. 

Gray,  T.     Works.     5  v.     Lond.:   1858. 

V.  5,  p.  223  Observations  on  English  Metre. 


I02  A   GUIDE   TO  THE 


Guest,    E.     A    Histor}-    of  English  Rhythms.     2  v.     I^oiid. : 

1838. 

—  A  History-  of  EngHsh  Rhythms.     A  new  edition.     Ed.   by 
\V.  W.  Skeat.     Eond.:   1882. 

Hadley,  J.     Essays  Philological  and  Critical. 

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Hazlitt,  W.     Round  Table.     Ed.  Cit. 

Milton's  Versification. 

Herrig's  Archiv  4:52.     Der  deutsche  Vers. 

Hood,  Tom.   Practical  Guide  to  English  Versification.    Ed.  Cit. 

Huemer,    J.     Untersuchungen    liber   die    altesten    lateinisch- 
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Hultsch,    F.     Metrologicorum  Scriptorum  Reliquiae.     Leipz.: 
1S74. 

Jenkin,  Fleeming.     Papers,  Literary,  Scientific,  etc.     Ed.  by 
S.  Colvin  and  J.  A.  Ewing.     Lond.:   1887T 

V.  I,  p.  93-9  Artist  and  Critic,  149-170  Rhythm  in  English  Verse. 

Lamartine,  Alphonse  de.    Selected  Poems,  etc.    Ed.   ...  by 
G.  O.  Curme.     Boston:   1888. 

p.  139-146  French  Versification. 

Lanier,  S.     The  Science  of  Enghsh  Verse.     N.  Y.:   1880. 

Mayor,  J.  B.     Chapters  on  English  Metres.     Lond.:   1886. 

Minckwitz,  J.     Lehrbuch  der  deutschen  Verskunst.     3*'  Aufl. 
Leipz.:   1854. 

Poe,  E.  A.     Op.  Cit. 

V.  3,  p.  219-265  The  Rationale  of  Verse. 

Ruskin,    J.     Elements   of    English    Prosody    for    Use   in   St. 
George's  Schools.     Orpington:   1880. 

Schipper,  J.     Englische  Metrik-in  historischer  .   .  .  Entwicke- 
lung.      2  V.      Bonn:    1881-88. 


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Schmidt,  J.  H.  H.  Introduction  to  the  Rhythmic  and  Metric 
of  the  Classical  Languages.  Trans,  by  J.  W.  White. 
Boston:   187S. 

Schubert,  H.  De  Anglosaxonum  Arte  Metrica.  Dissert. 
Berlin:    1S70. 

Sylvester,  J,  J.  The  Laws  of  \'erse;  or  Principles  of  \'ersi- 
fication  Exemplified  in  Metrical  Translations.    Lond. :  1870. 

—  Fortn.  14:448.     Sylvester's  Laws  of  Verse.     C.  M.  Ingleby. 

Tobler,  Adolf.  \'om  franzosischen  A^rsbau  alter  und  neuer 
Zeit.     2'  Aufl.     Leipz.:   1883. 

Vetter,  Ferd.  Zum  Muspilli  und  zur  germani.schen  Allitera- 
tions-poesie.     Wien:    1872. 

Viehoff,  H.     Poetik.     Ed.  Cit. 

Bch.  I.  p.  3-451  Vers  uud  Strophenbau. 

Walker,  W.  S.     Shakespeare's    Versification.     Lond.:   1854. 

Webbe,  W.  Discourse  of  English  Poetrie  .  .  .  Reformation 
of  our  English  Verse.     (Arber's  Reprint.)     Lond.:   1870. 

Westphal,  R.,  [ed.].     Scriptores  Metrici  Graeci.  Leipz.:    1866. 

V.  I,  Hephaestion,   De  Metris  Encheiridiou  et  de  Poemate  Libellus.   Proclus, 
Chrestomathia  Graminatica. 

Wolf,  Ferd.  Ueber  die  Lais,  etc.  Ed.  Cit.  Ein  Beitrag  zur 
Geschichte  der  rhythmischen  Formen  .  .  .  der  Volkslieder 
,  .  .  Kirchen  und  Kunstlieder  im  Mittelalter.  Heidelb. : 
1841. 


I04  A   GUIDE  TO  THE 


C.  Prose. 
/.    The  Novel. 

Andover  Rev.  12:  134.     The  Psychology  of  the  Modern  Novel. 
G.  T.  Ladd. 

Auerbach,  B.     Goethe  uiid  die  Erzahlungskunst.     Stuttgart: 
1861. 

Besant,  W.     The  Art  of  Fiction.     Boston:   1S84. 
Cambridge  Essays.     Lond. :  1855. 

p.  148-192  Relation  of  Novels  to  Life.     F.  Stephen. 

Contemp.  54:674.     The  Religious  Novel.     R.  T.  Davidson. 
Critic  4-249.     Art  of  Fiction.     A.  Lang. 

—  4:297.     Art  of  Fiction.     W.  Besant.     [From  the  Spectator.] 

—  5:284.     Besant's  Art  of  Fiction.     R.L.Stevenson.     [Repr. 

from  Longman's,  5:  139.] 

Dial  5:  132.     Besant  on  Fiction.     M.  B.  Anderson. 
Dunlop,  J.     History  of  Fiction.     Lond.:   1845. 

—  Ed.  R.  24:  38.     Dunlop's  History  of  Fiction.     W.  Hazlitt. 

—  Quar.  13:384.     Dunlop's  History  of  Fiction. 

Eliot,  Geo.  Essa^^s  and  Leaves  from  a  Note  Book.  2d  ed. 
Edinb.:   1884. 

p.  366-371  story  Telling. 

Forsyth,  W.  The  Novels  and  Novelists  of  the  Eighteenth 
Century,  in  illustration  of  the  Manners  and  Morals  of  the 
Age.     N.  Y.:   1871. 

Fortn.  49:  112.     Present  State  of  the  Novel.     G.  Saintsbury. 

Giles,  H.     Illustrations  of  Genius.     Boston:   1S59. 

p.  gi-iii  Fiction. 

Green,  Thos.  H.     Works.     Lond.:  1885. 

V.  3,  p.  20  Xw  Estimate  of  the  Value  and  Influence  of  Works  of  Fiction  in  Mod- 
ern Times.     Analysis  of  same  by  Nettleship. 


LITERATURE  OF  .ESTHETICS.  105 

Herrig's  Archiv  48:369.  Die  romische  Novelle,  391  Die 
deutsche  Xovelle  und  der  deutsche  Roman.     Hartung. 

—  49:  89.     Ueber  der  griechische  Xovelle.     Hartung. 

—  50:  I.     Die  byzantische  Novelle.     Hartung. 

—  55: 1.     Grundlinien  einer  Theorie  des  Romans.     H.  Keiter. 

Lanier,  S.  The  English  Novel  and  the  Principle  of  its  Devel- 
opment.    N.  Y. :    1883. 

Leypoldt,  F.     ReadingDiar>'of  Modern  Fiction.     N.  Y.  :i8Si. 

Lippincott  13:273.     Modem  French  Fiction.     F.  Asheton. 

Longm.  4:  502.     Art  of  Fiction.     H.  James,  Jr. 

—  5:  139.     Art  of  Fiction.     R.  L.  Stevenson.     [Same  art.  in 

Critic  5:284.] 

Masson,  D.  British  Novelists  and  their  Styles:  being  a  Criti- 
cal sketch  of  the  Histor>'  of  British  Prose  Fiction.  Boston: 
1859. 

Matthews,  B.     Pen  and  Ink.     N.  Y.:  1888. 

p.  66-94  The  Philosophy  of  the  Short  Story. 

Meredith,  Geo.     The  Egoist.     Lond.:   1886. 

C.  I. 

Nation  36: 185.     The  Novel  of  To-day.     A.  G.  Sedgewick. 

—  39:260.     Art  of  Fiction.     G.  Norton. 

New  Engl.  50: 333.  The  Commonplace  in  Fiction.  O.  W. 
Firkins. 

N.  Princ.  i :  386.     The  Novel  of  our  Times.     F.  N.  Zabriskie. 

—  2:305.     The  Modem  Novel.     T.  S.  Perr}'. 

Nineteenth  Cent.  7:941:  8:195,  394,  748;  10:516.  Fiction, 
Fair  and  Foul.     J.  Ruskin. 

v.  8,  p.  401-3  Tests  of  Style. 

—  8:88.     vStor>' Telling.     Jas.  Payn. 

8 


io6  A   GUIDE  TO  THE 

Noble,  J.  A.     Morality  in  English  Fiction.     Liverpool. 

Quar.  Rev.  163:34.     Growth  of  the  English  Novel. 

Rev.  d.  D.  Mondes.     i  Avr.    1875.     Le   Roman  realiste  con- 
temporain.     Brunetiere. 

—  I  Juin,  1877.     L'Erudition  dans  le  Roman.     Brunetiere. 

—  15  Fevr.  1880.     Le  Roman  experimental.     Brunetiere. 

—  15  Avr.  1 88 1.     Le  Reportage  dans  le  Roman.     Brunetiere. 

—  15  Sept.  1 88 1.     Les  Origines  du  Roman  naturaliste.     Brune- 

tiere. 

—  15  Nov.  1881.     La  Casuistique  dans  le  Roman.     Brunetiere. 

See  also  15  Fevr.  and  15  Mai,  1882;  15  Fevr,  1883;  i  Aoftt  1884;  i  Mai  and  i  Jui!. 
18S5;  15  Oct.  1889. 

—  15  Sept.   1879.     L'Esthetique  naturaliste.     C.  Bigot. 

—  I  Fevr.  1887.     Le  Roman  au  temps  de  Shakespeare.     J.  J. 

Jusserand. 

Schmidt,    Julian.     Bilder  aus  dem   geistigen   Leben  unserer 
Zeit.     4  V.     Leipzig:   1870-5. 

Bd.  3,  p.  373-3S4  Die  Ideale;  Bd.  4,  272-339  Studieii  iiber  deu  eiiglischen  Roman. 

Scrib.  M.  5:620.     Fiction  as  a  Literar}^  Form.     H.  W.  Mabie. 
Trollope,  A.     An  Autobiography.     2  v.     Edinb. :   1883. 

V.  2,  p.  25-62  On  Novels  and  the  Art  of  Writing  Them,  88-100  On  Criticism. 

Tuckerman,  B.     A  History  of  Prose  Fiction.     N.  Y. :   1882. 
Westm.  29:73.     Philosophy  of  Fiction.     F.  Burditt. 

Yardley,  E.     The  Supernatural  in  Romantic  Fiction.     Lond. : 

1880. 


LITERATURE  OF  .ESTHETICS.  107 

2.    Technique  of  Prose. 

Am.  J.  Philol.   6:344.     Two  Points  in  French  Style.     P.    B. 
Marcou. 

Contemp.  47:548.     Style.     R.  L.  Stevenson.     [Same  art.  in 
Critic  6:  1S9,  199.  213.] 

Critic  8:  7,  19,  57.     R.  L.  Stevenson:  His  Style  and  Thought. 
W.  Archer. 

De  Quincey,  T.     Historical  and  Critical  Essays.     2  v.    Boston: 
1853- 

V.  2,  p.  61-216  style. 

Fortn.  41:  712.     Literary  Style:  Le  St3'le  c'est  rhomme.     E.  R. 
Lytton. 

—  50:728.     Style.     W.  Pater. 

Herrig-'s  Archiv  4:  357.     Proben  stylistischer  Analyse. 

—  6:216.      Der  Styl  ist  der  man  selbst.     Ochsmann.  , 
Higginson,  T.  W.     Atlantic  Essays.     Boston:  187 1. 

p.  23-47  Literature  as  an  Art. 

Long,  Geo.     An  Old    Man's   Thoughts    about  Many  Things. 
2d  ed.     Lond. :   1872. 

p.  92-161  style. 

Minto,  Wm.     Manual  of  English    Prose  Literature  ...   de- 
signed .   .   .  to  show  Characteristics  of  Style.    Edinb. :  1872. 

Neue  Jahrb.  f.  Philol.  u.  Paed.  135:681.     Zur  Geschichte  der 
Stilarten.     H.  Liers. 

Renton,  W.     The  Logic  of  Style,   being  an   Introduction   to 
Critical  Science.     Lond.:   1874. 

Saintsbury,  G.     Specimens  of  linglish  Prose  St3'le  .   .   .  with 
an  Introd.  Essay. 

p.  xv-xlv. 

Spencer,  Herbert.     Op  Cif.     The  Philosophy  of  Style. 


io8  A   GUIDE  TO  THE 

V.  CRITICISM. 

Andover  Review  3:47.     Tradition,  Criticism  and  Science. 

Ainger,  A.     Charles  I.amb.     [Engl.   M.   of  L.  Ser.]     N.   Y.: 
1882. 

p.  168-1S2  Lamb's  Place  as  a  Critic. 

Arnold,  M.     Essays  in  Criticism.     Boston:   i86g. 

p.  1-38  Function  of  Criticism. 

Atlan.  56:665.     Principles  of  Art  Criticism.     E.  R.  Sill. 

Bagehot,  Walter.     Literary  Studies.     Ed.  by  R.  H.  Hntton. 
2  V.     lyond. :   1879. 

Batteux,   Charles,   Vabbe.     Les  Beaux   Arts   reduits   a   une 
meme  principe.     Paris:   1747. 

—  Ees    Quatres    Poetiques    d'Aristote,    d'Horace,    de  Vida,  de 

Despreaux.     Paris:   1771. 

Blackw.  17:74.     Criticism  of  Poetry. 

Bodmer,  J.  J.     Kritische  Abhandlung  von  dem  Wunderbaren 
in  der  Poesie,  //.  s.  zv.     Zurich:   1740. 

—  Kritische  Betrachtungen  liber  die  poetischen  Gemahlde  der 

Dichter.  Mit  Vorrede  von  J.  J.  Breitinger.     Zurich:    1741. 

—  Vier  kritische  Gedichte.     Ed.  w.  preface  by  T.   Baechtold. 

Berlin:   1883. 

Boeckh,  A.    Encyklopadie  und  Methodologie  der  philologischen 
Wissenschaften.     Hrsg.  von  E.  Bratuscheck.    L,eipz. :  1877. 

p.  169-254  Theorie  der  Kritik,  272-5  Cultus  und  Kunst. 

Bonhours,  Dominique.     La  Maniere  de  Bien  Penser  dans  les 
Ouvrages  d' Esprit.     Dialogues.     Amsterd. :   1688. 

Brandes,  Georg.     Die  Litteratur  des  neunzehnten  Jahrhunderts 
in  ihren  Hauptstromungen. 

Bd.  5,  p.  374  Sainte-Beuve  und  die  raoderne  Kritik. 

Brimley,  Geo.     Essays.     Ed.  by  W.  G.  Clark.     3d  ed.    Lond.: 

1868. 

p.  184-203  Poetry  and  Criticism. 


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Brunetiere,  Ferd.  Critical  Essays  and  Reviews.  Rev.  d.  D. 
Moudes, /^rjTj-//;/;  beginning  i  Avril,  1875. 

Caine,  T.  H.     Cobwebs  of  Criticism.     Lond. :   1883. 

Carlyle,  Thomas.     Critical  and  Miscellaneous   Essays.     Ed. 

at. 

Contemp.  11:  loi.     Art  Criticism.     R.  St.  J.  Tyrwhitt. 

—  40:884:    41:124.      Old   and   New    Canons    of  Criticism   of 

Poetn,'.     A.  Austin. 

Cook,  A,  S.  The  Touchstones  of  Poetry.  Selected  from  the 
Writings  of  Matthew  Arnold  and  John  Ruskiu ;  with  Introd. 
by  A.  S.  Cook.     San  Fran.:   1887. 

Dennis,  John.     Remarks  on  Pope's  Rape  of  the  Lock.     Lond. : 

1728. 

—  Select  Works.     2  v.     Lond.:   17 18. 

Deutsche  Rundschau  51:398.  Bemerkungen  iiber  Werth 
und  Wirkung  der  Kunstkritik.     H.  Grimm. 

Du  Bos,  Jean  Baptiste.  Reflexions  Critiques  sur  la  Poesie, 
et  sur  la  Peinture.     3  V.     Paris:   1755. 

Dowden,  E.  Shakespeare:  A  Critical  Study  of  his  Mind  and 
Art.     Lond.:   1875. 

—  Studies  in  Literature.      1789-1877.     Lond.:   1887. 
Flaubert,  G.     Correspondance.     i'"  S.  1830-50.     Paris:   1887. 

—  Lettres  a  G.  Sand.     Paris:   1884. 

Fontenelle,  B.  LeB.  de.  Oeuvres.  fitudes  .sur  sa  vie  par 
\'oltaire  et  al.     Paris:   1852. 

On  the  Pastoral. 

Fortn.  1:85,  185,  572,  697;  2:257,  689.  The  Principles  of  Suc- 
cess in  Literature.     G.  H.  Lewes, 

—  32:210.     Art  Criticism.     S.  Colvin. 

—  37' 339-     Decay  of  Criticism.     G.  Allen. 


no  A   GUIDE  TO  THE 

Fuller,  S.  M.     Papers  on  Literature  and  Art.     N.  Y.:   1848. 

Pt.  I,  p.  1-9  A  Short  Essay  on  Critics,  p.  11-14  -^  Dialogue. 

Geddes,  Prof.     Every  Man  His  Own  Critic.     Pamphlet. 

Goldsmith,  O.     Complete  Works.     Ed.  by  James  Prior.     4  V. 
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v.  I,  p.  250-322  Essays  on  A  Taste  for  Belles  Lettres.  Poetry,  etc..  p.  387-463  An 
Enquiry  into  the  Present  State  of  Polite  Learning  in  Europe,  p.  557-66  Pref- 
ace to  The  Beauties  of  English  Poetry;  v.  3,  p.  431-500  Miscellaneous  Criticism; 
V.  4,  p.  345-49S  Criticism  relating  to  Poetry  and  the  Belles  Lettres. 

Gosse,  Edm.     From  Shakespeare  to  Pope.     Ed.  Cit. 

—  Seventeenth  Century  Studies.     Ed.  Cit. 

—  History  of  English  Literature  in  the  Eighteenth  Century. 

Eond. :   1889.    (Being  vol.  i  of  A  New  History  of  English 
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Greg,  W.  R.     Literary  and  Social  Judgments.     Bost. :   1873. 

Harper's  Monthly  Magazine.     Editor's  Study,     v.  72  et  seq., 
passhn.     W.  D.  Ho  wells. 

Harris,  James.     Works.     Ed.   by  the  Earl  of  Malmesbury. 
New  ed.     5  v.     Lond. :   1803. 

V.  I  Concerning  Art,  Music,  Painting,  and  Poetry;  v.  2  Hermes,  concerning  Uni- 
versal Grammar;  v.  4,  5  Philological  Inquiries. 

Hennequin,  E.     La  Critique  Scientifique.     Paris:   1888. 

Herrig's  Archiv  1 1 :  294.     Des  Phases  de  la  Critique  en  France. 
Peschier. 

—  6:349.     Die  Kritik,  besonders  die  sesthetische  Kritik. 
Hueffer,  F.     Italian  and  other  Studies.     Lond.:   18S3. 

p.  213-237  Musical  Criticism. 

Jennings,  H.  J.     Curiosities  of  Criticism.     Lond.:   i88r. 
Larroumet.     Marivaux,  sa  vie  et  ses  Oeuvres.     Paris:   1882. 

p.  5og-6i. 

Le  Bossu,  R.  de.     Traite  du  Poeme  Epique.     N.  ed.     Paris: 
1708. 

Lippincott   13:355.     Critic  and  Arti.st.     T.  M.  Coan. 


LITER  A  TURE  OF  .ES  THE  TICS.  1 1 1 

Lowell,  J.  R,     Among  my  Books.     Bost. :   1870. 

—  The  same.     2d  ser.     Bost.:   1876. 

—  A  Fable  for  Critics,  etc.     Bost.:   1859. 

—  My  Study-windows.      i6th  ed.      Bost.:   1882. 

—  Wilkinson,  \V.  C.      Mr.  Lowell's  Prose.     Scribn.  Mont  hi}', 

V.  4,  1872,  pp.  75,  227,  339. 

Macaulay,  J.  B.    Essays,  Critical  and  Miscellaneous.    New  and 
rev.  ed.     X.  Y.:   1861. 

Macmillan    38:246.     Criticism  and  Creation.     J.   C.    Shairp. 

—  53:  278.     Some  Random  Reflections  on  Criticism. 
Mazzarella,   B.     Delia  Critica  Libri  Tre.     Geneva:   1866. 

V.  1  Storia  della  Critica. 

Morley,  John.     Critical  Miscellanies.     3  V.     Lond.:   1871-86, 

—  Diderot  and  the  Encj'clopaedists.     2  v.     Lond.:   1878. 

—  Rousseau.     2  v.     Lond.:   1873. 

—  Voltaire.     Lond.:   1872. 

—  [ed.].     English  Men  of  Letters.     38  v.      Lond.  and  N.  Y.: 

1878-87. 

Moulton,  R.  G.     Shakespeare  as  a  Dramatic  Artist.     Oxford: 
1885. 

p.  1-40  Literary  Criticism  as  an  Inductive  Science,  227-2S7  Dramatic  Criticism  as 
an  Inductive  Science. 

—  Macni.   54:45.     Criticism    as  an  Inductive  Science.     \Vm. 

Archer.     [Review  of  R.   G.   Moulton's  Shakespeare  as  a 
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—  Nation  41:201.     A  New  Inductive  Science.     G.  E.  Wood- 

berry.      [Review   of   R.   G.   Moulton's   Shakespeare   as   a 
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—  Robertson,    J.    M.       Essays   Towards    a    Critical    Method. 

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p.  47-64  Recent  Nihilism,  p.  64-704  The  Problem  Stated. 


112  A  GUIDE  TO  THE 


No.  Brit.  R.  42:  158.     Arnold's  Kssays  in  Cnticism. 

Pater,  W.     Appreciations;  with  an  Essay  on  St^de.     London : 

1889. 

Pellissier,  G.  Le  Mouvement  litteraire  au  xix"  Siecle.  Paris: 
1889. 

—  Rev.  d.  D.  Mondes.      15  Oct.  1889.     Review  by  Brunetiere. 

Pope,  A.  Works.  Ed.  by  Elwin  &  Courthope.  5  v.  Lond. : 
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V.  2,  p.  3-1 1 1  Essay  ou  Criticism. 

Ralph,  James.     The  Case  of  Authors.     Lond. :  1758. 
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p.  125-155  Curiosities  of  Criticism. 

Rev.  d.  D.  Mondes.  i  Nov.  1863.  ly'Art  par  la  Critique. 
Chas.  de  Remusat. 

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son  AfFaiblissement.     E.  Caro. 

—  I  Jan.  1887.     La  Critique  Musicale  au  Siecle  dernier — Le 

Sy Sterne  de  Giuck.      R.  de  Recy. 

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Richardson,  Jonathan.     Works.     New  ed.     Lond.:   1792. 

I  The  Theory  of  Painting,  II  Essay  ou  the  Art  of  Criticism,  III  The  Science  of 
a  Connoisseur. 

Robertson,  J.  M.  Essays  Towards  a  Critical  Method.  Lond. : 
1889. 

Roscommon,  Wentworth  Dillon,  Earl  of.  Essay  on  Trau-s- 
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v.  4,  p.  249. 

Saintsbury,  George.  History  of  Elizabethan  Literature. 
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Snider,  D.  J.     Goethe's  Faust.     First  part.     Chicago:   1886. 

p.  75-101  Critical  Standards. 


LITER  A  rURE  OF  ^S  THE  TICS.  1 1 3 


Stephen,  Leslie.     Hours  in  a  Library.     3  V.    Lond. :  1874-9. 

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1876. 

V.  2  The  Literary  Reaction. 

Swift,    Jonathan.     Works.      Ed.   by   Walter  Scott.      19   v. 
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V.  I,  p.  xlix  The  Present  State  of  Wit;  v.  9,  p.  331  A  Tritical  Essay  upon  the  Fac- 
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Symonds,  J.  A.  Renaissance  in  Italy.  The  Catholic  Reac- 
tion.    2  V.     Lond.:   1886. 

Part  2,  p.  396-402  Fundamental  Principles  of  Criticism 

—  Revival  of  Learning.     N.  Y. :   188 1. 

Tooke,  John  Home.  Epea  Pteroenta;  or  The  Diversions  of 
Purley.  ist  Anier.  from  2d  Lond.  ed.  2  v.  Phila.: 
1806-7. 

—  Hazlitt,  W.     Literary-  Remains.     Ed.  Cit. 

V.  I  Tooke's  Diversions  of  Purley. 

Tuckerman,  H.  T.  Characteristics  of  Literature.  Phila.: 
1849. 

—  Same.     2d  ser.     Phila.:   1851. 

—  Essaj-s,  Biographical  and  Critical.     Bost. :   1857. 

Westm.  80:  468.     Aims  and  Methods  of  Criticism. 

Wilkinson,  W,  C.  Edwin  Arnold  as  a  Poetiser:  The  Light 
of  Asia  Examined.     N.  Y.:   1885. 

Wilson,  John  r/j(?7^<:/.,  Christopher  Worth).  Works.  Ed.  by 
T.  F.  Ferrier.      12  v.     Edinb.,  Lond.:    1855-8. 

V.  1-4  Noctes  Ambrosianae;  v.  5-8  Essays  Critical  and  Imaginative. 

Consult  on  Ancient  Criticism;  p.  11  Aristotle;  p.  13  Cicero,  Horace,  Longinus; 
p.  14  Quintilian. 

For  the  history  of  English  Criticism  consult,  in  addition  to  authors  given  above, 
p.  15  Addison,  Alison;  p.  16  Bain,  Begg,  Blair,  Burke,  Carlyle  Coleridge;  p.  17 
Dallas,    Dryden,  Emerson.    Everett    Gray,  Sir  W.   Hamilton;  p.   18  Hartley, 


114  A   GUIDE  TO  THE 


Hazlitt,  Hobbes,  Huine;  p.  19  Jeffrey,  Johnson  Karnes,  Macaulay;  p.  2oJas. 
Martineau,  Jas.  Mill,  Reid,  Reynolds,  Ruskin;  p.  21  Shaftesbury;  p.  22  Sully; 
p.  23  Paget,  Pater;  c.  73  Hallain;  p.  74  Posnett;  p.  75  Scott;  p.  76  Browning;  pp. 
76  and  88  Austin;  p.  77  Courthope;  p.  78  Gurney,  Harington.  James  I,  Johnson; 
p.  79  J.  S.  Mill;  p.  So  Poe,  Putteuhara;  p.  Si  Shairp,  Shelley.  Sir  P.  Sidney; 
p.  82  Warton,  Webbe,  Wordsworth;  p.  87Stedman;  pp.  92  and  107  De  Quincey; 
p.  94  Rymer;  p.  95  Lamb;  p.  loi  Bysshe;  pp.  102  and  105  Lanier;  p.  104  Besant: 
p.  107  Spencer. 

For  German  theories  of  Criticism,  see  also  p.  25,  26  Carriere,  Goethe;  p.  26,  27 
Hegel,  Herder;  p.  28  A.  von  Humboldt,  \V.  von  Humboldt,  Kant,  Fischer; 
p.  29  Lessing;  p.  30  Lotze;  p.  31  Richter,  Schasler,  Schelling,  Schiller,  A.  W. 
von  Schlegel;  p.  32  F.  von  Schlegel,  Schopenhauer,  Wagner:  pp.  32  and  91  Ulrici; 
p.  32  Wundt;  p.  73  Heine. 

For  French  theories  of  Criticism,  see  also  p.  35  Beaumarchais,  Boileau-Despr6- 
aux,  Bossuet,  Corneille,  Condillac;  p.  36  Cousin,  Diderot,  Guizot,  Hugo;  p.  37 
Joubert,  Marmontel,  Pascal,  Sully-Prudhomme;  p.  38  Rousseau,  St.  Evremond. 
Taine;  p.  39  Voltaire;  p.  74  Sainte-Beuve,  Scherer;  p.  So  Montaigne;  p.  90  .St. 
Marc  Girardin. 


LIT  ERA  TURE  OF  .ES  THE  TICS.  1 1 5 


VI.   MISCELLANEOUS. 

Amiel,  H.-F.  Fragments  d'un  Journal  Intime,  precedes  d'une 
Etude  par  Edm.  Scherer.     4*"  ed.     2  v.  in  i.     Geneva:  1885. 

Tome  2,  p.  72  La  Critique,  iii  Taine,  194  L'Art  de  la  Composition,  23S-40,  244  La 
Critique,  248-251,  300,  301-2  La  Nouvelle. 

Bayne,  P.  Essays  in  Biography  and  Criticism,  ist  series. 
Boston:    i860. 

p.  2S1-333  Ruskin  and  his  Critics,  363-S3  The  Modern  Novel. 

Correspondance  litteraire,  philosophique  et  critique  par 
Grimm,  Diderot,  Ra^-nal,  Meister,  etc.,  revue  .  .  .  par 
M.  Tounieux.      i6  v.     Paris:   1877-82. 

Index  in  Tome  i6. 

Ed.  R.  54:39.     Greek  Philosophy  of  Taste.     I).  K.  Sandford. 

Elze,  K.  Grundriss  der  englischen  Philologie.  2'"  Aufl. 
Halle:   1889. 

p.  60-99  Kritik,  343-360  Stilistik,  361-3S6  Metrik. 

Friedlander,  L.  Uarstellungen  aus  der  Sittengeschichte 
Roms.     5''"  Aufl.     3  v.     Leipzig:   1881. 

Thl.  2,  p.  391-433   Das  Theatre;  Th.  3,  153-328  Die  Kiinste,  329-476  Die  Schone 
Litteratur. 

Galton,  Francis.     Hereditary  Genius.     X.  Y. :   1877. 

p.  167-191  Literary  Men,  225-256  Poets,  Mu.sicians,  Painters. 

Holbeach,  H.  Henry  Holbeach,  Student  in  Life  and  Philoso- 
phy.    2  V.     Lond. :   1865. 

V.  I,  p.  256-292  To  a  Young  Lady  about  to  write  a  Novel,  293-310  To  a  Youug 
Man  about  to  become  a  Critic. 

Kingsley,  Ch.  Literary  and  General  Lectures  and  Essays. 
Lond.:   1880. 

p.  3-31  Greek  Drama,  187-226  Poetry  of  Sacred  and  Legendary  Art  [Rev.  of  Jlrs. 
Jame.son],  229-241  English  Composition. 

Miiller,  K.  O.  Geschichte  der  griechischen  Litteratur.  Bd.  i. 
Stuggart:   1882. 

p.  247-274  ISIusik,  496-529  Tragodie. 

—  A  History  of  The  Literature  of  Ancient  Greece.  Trans, 
and  continued  by  J.' W.  Donaldson.     3  V.      Loud.:    1S58. 

V.  I,  p.  197-217  Music,  392-419  Tragedy;  v.  2,  p.  1-18  Conu-dy. 


1 16  LITER  A  rURE  OF  ^S  THE  TICS. 


19th  Cent.  25:35.     The  Decay  of  Lying.     O.Wilde. 
Oxford  English  Prize  Essays.     5  v.     Oxford:  1830-36. 

V.  I,  p.  15-33  Sculpture,  35-5S  Architecture,  59-79  Affinity  between  Painting  and 
Writing,  167-17S  Dramatic  Composition,  241-273  Ancient  and  Modern  Poetry; 
V.  3,  p.  147-170  Comparative  Estimate  of  Sculpture  and  Painting  [Milman],  245- 
269  Drama;  v.  4,  p.  131-154  Civilization  and  Art. 

Ribot,  Th.     Heredity.     Trans.     N.  Y.:   1875. 

p.  53-65  Heredity  of  the  Imagination. 

Symonds,  J.  A.     Renaissance  in  Italy.     Lond. :  1881.     Italian 
Literature. 

I,  p.  12S-136  Origin  of  Italian  Prose,  207-209  Alberti's  Assays  on  the  Arts. 

—  Sketches  in  Italy  and  Greece.     Lond. :   1879. 

—  Sketches  and  Studies  in  Italy.     Lond.:   1879. 

—  Studies  of  the  Greek  Poets.     First  series.     2d  ed.     Lond.: 

1877. 

p.  219-222  Law  of  Sequence  in  Art,  289-315  Ancient  and  Modern  Tragedy,  412-438 
The  Genius  of  Greek  Art. 

—  Studies  of  the  Greek  Poets.     Second  series.     Lond.:    1876. 

p.  373-3S1. 

Vinet,  Alex.     Outlines  of  Philosophy  and  Literature.     2d  ed. 

p.  457-639  Literature,  Poetry  and  Eloquence. 


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